Name: Bolt Thrower "No Guts, No Glory" by Metal Blade Records in set 1
Duration: 4 min 7 s
Description: "No Guts, No Glory" from the album "Mercenary".

I LOVE how Bolt Thrower is one of the rare few bands that can take one riff and use it for an entire song and it just doesn't get boring! Amazing stuff!

set 1

Digitizer - Age Of Technology

Anaal Nathrakh "Idol" from the album "Desideratum"

Anaal Nathrakh "Idol"

Dont lie to me, i know you went to the forest and tripped without me

My contribution to 808 Box - Time Capsule

Digitizer - Machine Slave

The Faceless God

"No Guts, No Glory" from the album "Mercenary".

Bolt Thrower "No Guts, No Glory"

Necrophagist - Fermented Offal Discharge

Band: Dys Inbunden
Song: Buried By Time And Dust  (Mayhem cover)
Year: 2016
Country: Sweden
Genre: Black Metal

THE SONG IS NOT FOR SALE! We do not own the rights. They belong to Mayhem.

Buried By Time And Dust (Mayhem cover)

Black Metal the way it was meant to be played, raw, aggressive, cold  and with underground attitude!
Grim & cold Black Metal from Dutch soil!

As a small country, the Dutch are far from doing bad when it comes to their contribution to the black metal scene, on the contrary and Tarnkappe proved this in 2014 with “Tussen Hun en de Zon”, a largely left unnoticed record of great magnitude, shame on you all! As a project of two members of bands such as Kjeld, Salacious Gods, Lugubre these guys are deeply rooted in the underground.

‘Winterwaker’ (meaning “Guardian of Winter” in English) by Tarnkappe is the follow-up that proves this quality-approach in full. In this case you will be caught by surprise totally, since this is a classic Black Metal album that needs to be heard. We would dare say this the traditional 90’s Black Metal record we all have been waiting for, records like this are not made anymore...

If you enjoy your Black Metal with an organic, natural sound, Tarnkappe will be on your to get. We would say that Tarnkappe revives the old 90’s Scandinavian spirit in full, but this would not justify what this band has achieved here. They are original enough to have their own sound. Great songs, razorsharp guitar riffs, insane vocals and a topnotch production is what you get. A hypnotizing, gloomy setting that makes this release sound ritualistic and captivating. All delivered in an ice-cold artwork.

If you like it cold, grim and traditional, and still feel melancholic on the early 90’s scene, then you need Tarnkappe!

Winterwaker

Tarnkappe - De Hal Van Het Geheugen

Goatwhore "Vengeful Ascension" from the album "Vengeful Ascension"

Vengeful Ascension

Goatwhore "Vengeful Ascension"

Get it !

Machines Complete

Anthology

Obituary - Turned Inside Out

Assault **FREE DOWNLOAD**

Necrophagist - Stabwound

release date: 27th of May

Move D is a true legend in deep, house music. We own A LOT of his records. When we found the track 'Wanna Do' on the 50th Groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. The track was too good to be only available through that cd. So Move D sent a second - also really great - track along, and the result is what you're listening to at the moment. The first 300 copies are available on marbled purple vinyl. Get yours. 

TRACKLIST
1. Move D - Wanna Do
2. Move D - Nautique

http://www.curle.be


Wanna Do

Move D - Nautique

Download the entire EP - "Reanimated Monstrosity" for FREE via Bandcamp! http://strychnia.bandcamp.com/album/reanimated-monstrosity

Solitary confinement of their minds 
Infesting urge to kill 
Twisted swarm of savage lust and hate 
Enforcers of capital punishment 

Thrust into a ravenous crowd 
Convicted of crime, last words denied 

Psychological torture, their vengeance incomplete 
Families of murder victims, fiends for a remedy 
Therapeutic slaughter, an example for the weak 
 Justice without a system, Death on your TV screen 

Face the guillotine! 

Cephalectomy! 
Unsatisfied without blood on their hands 
They need to kill again 
Pleading for mercy 
Beg for the end 
Let them feed! 

Solitary confinement of their minds 
Infesting urge to kill 
Twisted swarm of savage lust and hate 
Enforcers of capital punishment 

Feeding frenzy, dismemberment 
Blood for the masses! 

Unrelenting prisoners are running out of time 
Trying to escape their sentence, claims of insanity 
Denied by the judges hammer, detained by demented beasts 
Dragged from the jury’s chambers, into a pit of hell 

Face the guillotine! 

Cephalectomy! 
Unsatisfied without blood on their hands 
They need to kill again 
Pleading for mercy 
Beg for the end 
Let them feed! 

Fountains of blood, cover the crowd! 

Disgrace the corpse, pleasure for gore 
Post-mortal rape, ejaculate 
Scattered remains, among a mass grave 
Slaughtered in public.

Cephalectomy

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

DJ Dreibot is together with Ian Lee cofounder of abseits Recordings. The label is based
on parties called abseits which were celebrated in the end of the 90īs. They set the focus on 
unconventional music. Their goal is to present a variety of different music styles and art to blow up your mind. 
Dreibot is at home in creating electronical music and played in clubs, partys and a lot of famous radioshows 
(eg. FM4, Elektrodos, Tracklistings, Threads, Techno-Club, Arkada Podcast, Science Cult Radio etc...). 
Another important thing is in doing lotīs of enginbeering. The artist name is 3Bot.

Take a look at:
https://ra.co/dj/dreibot
https://abseitsrecordings.bandcamp.com/
https://www.mixcloud.com/dreibot/
https://dreibot.bandcamp.com/

Bolt Thrower "No Guts, No Glory"

Metal Blade Records

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