Name: Revocation "Labyrinth of Eyes" by Metal Blade Records in DEATH METAL TRAX 🤟🏼
Duration: 4 min 45 s
Description: Revocation's "Labyrinth of Eyes" from "Deathless."

DEATH METAL TRAX 🤟🏼

Carcass "Zochrot" (dB034)

On their latest full-length, Engineering The Void, Swedish death metal militia, SOREPTION, vomit forth a a multi-layered symphony of surgically accurate riff sequences, maniacal pace fluctuations, plenty of head-jarring rhythms and sprawling intervals of quietude, the six-plus minute opus is an all-consuming lesson in flawlessly assembled brutality.

Engineering The Void was recorded by Tommy Rehn from symphonic black metal collective Angtoria at Ninetone Studios and serves as the follow-up to SOREPTION’s debut full-length, Deterioration Of Minds. Applauded by Underrated Reviews for its, “superior sense of rhythm and razor-sharp precision that will appeal to fans of bands such as Cannibal Corpse, Suffocation, Dying Fetus and The Faceless,” the record reaped critical accolades both Statside and abroad. Noted No Clean Singing, “lots of bands are cranking our modern, technical death metal, attempting to out-do each other (and their forebearers like Necrophagist and Decapitated) with ever more intense instrumental pyrotechnics. Most of them fail at what they’re attempting, or at least fail to create anything you’d want to hear more than once. But SOREPTION have managed to tread this path successfully, not only through the precision of their playing but through the competence of their song-writing.  The music has got grooves and compulsive rhythms — and those way-cool contrasting guitar leads. It just makes you want to get up and fucking mosh and headbang and break shit!,” while Ultimate Guitar opined, “If there was one band…which had to be picked as the representative for what tech death is turning into, this would be it…” Added Metal Observer, “…this album kicked my balls hard on the first listen, completely tore them off during the second, made clam chowder soup with them on its third play-through, and threw said scolding chowder in my face during the fourth. Suffice to say, this album was quite the tasty shock.”

SOREPTION will unleash Engineering The Void to the masses this February 18, 2014 followed by a reissue of Deterioration Of Minds, both via Unique Leader Records.

“The new SOREPTION album is going to rip faces. I mean hot damn! Those riffs! The Swedes in SOREPTION are up there with Obscura, Gorod and Psycroptic at the upper echelon of the crowded tech-death pack, no doubt. Can’t wait to headbang furiously to this the minute it comes out!” – MetalSucks

http://www.facebook.com/soreption
http://www.uniqueleader.com
http://www.facebook.com/uniqueleaderrecords

SOREPTION - "Engineering The Void" (featuring guest vocals by Trevor Strnad)

Taken from the upcoming album "Victim Of Yourself" 

http://shop.napalmrecords.com/nervosa 

NERVOSA - Into Mosh Pit

Tibi Et Igni, out on June 2nd (UK), June 27th (NA) and May 30th, 2014 (EU) via Nuclear Blast Records.

Where Angels Weep

VADER - Where Angels Weep

Taken from the album "Blood Mantra"

Release:
EU: 26.09.2014
UK: 29.09.2014
NA: 30.09.2014

Nuclear Blast

DECAPITATED - The Blasphemous Psalm To The Dummy God Creation

Listen to the first official song “DESTROY REPLACE CREATE” from the new album “KRIMHERA”.

Second full length album "KRIMHERA" IS COMING SOON!!
http://www.krimhproject.com

KRIMH - DESTROY REPLACE CREATE

Revocation's "Labyrinth of Eyes" from "Deathless."

Buy from Metal Blade

Revocation "Labyrinth of Eyes"

Streets Of Babylon

CREPITATION - Spunkated Rapised Enfuckment

Order the issue of Decibel containing this CATTLE DECAPITATION flexi disc here: http://store.decibelmagazine.com/collections/back-issues/products/august-2015-130

Cattle Decapitation "Cannibalistic Invasivorism" (dB056)

CUNT CUNTLY - Fugitive Wizard

OBSOLETE INCARNATION - Suffocate Humanity

"Collapse In Eternal Worth" from the album "Blood for the Master".

Collapse in Eternal Worth

ENDOCRANIAL - Creeps To Revenge Personally

Ophiocordyceps - Post mortem BDSM parallel dimension

Old skool bboy into mad flavaz of musik.   I've been dancing since 1984' and have been collecting musik since I was a young buck.  Been there, done that!  Good dude, open mind, polite, respectful, but don't take any bullshit!  Be real!  What you see is what you get.   #afinelinepainting  Check out my commercial in my playlist of my painting company called,"A Fine Line Painting".  It was on the local hip hop radio station here in Pittsburgh a year ago for a year.  And if your that interested in the company, you can go to Facebook and check out the past eight years of my life painting on there at A Fine Line Painting in Pittsburgh, Pennsylvania, USA.  If you love what you do,  you'll never work a day in your life.  Peace, good vibes and blessings.

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Revocation "Labyrinth of Eyes"

Metal Blade Records

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