Name: MASTER BOOT RECORD "RAM" by Metal Blade Records in SETUP.EXE
Duration: 5 min 25 s
Description: MASTER BOOT RECORD "RAM" from the album "Hardwarez"

SETUP.EXE

Your Lies Are Like Fire

https://keygenchurch.bandcamp.com/album/--2

KEYGEN CHURCH - HAREKLAVIT

Handgun Harmony (Andrew Hulshult Cover)

MASTER BOOT RECORD - Bayarea.bmp

Satellites

Blind Lead the Blind

MASTER BOOT RECORD "CPU" from the album "Hardwarez"

MASTER BOOT RECORD "CPU"

MASTER BOOT RECORD "RAM" from the album "Hardwarez"

MASTER BOOT RECORD "RAM"

Concept
The Quiet Hunger is the moment the Abyss stops observing… and starts awakening.
After confronting the emotional weight of Ghosts of My Stolen Dreams, the protagonist wanders into a realm where the silence is no longer empty. The air feels alive. The walls breathe. The shadows tremble in anticipation. Something ancient and unseen has begun to stir beneath the surface of the dream-world.
Not attacking.
Not speaking.
Just waiting.
Watching.
Hungering.
This instrumental captures the cold realization that he is no longer alone.
Visual Concept
The artwork depicts a lone figure standing beneath a narrow column of blue light, surrounded by twisting, shadowy tendrils emerging from the darkness.
They do not strike.
They simply reach…
as if tasting the air around him.
This is the Abyss revealing its appetite.
Place in the Album Narrative
The Quiet Hunger serves as the turning point between introspection and terror.
Up to this moment, the protagonist has encountered echoes and ghosts—remnants of himself.
But now, he enters the domain of the Abyss itself, where entities are not memories…
but predators.
It leads directly into the next track: Teeth in the Dark — where the hunger becomes a hunt.
For the Listener
Listen closely to the space between the sounds.
That is where the Abyss breathes.
That is where the hunger waits.
That is where the journey deepens.
Welcome deeper.

The Quiet Hunger (Instrumental)

Charge!

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The Devil

Armageddon

Time, Love, Dreams and Death - all four chapters have been unveiled. Now begins the true End of an Empire. 

After a year long production cycle, Celldweller has been slowly revealing bits and pieces of his third full length, studio artist album, which showcases a return to the more formative complex electronic and heavy metal elements that defined the unique hybrid that is Celldweller. Never one to rest on his laurels, Klayton raises the bar with a brand new level of production unheard of by most producers, fusing analog and digital to create something completely out of this world. 

From tracks like “Good L_ck (Yo_’re F_cked)” which sound like something straight out of a neo-futuristic punk rock dive bar, to the soft and somber “Just Like You” that swells with acoustic guitars, modular synths and melodic vocals into an epic cinematic ballad. Every track brings something completely unique yet distinctly Celldweller to the table. Equal parts score and soundtrack to a science fiction movie that hasn’t been created yet, this album delivers an unparalleled experience that transports each listener to their own little world inhabited by all of the iconic characters presented throughout the chapter cycle leading up to the release of the final album. 

Now sit down, buckle up, and welcome to the end.

End of an Empire

Good L_ck (Yo_'re F_cked)

The Devil (Remixes)

Armageddon (Entropy Zero Remix) (Instrumental)

MASTER BOOT RECORD - DMA 2 FDD CONTROLLER

MASTER BOOT RECORD "ANSI.SYS" from the album "FLOPPY DISK OVERDRIVE"

FLOPPY DISK OVERDRIVE

MASTER BOOT RECORD "ANSI.SYS"

http://www.fixtstore.com/product/100714/Celldweller---Celldweller-10-Year-Anniversary-Edition-%282-CD-Deluxe-Set%29-%28MP3-Album%29

The self-titled debut that started it all has turned ten.

At the dawn of the new millennium, songwriter, producer, and multi- instrumentalist Klayton created Celldweller, a ground-breaking aural entity for the next age. Thriving on originality, Celldweller cross-bred electronic styles such as Drum'n'Bass and Psy-Trance with modern Alternative Rock and Metal on his self-titled debut, released independently in 2003.

The Celldweller album met with critical acclaim while climbing to #17 on the Billboard Internet Sales Chart. Celldweller gained Top 40 Metal Radio charting with the track “I Believe You” pulling into a solid 11th place on the R&R Alternative Specialty Show Chart. Achieving a feat shared by only an elite handful of albums, every song on Celldweller was eventually licensed for use in popular media. These songs were heard in movie trailers, TV shows, and games such as Spider Man 2, Constantine, Crackdown, Need for Speed: Most Wanted, Enter the Matrix, CSI, UFC, The Shield, and more.

Now, Celldweller has been reissued to celebrate the tenth anniversary of its release with updated artwork and a second disc of remixes, demos, and previously unheard rarities (all remastered for this release). While Klayton busies himself in his Detroit studio preparing the future of Celldweller for 2013, celebrate the past with this monumental work.

Celldweller 10 Year Anniversary

Own Little World

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

MASTER BOOT RECORD "RAM"

Metal Blade Records

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