Name: Primordial "Empire Falls" by Metal Blade Records
Duration: 8 min 3 s
Description: "Empire Falls" from "To The Nameless Dead".

Nick Phoenix's (one of Two Steps From Hell) epic Gods in the Cloud - the way it should end.
From the album Speed of Sound.
Edit by me.

Gods In The Cloud [ReznoR Extended Edit]

Essenfest" from the 2006 TrollfesT album "Brakebein

Essenfest

Taken from the selftitled album 
http://shop.napalmrecords.com/johngarcia 

JOHN GARCIA - My Mind

skin pulled taught somethings enough 
can i still bluff after the healing from a goddess
i feel numb take me home
heal me 
oh would u just heal me again
for some reason i really thought you and your healings enough
nobody else really though what you done what you done
was enough was not enough
somebody's pulling me taught
i really ran out of talk for you again

somethings not right in this mind of mine
someone come give me hope i wish for the day that i see you again
come and put me out my misery
im feeling gross and weak i wish for the day that i see you again

i guess its game over i tried from the start 
im a weak and worthless endless turf-less
stupid peice of fuck
wandering gaze with long black hair 
stupid me im such a recipe for disaster

heather

"Empire Falls" from "To The Nameless Dead".

Primordial "Empire Falls"

Dark Tranquillity's new album Atoma is out , and if you haven't picked it up yet, then you should go do that at your earliest convenience. There's the regular edition of the album, and then there's the two-disc edition with the songs "The Absolute" and "Time Out Of Place." The band had stated previously that the two songs are what initial concepts of new music sound like, and are a far cry from the final product.

Dark Tranquillity - Time Out Of Place

Angra - Reaching Horizons

Luca Turilli's Rhapsody - In The Mirror (Loudness Cover)

Cult of Luna "Lay Your Head to Rest" from the album "A Dawn to Fear"

A Dawn to Fear

Cult of Luna "Lay Your Head to Rest"

The Roundhouse Tapes

Under The Weeping Moon

Recorded at In The Core Media Studio
Produced by George T. ,Nick M. and Half Gramme of Soma
Engineered by George T. & Nick M.
Mixed and Mastered by George Leodis
Artwork by Dimitris Kazakos 

Bipolar

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Primordial "Empire Falls"

Metal Blade Records

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