Name: Cannibal Corpse "Demented Aggression" by Metal Blade Records in MyDM
Duration: 3 min 14 s
Description: Cannibal Corpse "Demented Aggression" from the album "Torture"

я сегодня  футболку купил с этим принтом

MyDM

DEATH - "Spirit Crusher"

'The Sound Of Perseverance' vinyl reissues are due out this November 28 on 2xLP/Deluxe 3xLP Boxset via Relapse Records.

Pre-Order via Relapse.com: http://bit.ly/death-tsop

Order via Bandcamp: https://deathband.bandcamp.com
Order via Google Play: http://geni.us/TSOPGP
Order via Amazon: http://geni.us/TSOPAMZ
Order via iTunes: http://geni.us/TSOPiT

Death on Facebook: http://www.facebook.com/DeathOfficial
Death on Bandcamp: http://deathband.bandcamp.com
Death on Twitter: http://twitter.com/deathofficial
Death on Instagram: http://instagram.com/deathofficial
Death on Spotify: https://open.spotify.com/album/0p6DxsQOhQ5qiBnUu9G1PB

www.Relapse.com
www.facebook.com/RelapseRecords
www.relapserecords.bandcamp.com

Death - Spirit Crusher

Death - Pull The Plug (Remastered)

Cannibal Corpse - High Velocity Impact Spatter 2014

I changed the pitch..

Guys this is a troll cover, you don't need to get pissed HAHAHAHAHAHAHA

**got f*cked up in the fast part, didn't have time to record it again. Sorry.**

BATMETAL (Face Fisted - Dethklok Cover) by Nolie Kristoffer Gabia

"The Architect of Flesh" - This track reveals the full extent of Crowe’s curse. Through the Codex Umbralis, his body becomes more than a vessel—it is remade as a living temple for the entity. Each scar, each wound, each murder was not random but part of a grand design: the construction of a gateway through flesh itself. The lyrics shift between Crowe’s horrified awareness and the entity’s triumphant proclamation, with Abberline beginning to realize that his partner’s body has been transformed into the ritual’s foundation. The tragedy deepens: Crowe is no longer simply possessed, but restructured, his humanity overwritten into architecture for something that wants to step fully into the world.

[Intro]
[CROWE]
Through time's deep cracks, the syllables creep,
Older than stars, in shadows they sleep.
Tongues forged in ash, etched deep in stone,
I form their shapes—but not alone.

[Verse 1]
[CROWE]
My veins they ink the script unseen,
My skin’s the parchment where gods convene.
Dreams carve diagrams in red,
Ancient glyphs where blood has bled.

I thought the words could give me sight,
Instead they claimed my shape outright.
The marrow twists, the tendons bind,
A temple raised from flesh and mind.

[Pre-Chorus]
[CROWE]
I thought I searched, but I was found,
A vessel forged, a soul now bound.
The Codex spoke, the lines were sown—
It carved a frame that’s not my own.

[Chorus]
[CROWE]
The architect of flesh claims and binds,
My blood the blueprint, my bones the lines.
The architect of flesh, design complete,
Through me it builds what can’t be beat.

[ENTITY]
Flesh is mine… design complete…

[Post-Chorus]
[CROWE]
Carved in marrow… etched in breath…
Life remade… through living death.

[Verse 2]
[CROWE]
Its script carved deep in bone and vein,
An edifice built through sacred pain.
My heart tolls like a chapel’s bell,
My skull the doorway, my ribs the shell.

It spoke in tongues my lips betrayed,
Each vow a stone the temple laid.
I was the seeker, now I’m clay—
Shaped by hands that won’t decay.

[Pre-Chorus]
[CROWE]
I thought I searched, but I was found,
A vessel forged, a soul now bound.
The Codex claimed, the patterns pressed—
It made my body manifest.

[Chorus (Variation)]
[CROWE]
The architect of flesh, no will, no choice,
My frame the altar, my throat its voice.
The architect of flesh, design fulfilled,
The door now opens, the blood is spilled.

[ENTITY]
Blood is spilled! Flesh is mine!

[Bridge]
[ABBERLINE] “What curse is this?”
[ENTITY] (Your partner’s skin)

[ABBERLINE] “He bleeds, he breaks—”
[ENTITY] (He builds, he makes.)

[ABBERLINE] “This path consumes!”
[ENTITY] (Through him I bloom!)

[ABBERLINE] “His soul, undone—”
[ENTITY] (The work begun!)

[Breakdown
[ENTITY]
Not man, not god—but what survives,
A temple built from living lives.
No silence left, no voice, no rest—
Only the Codex, carved in flesh.

[Final Chorus]
[CROWE]
The architect of flesh—I can’t resist,
Each breath a stone, each wound its fist.
The architect of flesh—design aligned,
Through me it builds, through me confined.

[ENTITY]
Through you confined… design aligned!

[Extended Outro]
[CROWE]
These hands were mine… (no longer mine…)
This breath was mine… (lost to design…)
This life was mine… (crossed the line…)
The temple stands… and I’m confined.

[ENTITY]
“Zorath’nim… Mor’thak keleth…”

Heartbeat slows, silence.


The Architect of Flesh

Super heavy neckbreaking Cannibal Corpsesong! Updated with crushing vocals by Sweet Mitchell. 
Fredrik: instruments and production.
https://soundcloud.com/mitchelldavis-2 : vocals

Scourge Of Iron (Cannibal Corpse cover) ft. Sweet Mitchell on vocals.

DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released the Individual Thought Patterns album (the follow-up to their watershed Human release) in 1993. Expectations were high following Human, but Schuldiner proved once again that he could rise to any occasion. Individual Thought Patterns further honed the forward-thinking and progressive direction birthed with Human, and included “The Philosopher”; arguably the best song to ever come from the world of extreme metal and to this date the most widely-recognized. Remixed by DEATH mastering engineer Alan Douches (West West Side), remastered, repackaged and featuring tons of newly unearthed and previously unreleased demo and live tracks, this is the ultimate version of Individual Thought Patterns. 

DEATH - "The Philosopher" (Remastered)

DEATH - "Zombie Ritual" (Remastered), from the new reissue of 'Scream Bloody Gore,' out now on 2CD/LP/Deluxe 3CD/Deluxe 2xLP Boxset/CS/Digital via Relapse Records.

Order via Relapse.com: http://bit.ly/scream-bloody-gore
Order via Bandcamp: https://deathband.bandcamp.com/album/scream-bloody-gore-deluxe-reissue
Order via Amazon: http://geni.us/SBGAMZ 
Order via Google Play: http://geni.us/SBGGP
Order via iTunes/Apple Music:  https://itunes.apple.com/us/artist/death/id17249530
Death on Spotify: https://play.spotify.com/artist/4f5V3PQ66nIrBCqugJtaGn?play=true&utm_source=open.spotify.com&utm_medium=open

Death on Facebook: www.facebook.com/DeathOfficial
Death on Bandcamp: http://deathband.bandcamp.com
Death on Twitter: http://twitter.com/deathofficial

www.Relapse.com
www.facebook.com/RelapseRecords
www.relapserecords.bandcamp.com

Order

DEATH - Zombie Ritual (Remastered)

"I Cum Blood" from "Tomb of the Mutilated".

Cannibal Corpse "I Cum Blood"

The title track from "Evisceration Plague". 

Evisceration Plague

Cannibal Corpse "Evisceration Plague"

"Death Walking Terror" (Live) from the "Global Evisceration" DVD.

Cannibal Corpse "Death Walking Terror" (Live)

Cannibal Corpse "Demented Aggression" from the album "Torture"

Cannibal Corpse "Demented Aggression"

Cannibal Corpse Decency Defied

ESP MM-405 - Solid Metal - SonicStorm - Gi 100 - Saffire- Recabinet2

Megadeth - Angry Again

Music by Cannibal Corpse
Guitars by Ciarán Ryan
Vocals by Kacper Andraka

Cannibal Corpse - Scourge of Iron Cover

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Cannibal Corpse "Demented Aggression"

Metal Blade Records

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