Name: Desaster "Learn to Love the Void" by Metal Blade Records
Duration: 3 min 58 s
Description: Desaster "Learn to Love the Void" from the album "Churches Without Saints"

not bad sounds a bit like Gorgoroth at times

Desaster "Learn to Love the Void" from the album "Churches Without Saints"

Churches Without Saints

Desaster "Learn to Love the Void"

Goatwhore - Bloodguilt Eucharist - Funeral Dirge For The Rotting Sun

FEARED ”Synder" available at www.fearedband.com
Available on iTunes, Amazon and Spotify in May 2015

Feared is not under any label, so we rely heavily from the support from our fans. Without you we are nothing. Thank you for supporting music!

Feared on iTunes - www.itunes.com/feared
Feared on Facebook - www.facebook.com/fearedband

Track list:

1. Synder

2. Your Demise
3. Of Iron and Ashes
4. Caligula
5. My Grief, My Sorrow
6. Dygder
7. By Silent Screaming
8. Wolf at the End of the World
9. My Own Redemption
10. Dying Day
11. War Feeding War
12. The Narcissist
13. Godless Devotion

Music and lyrics by Ola Englund

Produced and mixed by Ola Englund and Jocke Skog
Drums produced by Kevin Talley 

Mastered by Ermin Hamidovic

Artwork by Sylvain Lucchina - Razorimages.com

05 My Grief, My Sorrow

Black Death

Lyrics
Piles of corpses
Festering with disease
Thrown over brick walls
Ripe with plague
Biological warfare
Undiscriminating death
Defenseless 
Against  suffering
Killing an entire city without steel or force
Coughing blood and puss filled sacs far worse than the sword
Spreading  like wild fire across all of Europe
Decimating empires invoked the wrath of god
Burning women at the stake, Blame this on their sin
The pope declares a lack of faith demands fear based conversions
Killing half of Europe 50 million dead
No hope for a solution as fear and panic spread
Insult adds to injury and justifies atrocity
As we look for someone to blame
Unimaginable suffering
Immense pain and agony
Nowhere to bury the dead
The stench of death is over bearing
Carried by fleas
Spread by trade
Spread by war
The black plague
A mass extinction, like never before
Worse than genocide, worse than war
Invisibly infecting, visibly grotesque
No hope for curing, the black death
Flu like symptoms, fever and chills
Swollen Lymph nodes, Boils all over the skin
Black spots/ Weakness /horrible stench  puss drainage
Unimaginable suffering
Immense pain and agony
Nowhere to bury the dead
The stench of death is over bearing
Carried by fleas
Spread by trade
Spread by war
The black plague
A mass extinction, like never before
Worse than genocide, worse than war
Invisibly infecting, visibly grotesque
No hope for curing, the black death



Black Death

Taken from "Pimps Of The Living Dead" 2010 Redhouse FMP

Pimps Of The Living Dead

The title track from "Close To A World Below".

Immolation "Close To A World Below"

Until All Flesh Decays

PIGHEAD - Eliminate Alien Elements

From the ENSLAVED album, Axioma Ethica Odini, out on September 27, 2010 (Europe) and September 28, 2010 (North America)

ENSLAVED - Ethica Odini

The Best of Mercyful Fate

Mercyful Fate - Burning The Cross

Brain Drill - Obliteration Untold

CENTINEX - Beyond The Dark

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Desaster "Learn to Love the Void"

Metal Blade Records

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