Name: Bolt Thrower "No Guts, No Glory" by Metal Blade Records in Set list #1
Duration: 4 min 7 s
Description: "No Guts, No Glory" from the album "Mercenary".

One of my favorite Bolt Thrower songs...Upload Salvo!!

I LOVE how Bolt Thrower is one of the rare few bands that can take one riff and use it for an entire song and it just doesn't get boring! Amazing stuff!

Set list #1

All rights are reserved to Grave and their respective owners

You'll Never See...

GRAVE - Morbid Way to Die

DARK FUNERAL - 666 Voices Inside

"Eating the Visions of God" from Job for a Cowboy's "Sun Eater" album.

Job for a Cowboy "Eating The Visions Of God"

Behind The Courthouse

"No Guts, No Glory" from the album "Mercenary".

Bolt Thrower "No Guts, No Glory"

Alternative Tentacles is very excited to bring you the original 1984 demos of VOIVOD. Straight off the master tapes, these demos are burning hot and sound better than any bootleg you ever heard before! Blistering versions of songs later rerecorded for War and Pain, their debut album plus 6 others, including a Mercyful Fate cover and two Venom covers. Out Nov 22 on CD, 2xLP and Digital Download (Catalog # Virus 432)

VOIVOD - Iron Gang (from To The Death 84)

DEFEATED SANITY - Liquifying Cerebral Hemispheres

THE CLASSIC & HIGHLY-RARE PIECE OF DOOM/DEATH METAL FROM THE SWEDISH MASTERS – NOW ON PEACEVILLE WITH 2 BONUS TRACKS

Katatonia was formed in 1991 by Anders Nyström and Jonas Renkse. Their debut album, ‘Dance of December Souls’, was released in 1993, gaining the band recognition for their eclectic brand of gothic doom/death metal and joining acts such as Paradise Lost and My Dying Bride as one of the genre’s defining bands. On future albums a newer, sleeker Katatonia sound came to the fore, starting with a streamlined and structured collection of melodic dark rock songs that became third album ‘Discouraged Ones’; the main evolution point for modern day Katatonia.

‘For Funerals to Come’ is an incredibly rare piece of death/doom metal mastery from back in 1994, which was recorded following Katatonia’s debut album, ‘Dance of December Souls’. It was recorded with Dan Swanö at the famous Unisound Studios and contains the trademarks of early era Katatonia, with the haunting guitar melodies and slow tempo combining with the tortured vocals of Jonas Renkse to create an aura of melancholy and gothic darkness.

This edition of ‘For Funerals to Come’ contains two extra tracks, ‘Black Erotica’ and ‘Love of the Swan’ (both also recorded at Unisound later in 1994), which had previously appeared on an obscure compilation, and contains new liner notes from co-founding member, writer & guitarist, Anders Nyström.

    1. Funeral Wedding 
2. Shades of Emerald Fields 
3. For Funerals to Come 
4. Epistel 
5. Black Erotica 
6. Love of the Swan

To order Katatonia albums from the Peaceville store, go to www.burningshed.com/store/peaceville/

For more info on Katatonia, go to www.peaceville.com/katatonia

Katatonia - Black Erotica (BONUS TRACK from For Funerals to Come)

Anthology

Obituary - Back from the Dead

Obituary - Back to One

Obituary - Don't Care

From the AMORPHIS release, Forging The Land of Thousand Lakes

Silver Bride

AMORPHIS - Silver Bride

The brand new SUFFOCATION album, PINNACLE OF BEDLAM, out Feb. 15 (EU) and February 19, 2013 (NA) via Nuclear Blast Records!

Cycles of Suffering

SUFFOCATION - Cycles of Suffering

DARKTHRONE -THE UNDERGROUND RESISTANCE
THE NEW ALBUM COMING FEBRUARY

Norwegian legends Darkthrone have completed work on their latest album 'The Underground Resistance', which is set for release on Peaceville Records on February 25th.

‘The Underground Resistance’ is Darkthrone’s latest venture through the metal cosmos, & first new album since the 2010 opus ‘Circle the Wagons’. A continuation of the free-spirited metallic lands the duo of Fenriz & Nocturno Culto have been roaming for a long time, ‘The Underground Resistance’ contains Darkthrone’s trademark masterful riffing in a broad range of styles, effortlessly bounding through the annals of classic metal, taking in thrash, speed & black metal, & not forgetting a dose of Punk. All in all a ferocious & dynamic set of tracks drenched in Fenriz’s & Nocturno’s rich & diverse tastes in all things metal, primarily those rooted firmly in the spirit of the 80’s. 6 tracks long, & every one an epic in itself, this is undoubtedly Darkthrone’s strongest outing of late.

‘The Underground Resistance’ was written & recorded spring 2010 to summer 2012 at Necrohell 2 studios by the band themselves. The album was mastered by Jack Control at Enormous Door, Texas USA. Cover artwork also comes courtesy of the iconic & celebrated artist Jim Fitzpatrick.

“3 songs each, Ted's are flown from the universe of metal with his strongest voice ever so far. Songs of mine are torn from the wombs of the riders of rohan of metal; safely cradled in 1985 style”
Fenriz, December 2012

Darkthrone began life in the late 80’s as a thrash/death metal act & progressed through technical death/doom metal experimentation to become legends of the black metal world & one of the original leading bands of the Norwegian scene, as well as inspiring a whole generation of metal bands.

Peaceville store

Darkthrone - Leave No Cross Unturned (edit) (from The Underground Resistance)

AMORPHIS - Silent Waters

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Bolt Thrower "No Guts, No Glory"

Metal Blade Records

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