SlaxWax- SDA2 unallocated

HZMT-Max CLoud-Smoke Detector-Large Parts-Slax Wax-Inner Project-Kardboard Sax-Twisted T-Rap Bastard-Witch Putty-M.S.-TO-NY -

ambient, drone, minimal, soundscape, tape loops, frozen pizza.

" I am an animalistic hyperactive pineapple, walking in the fluffy rainbow jungle, trying to cut my rough peel and taste my flesh. "

AnanPie is an experimental sound-performance project of the visual artist Antigoni Tsagkaropoulou. This project combines bucolic, countryside sounds with noisy and annoying girlish or animalistic vocals. 


In his book Retromania, Simon Reynolds describes Position Normal as a progenitor of the 2000s hauntology genre, which is concerned with "lost futures" and abandoned cultural material.[5] Writer Joseph Stannard, who helped popularise the term "hauntology", included Position Normal on a 2013 compilation album based on his Brighton club night The Outer Church.[8]The two members began working together in 1986, using samplers and tape loops to fashion collagistic psychedelic pop.[2] The duo originally worked as Buggersod, supplementing their music with video projections as well as "mashed potato flung into the audience and socks hanging from the ceiling," according to writer David Stubbs.[4] Bailiff and Cushway's first release as Position Normal was the twelve-inch single "Part of the Bugger Sod Empire" (1998).[2] In 1999, they released their debut album Stop Your Nonsense in Britain through Mind Horizon. The record combined samples from children's music with psychedelic guitar work and unusual percussion, and was critically acclaimed, later ranking on several critics' year-end best albums lists.[3]

The band followed with Goodly Time (1999).[2] In a review for Uncut, Stubbs credited the album with "uncover[ing] old cardboard boxes of stuff that, even in this supposed era of kitsch, have remained repressed and untouched."[4] Following a decade-long hiatus, follow-up Position Normal was released in 2009,[2] originally only on cassette,[6] It was ranked as one of the best albums of 2009 by The Wire.[7] The group also played rare live performances in London, including at the Exotic Pylon in 2010.[2]

releases and upcoming releases for Textural.
+ more here http://soundcloud.com/textural-sounds

Textural-02  Joe and Joe - Live at the Smell 
Textural-03  Blorp Cassette vol. 1
Textural-04  Pod Blotz - Stories for Apophyllite
Textural-05 Rat Prick S/T
Textural-06 BHNH - Wet Paint 
Textural-07 Reflective Surfaces 
Textural-08 Contact
Textural-09 E.T. Video / Link - J.A.N.E.T.


FROM ALLMUSIC.COM by Paul Simpson

Magas is the solo electronic project of James Marlon Magas, a legendary figure in the Midwestern underground music scene. Magas was generally known for fronting noise rock bands during the '90s, as well as co-founding the influential Bulb Records, and his move to electronic music reflected the same primal spirit and D.I.Y. mentality. His solo work ranges from swaggering electro-punk to suspenseful minimal techno, influenced by the Cramps as well as Drexciya.

Along with Peter Larson (aka Mr. Velocity Hopkins), Magas co-founded the Michigan-based label Bulb Records in 1992, as well as the primitive noise rock band Couch. While short-lived, Couch were enormously influential to the Michigan scene, and Bulb proved to be even more so; the label's discography included early releases by Andrew W.K., Wolf Eyes, Quintron, the Demolition Doll Rods, and many other noise, garage rock, and experimental acts. In addition to Couch, Magas also fronted no wave-influenced group the Many Moods of Marlon Magas. He relocated to Chicago in 1995, where he founded Lake of Dracula and Miss High Heel, both of which also featured the Flying Luttenbachers' Weasel Walter along with many other participants, and expanded on the ideas of Magas' previous groups.

Friends Forever
In 1999, Magas started making electronic music, adopting the swagger and fury of his earlier noise rock bands into a startling form of electro-punk. Following 2000's Double-Sided Magas 12" EP, he struck up a friendship with Detroit electro heroes ADULT., whose Ersatz Audio label released Magas' Bad Blood EP in 2002, followed by the debut full-length Friends Forever in 2003. Magas took his energetic, confrontational live show to venues and D.I.Y. spaces throughout North America and Europe, and built up his Wizardlook studio. He also remixed songs by Bobby Conn, Les Georges Leningrad, and others. Ersatz Audio went on hiatus during the mid-2000s, and Magas' second album, May I Meet My Accuser (2006), appeared on Imaginary Conflict, with a vinyl issue by the French label Wwilko. The album was easily his most ferocious, aggressive solo effort to date, expertly blending his techno and punk influences, and sounding like the work of a full band rather than a solo electronic artist.

How This Ends
Magas' next release came in the form of 2009's Violent ARP EP, courtesy of Italy's Punch Records. Magas appeared on Chris Connelly's 2010 album, How This Ends, and remixed tracks by Mt. Sims and Die -6-. He continued working on instrumental material that was moodier than his older work, and a limited cassette titled Pspoilers appeared on Notes and Bolts Records & Tapes in 2013. He composed music for Asia Argento's film Incompresa (Misunderstood), which premiered at the Cannes Film Festival in 2014.

Explanatory Denial
In 2015, Magas founded Midwich Productions, a label dedicated to experimental techno with a Midwestern focus. All of the label's albums are adorned with stunning artwork by sci-fi/fantasy illustrator Mark Salwowski, lending to the music's surrealist, dystopian feel. Magas released the suspenseful Heads Plus EP that year. Following Midwich releases by artists such as the darkwave duo HIDE, the Wolf Eyes-related techno duo Moon Pool & Dead Band, and the Detroit-based electronic composer Viki Viktoria (formerly just Viki), Magas released the more club-focused 12" EP Explanatory Denial in 2017.

SlaxWax- SDA2 unallocated

maxcloud