Name: Vomitory "Regorge in the Morgue" by Metal Blade Records in Personal chris nthr
Duration: 2 min 32 s
Description: "Regorge in the Morgue" from "Opus Mortis VIII".

SLAYER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Personal chris nthr

"Regorge in the Morgue" from "Opus Mortis VIII".

Vomitory "Regorge in the Morgue"

Obscura - Ocean Gateways

i don't own this song all the rights reserved to The True Mayhem.

Mayhem - Corspe Of Care

Behexen -  Celebration Of Christ's Fall

Behemoth - Moonspell Rites (Re-recorded) (XIADZ VERSION)

Incantation - Golgotha

The band's new take on their legendary 1998 album.

Exhumed - Limb from Limb

(this song was released on August 2nd, 2024)

*sample of Dr. Mark Perlmutter*

the state has been declared apartheid
in plain sight, the war criminal hides

abhorrent lack of condemnation
but instead, praise full of elation
civilian death rate, practically none?!
heed the signs
america is done

the genocide in Gaza
will not be ignored
shame on congress
and all who are on board
zionism
shall not come to fruition
from the river to the sea
Palestine will be free

in plain sight, the war criminal hides

Salvation

Revocation "Empire of the Obscene" from the album "Empire of the Obscene"

Revocation "Empire of the Obscene"

Swedish old school death metal influenced by Immolation, Dismember, Morbid Angel, Autopsy, Hail of Bullets, Asphyx and many more.

I know only war, never peace or mercy
Death conquers all, no life in the trenches
Ruins of the world, dark epitaph

Strike across the front line
A storm of death and steel
No quarter will be given
None asked, none received

Multi barreled cannons tearing tanks and flesh apart
What the cannons doesn't finish will be snuffed out by the gas

Conflict beyond control, the final solution at hand
Warheads are deployed, death of mankind 

You can download the whole EP on Bandcamp (name your price):
http://desolatorsweden.bandcamp.com/

Dark Epitaph

"No Guts, No Glory" from the album "Mercenary".

Bolt Thrower "No Guts, No Glory"

Californian Death Metal sickheads RUDE are back with the second album named „Remnants...“. Nobody less than the mighty artist Dan Seagrave is responsible for the amazing coverartwork. Well known mostly from the early '90s artwork-masterpieces of Entombed, Morbid Angel, Malevolent Creation, Suffocation, Dismember and tons more...he's still one of the greatest artists worldwide.

On „Remnants...“ the band present 9 brandnew filthy and authentic classic Death Metal songs still in the vein of Pestilence, Morbid Angel or Nocturnus. No drum-trigger, no bombast, no bullshit...just DEATH METAL to the bone.
„Remnants...“ will be released together with the new WOUND album on January 20th. 2017 by FDA Rekotz/ Soulfood Music on CD, Digital Download and strictly limited deluxe Digipaks. The vinyl version follows later together with a big surprise for the European fans.

Track listing:

01. Torrent To the Past
02. House Of Dust
03. Blood Sucker
04. Interpretations Of The Ultimate Finality
05. Remnants...
06. Fracturing The Gates Of Truth
07. Sanctuary
08. ReBoot
09. Children Of Atom

RUDE online:
https://www.facebook.com/Rude-391039200987363

RUDE - Torrent To The Past

BENIGHTED -  Hostile

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Vomitory "Regorge in the Morgue"

Metal Blade Records

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