Name: Bolt Thrower "No Guts, No Glory" by Metal Blade Records in Ritval Chaos II
Duration: 4 min 7 s
Description: "No Guts, No Glory" from the album "Mercenary".

One of my favorite Bolt Thrower songs...Upload Salvo!!

I LOVE how Bolt Thrower is one of the rare few bands that can take one riff and use it for an entire song and it just doesn't get boring! Amazing stuff!

Ritval Chaos II

Necros Christos

"Curse Of The Necromantical Sabbath"

from the 3rd demo "Grave Damnation"

Worship Him Records, 2004

http://www.darknessdamnationdeath.com

Curse Of The Necromantical Sabbath

This is one of my favourite songs by the swedish death metal group Entombed. The song is taken from their second album Clandestine from 1991 and the music is written by Uffe Cederlund and Nicke Andersson.

I have arranged and orchestrated the whole album for both chamber and symphonic orchestra. The chamber version was performed by the Nordic Chamber Orchestra and Entombed in 2013. The symphonic version is gonna be performed in Gävle with the Gävle Symphonic Orchestra and Entombed 1 of February 2014.

This is bounced from Sibelius 7.

Chaos Breed

Dismember - Skin Her Alive (Vocal Cover)

ADVERSARIAL return with their most aggressive offering to date, inexorably displaying their superior brand of death metal and validating darkness with their bone-chilling guitar work and whirlwind song structures. Aspirations for complete violence emit from every riff, howl and blast beat. Enter the realm of total death and see the lone warrior standing atop a mass of infinite bone and rotting flesh. The feral light has risen.

“IN ESSENCE MAN IS BEAST
THE QUINTESSENTIAL BEAST IS GOD
AS A DROPLET IGNITING THE COSMIC SEA
THE FERAL LIGHT RISES…”

Buy the CD

ADVERSARIAL - Warwolf

My Ears Are Bleeding

Graves of The Fathers - Cryptopsy Cover

"No Guts, No Glory" from the album "Mercenary".

Bolt Thrower "No Guts, No Glory"

taken from the "Hero" LP/CD/MC
Release date: 25th of November 2016

IRON BONEHEAD PRODUCTIONS is proud to present BÖLZER's massively anticipated debut album, Hero. Hailing from Switzerland, BÖLZER are one of the most unique entities the metal underground has birthed in years. For one, BÖLZER are proudly and resolutely a duo, using the barest essentials of voice, guitar, and drums and yet creating one of the densest, most world-eating sounds around. For another, the duo have wisely and patiently parceled out their recordings, with a lone nine songs to date across three records - 2012's Roman Acupuncture demo, 2013's IRON BONEHEAD-released Aura EP, and 2014's Soma EP - judiciously chronicling the band's evolution into one of the most critically acclaimed metal bands in recent memory. And yet, "critical acclaim" has never been a part of BÖLZER's agenda: their commitment is to their art alone, but it just so happens that word-of-mouth built organically (and feverishly), especially on the strength of their devastating, soul-draining live performances, where they can recreate every aspect of their records in the flesh.

And at long last, flesh is given to a full-length album, and it bears the characteristically idiosyncratic title Hero. Here, in many ways, BÖLZER break from their past. Rich 'n' resonant clean vocals often take center stage, lending an alternately mournful/majestic quality to the duo's earth-juddering bulldoze. Likewise, the production across Hero is categorically cleaner than their grime-coated EPs, which dynamically enhances the spiraling melodicism that explodes into being here. Suitably, the songwriting itself takes on dazzling new contours, wending 'n' winding with even more fluidity - and certainly more daring - than the band's epic-yet-effortless EPs. And yet, for however seemingly radical these developments are - ultimately, they shouldn't be that "radical" in the hands of capable and sincere artisans - it all sounds like BÖLZER, both what they were, what they can be, and most especially, what they currently are. Every aesthetic suggestion, every subtle nuance, every thing left unsaid in the past: here on Hero, it's all harnessed into a molten maelstrom that's ever more unique (and alien) because it's unshackled itself from expectation. It is, in a word, heroic. But what is the meaning of Hero? Discover for yourself, plunge into that maelstrom, and let BÖLZER be your guide.

Bölzer - Spiritual Athleticism

7" split EP released by Terratur Possessions



URFAUST - Split with CELESTIAL BLOODSHED

Anthology

Obituary - Turned Inside Out

Z jícnů propastí (from the "Triumvirát" LP) 2012

Pestilence - Dehydrated

Testimony Of The Ancients

Pestilence - Land of Tears

Pre-Order from Relapse: http://smarturl.it/deathspiritual

Death’s landmark ‘Spiritual Healing’ record is nothing short of genre-defining.  Originally released in 1990, Spiritual Healing marked a new turn in the Death discography, one which ushered in cleaner production, a new level of boundary pushing musicianship and songwriting skills that were previously unimaginable from a metal band.  Spiritual Healing sets the standard for riffs, insane time changes and of course mainman Chuck Schuldiner’s masterful guitar solos.

Death - Living Monstrosity

DEATH - "Zombie Ritual" from 'Scream Bloody Gore' (Deluxe Reissue) Coming out May 20, 2016 on 2CD/DLX. 3CD/LP/DLX. 2XLP/Cassette/Digital via Relapse Records.

Pre-Order on Relapse: http://bit.ly/scream-bloody-gore
Pre-Order on Bandcamp: http://bit.ly/26dqEaN 
Pre-Order on Google Play: http://geni.us/SBGGP 
Pre-Order Deluxe on iTunes: http://geni.us/SBGiTDLX 
Pre-Order Standard on iTunes: http://geni.us/SBGiT
Pre-Order on Amazon: http://geni.us/SBGAMZ

Official links:

Death on Facebook: www.facebook.com/DeathOfficial
Death on Twitter: twitter.com/deathofficial
Death on Bandcamp: http://deathband.bandcamp.com 

www.relapse.com 
www.facebook.com/relapserecords
www.relapserecords.bandcamp.com 
www.twitter.com/relapserecords

Death - Zombie Ritual

Death - Scavenger Of Human Sorrow (Remastered)

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Bolt Thrower "No Guts, No Glory"

Metal Blade Records

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