Name: King Diamond "The Trees Have Eyes" by Metal Blade Records
Duration: 4 min 46 s
Description: "The Trees Have Eyes" from "House of God" (Re-issue).

Killer stuff... Very underrated track, but very hard to live performance.

Like well-written, super catchy psycho horror punk?  All killer and no filler on the debut release from NorCal's Stellar Corpses.  Fans of Misfits, Mad Sin and Koffin Kats should eat this corspe cake in one bite.

Stalking After Midnight

staring in the mirror
all i see is u
couldn’t be any clearer
what i need to do
the night is young
the moon is out
can u feel the sparks in the air? 

when we kiss under the moon 
u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

dreamy eyes, yes
in ur sundress
as u stare at me 
i start to say 
“i can’t deny, 
ur dreamy eyes
make me feel like 
i’m lost in time” 

when we kiss under the moon 
u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

there’s nowhere left to go
except right here next to u
nothing can stand in our way
everything will be okay 

u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

cAuTeRiZe (under the moon)

Absolute Principle

"The Trees Have Eyes" from "House of God" (Re-issue).

King Diamond "The Trees Have Eyes"

The Best of Six Feet Under

When Skin Turns Blue

An Overdose of Death...

Death From Above

... Of The Dark Light

Return To The Abyss

Get the album here!

Suffocation - Return To The Abyss

taken from "Summoning The Circle", 2018

Order your copy here: http://bit.ly/2CrJB3Z

Also available at EMP, Amazon, Nuclear Blast, iTunes...

Since their latest album „Retaliation“, Obscenity went through many changes. The most obvious being the additions of their new vocalist Manuel Siewert (December Flower) and their new bass axe man David Speckmann (Burial Vault). Both are now presenting their recording-debuts with Obscenity on “Summoning The Circle”, accompanied by the band’s veterans Hendrik Bruns (guitar) and Sascha Knust (drums) as well as guitarist Christoph Weerts. The recordings for the new songs took place at the Soundlodge Studio (Anvil, God Dethroned, Dew-Scented) with longtime-partner Joerg Uken and in guitarist Christoph Weerts’ own studio while mixing and mastering were done by Christoph Brandes in his Iguana Studio (Necrophagist, Spheron, Maladie). The result speaks for itself and delivers punchy and brutal classic death metal at its meanest.

Summoning The Circle

Obscenity - Invocation Obscure

The Best of Mercyful Fate

Mercyful Fate - A Dangerous Meeting

The Best Of Annihilator

Annihilator - Wicked Mystic

Genesis XIX

Nicht mehr mein Land

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

King Diamond "The Trees Have Eyes"

Metal Blade Records

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