Yeh!!

Poison for the Lost

why do i have to feel this pain
when all you had to say 
was go away
you expect me to move on
and maybe i have, but
im certainly not okay 
oooo im not okay 
haunted by the thought of you
moving me aside 
like my feelings don’t matter
caught up in the things you do
oh what a ride it’s been 
yearning for what i’m after 
you taught me i deserve better 

i don’t want to be another afterthought 
so i went out back and burnt the letter
i’m done with it all now
let’s change the weather
like you change lovers 
yeah (one last time) 

tell me all your lies
as if you don’t care 
that i’m dead or alive
who the fuck you kidding 
with all your problems
and your stupid disguise 
oooo stupid disguise
thinking about what i’d do
if it was just me and you 
left on the planet 
drinking away all my sorrows
left all alone
i guess i couldn’t handle it
but what’s on my mind
is one last time to cross the line

i don’t want to be another afterthought 
so i went out back and burnt the letter
i’m done with it all now
let’s change the weather
like you change lovers 

oh you’re sad? 
well i don’t really give a fuck
GO!

you had the chance
to fall in love with this
but you rather be the one
to take the piss
all my life i’ve been 
the last one the get a kiss
now all you’re left with 
is the thought of what you 
fucking missed 

i don’t want to be another afterthought 
so i went out back and burnt the letter
i’m done with it all now
let’s change the weather
like you change lovers 
one last time
one last time

One Last Time

Lyrics:

Suffocating

I am not alive
Pull me under the tides
Leave me empty of light
Telling me that I am nothing I know that it's true

Wasting away, it's leaving me lifeless
Trying desperately to find a purpose
Just eat me alive
Left for the vultures, I've seen my demise
Let me rot in disgrace with
Me myself and I
Left to rot in this fucking pigsty
Traces of my past coursing through my veins
I wanna slit my throat and leave the pavement stained

Why wait for death when I've got it right here in the palm of my hands again
Why beg for life
When I am not the one who gets to decide 

Only God will decide

What is right?
What is right?
Is this truly what I deserve?
Run and hide
Run and hide
Remove my soul, evict the earth 

Incinerate
Burn the very fucking core of my being and leave me empty and waiting
But nothings changing

Let me rot in disgrace with
Me myself and I
Hollowed out, dehumanized
Traces of my past coursing through my veins
I wanna slit my throat and leave the pavement stained

Why wait for death when I've got it right here in the palm of my hands again
Why beg for life
When I am not the one who gets to decide 

MYSELF & I

Our Endless War

"Everything Went Black" from "Nocturnal".

The Black Dahlia Murder "Everything Went Black"

The Black Dahlia Murder "Necropolis"

Genesis

Embedded

A New Era Of Corruption

Breeding Violence

Malice

Failure in the Flesh

Dear Desolation

Puppet Master

Only Hell Will Embrace The Damned

Don't Look at the Moon

III. Dont Look at the Sun

The Black Dahlia Murder "Into the Everblack" from the album "Everblack".

The Black Dahlia Murder "Into the Everblack"

"Raped in Hatred by Vines of Thorn" from "Everblack."

Buy from Metal Blade

The Black Dahlia Murder "Raped in Hatred by Vines of Thorn"

The Black Dahlia Murder's "Goat of Departure" from "Everblack."

The Black Dahlia Murder "Goat of Departure"

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

The Black Dahlia Murder "Necropolis"

Metal Blade Records

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