most controversial and befitting album art

From the July 2013 Release 'War of Will' BATTLECROSS ON TOUR Sept-October with HATEBREED, THE ACACIA STRAIN, SHADOWS FALL.  Oct-November with DEATH ANGEL, 3 inches of blood, REVOCATION & DIAMOND PLATE. Tour Dates here:  http://www.bandsintown.com/battlecross

Buy this album!

Beast -  ON TOUR NOW!

Decibel Magazine Flexi Series
(DB005)
Napalm Death
"Legacy Was Yesterday"

(Music: Embury / Lyrics: Embury / Greenway)

Sealed maze of confusion
The mind is perplexed
 Faith in the life you choose
A stake in being yourself
Who else can you be?
What else can you be?
True to yourself and forge ahead
And deal with the fucking consequences

By turns we are bemused
We will be stretched taut and ordered
Give a thousand apologies
Trying to work through the guilt
Lashed down to this legacy that was yesterday
Old friend, you’re reviving the pettiness of all the worst memories

From minefield of childhood
 to melting pot of frailty
Didn't we grow up?
Or did we just grow apart?
Always looking back - why be so afraid?
Be True to yourself and forge ahead

By turns we are bemused
We will be stretched taut and ordered
Give a thousand apologies
Trying to work through the guilt
Tripping through this legacy that was yesterday
Old friend, you’re reviving the pettiness of all the worst memories
Persisting in this legacy that was yesterday 

Napalm Death "Legacy Was Yesterday" (dB005)

Order the issue of Decibel containing this Toxic Holocaust flexi disc here: http://store.decibelmagazine.com/collections/back-issues/products/january-2014-111

Toxic Holocaust "Life Is a Lie" (dB037)

1st track from the "Surpassing The Boundaries Of Human Suffering" CD

Skinned And Fucked

Allegaeon "1.618" from the album "Elements of the Infinite"

Allegaeon "1.618"

staring in the mirror
all i see is u
couldn’t be any clearer
what i need to do
the night is young
the moon is out
can u feel the sparks in the air? 

when we kiss under the moon 
u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

dreamy eyes, yes
in ur sundress
as u stare at me 
i start to say 
“i can’t deny, 
ur dreamy eyes
make me feel like 
i’m lost in time” 

when we kiss under the moon 
u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

there’s nowhere left to go
except right here next to u
nothing can stand in our way
everything will be okay 

u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

cAuTeRiZe (under the moon)

Vicious Amphibious Stampede

Cattle Decapitation "Humanure"

taken from "Dogma Anti God", 2018

Order your copy here: http://bit.ly/2CrJB3Z

Also available at EMP, Amazon, Nuclear Blast, iTunes... 

Six years have passed since “Mayhem Maniac Machine” was released, but the sounds of the shots fired out of this very effective, technical death metal weapon are still reverberating in the ear. Now, the Southern Germans prepare their next gunfire: “Dogma Anti God”. The band recorded the nine tracks together with producer Kristian „Kohle“ Kohlmannslehner (Aborted, Benighted) in his Kohlekeller Studio and created an album that is musically more open than its predecessor without losing DEADBORN’s uniqueness and recognition value. This dogma is irrevocable!

Dogma Anti God

Deadborn - Your Symbol Burns

Our premiere of a song off "Khaos Mortem", the new album by the Québec City death/crust band SACCAGE. It will be released on September 20th -- on CD via PRC Music, on cassette via Suicide by Cops Records, and as a name-your-price digital download via the Saccage Bandcamp.

https://prcmusic.bandcamp.com/album/saccage-khaos-mortem-cd
https://saccage.bandcamp.com/album/khaos-mortem-cd-lp-cs-2019

Khaos Mortem

SACCAGE:  "LA KERMESSE DU CHARNIER"

Download the entire EP - "Reanimated Monstrosity" for FREE via Bandcamp! http://strychnia.bandcamp.com/album/reanimated-monstrosity


Awaken the beast
No turning back or defeat
Reanimated monstrosity 
Rise to slay the weak! 

Rise! 
Slay the fucking weak! 

No longer dormant, awaken the beast 
Return of supremacy at it's finest 
No turning back now, no chance of defeat 
Here to reclaim our domination 

Wreak havoc across the globe
Crush, structures collapsing from force
Burn, paths of a destructive blaze
Kill, all who stand unworthy

(John Gallagher):
*Spinal cord submission, dissecting the nerves
*Carving out the throat
*Sever the resistance, and smother every corpse
*Both friend and foe

Rise!
Slay the fucking weak!

(John Gallagher):
*Flooding of endless pain
Finally setting in
*Refuse to stand down
And feel the wrath 
*Flooding of endless pain
Finally setting in
*Refuse to stand down
And feel the wrath 

Feel the wrath!

Crush through the opposition, churning debris
Death to the enemy, a slaughter regime 
Smash through the competition, sickening beast
Death to the enemy, a slaughter regime   

Death! 

Awaken the beast
No turning back or defeat
Reanimated monstrosity
Rise to slay the weak!

(John Gallagher):
*Unleashing the violence through desecration 
*Bringing back the pain!
Pain!

Reanimated Monstrosity (Featuring John Gallagher of Dying Fetus)

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Cattle Decapitation "Humanure"

Metal Blade Records

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