Name: Cirith Ungol "Looking Glass" by Metal Blade Records in Daily Drops
Duration: 4 min 25 s
Description: Cirith Ungol "Looking Glass" from the album "Dark Parade"

Daily Drops

Cirith Ungol "Velocity (S.E.P.)" from the album "Dark Parade"

Dark Parade

Cirith Ungol "Velocity (S.E.P.)"

Cirith Ungol "Looking Glass" from the album "Dark Parade"

Cirith Ungol "Looking Glass"

DragonCorpse - Dragonectomy: Chased Through A Dungeon By A Horny, Recently Divorced Dragon

King (Prod. Jake Adkins & Conner Riley)

Morne "Wretched Empire" from the album "Engraved with Pain"

Engraved with Pain

Morne "Wretched Empire"

W.E.B. "Necrology of Hel" from the EP "Into Hell Fire We Burn"

Into Hell Fire We Burn

W.E.B. "Necrology of Hel"

Already Over

So Far Gone

So Far Gone (Reignited)

Losing My Religion

Losing My Religion (Live At The Palace / 1999)

We Love You Moar (feat. Pussy Riot)

Restoration

From This Day Forward - Artificial Care

As The Structure Fails - E.O.E

Love’s Story is a hauntingly intimate chronicle of love’s unraveling—told through seven emotionally charged chapters. Each track is a fragment of memory, a whispered confession, or a ghost that lingers in the quiet spaces between words. From the aching vulnerability of Unworthy Heart to the spectral echoes of Ghost Limb, Silent at Twelve crafts a sonic landscape where heartbreak feels sacred and silence speaks louder than sound.

The album moves like a dream slipping into dusk: One Kiss Meant Nothing stings with betrayal, Without Me aches with absence, and Fractures Align finds beauty in brokenness. By the time Empty Promises fades into the ether, you’re left with the feeling that love isn’t just a story—it’s a haunting.

Minimal yet cinematic, Love’s Story blends atmospheric production with raw emotional clarity, perfect for late-night introspection or the quiet aftermath of goodbye.

Without Me

Composer: Joyce Manor
Performing Artists: https://soundcloud.com/sethilist https://soundcloud.com/mangored
Cover Art: https://soundcloud.com/jj-saenz-982753618
Solo Version: https://soundcloud.com/sethilist/nbtsa-solo

[Sethilist]
Well can I tell you a secret
And can you promise that you'll keep it
Well if you can't, just say so
I don't know why I want you to know
Something happened to me last night
And ever since I don't feel right
I think it did something to my brain
And I may never be the same again
And I may never be the same again
And I may never be the same again
And I may never be the same again
And I'll never be the same

[Guitar Solo]

[Sethilist]
Well can I tell you a secret
I know you're not gonna believe this
But something happened to me last night
And I may never be the same again

[Sethilist & Mango Red]
And I may never be the same again
And I may never be the same again
And I may never be the same again
And I may never be the same again
And I may never be the same again
And I may never be the same again
And I may never be the same again
And I'll never be the same

NBTSA

3. BLACK SMOKE

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Cirith Ungol "Looking Glass"

Metal Blade Records

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