I really like the retro tonality of your track

The photo cover is very nice, Good luck dear. . .

nice tune, the atmosphere is amazing and a bit "epic"

An ethereal and dreamy instrumental track combining the soothing sounds of a Rhodes with electronic beats and spacey effects. The composition features a dynamic structure, gradually building up and dropping several times to create a sense of tension and release. The track is characterized by its unique blend of acoustic and electronic elements, creating a mesmerizing and immersive sonic experience. Overall, a cosmic journey of sound that invites the listener to embark on an introspective musical adventure.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. www.pond5.com/artist/covertacoustics?ref=covertacoustics

Galactic Rhode

For more Synthwave check the link page:
withkoji.com/@Darkvine

Mound

Composed and Arranged by MARVO MD // Mixed and Mastered by AV0 // Artwork by Matteo Gabos.

Release date : October 28th 2022
℗© 2022 theDustRealm Music
Catalog Number : TDR-DL035

LISTEN / BUY : https://thedustrealm.com/multiverse-4

MARVO MD
› https://facebook.com/marvomdmusic
› https://instagram.com/marvomdmusic
› https://soundcloud.com/user-976443070
› https://youtube.com/channel/UCHDozNCHVrAadqrYHu_5nMg
› https://open.spotify.com/artist/21MQLbH38oVw2Am4BSnRoW

LABEL
› https://theDustRealm.com

Please note, the new number is...

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You can stream this album on your favourite streaming platform:
--> linktr.ee/covertacoustics
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This ambient drone track takes the listener on a mesmerizing journey through unknown terrain. With no beats or percussion, the modulating pad-like instrument creates an ethereal atmosphere that's both calming and eerie at the same time. The muffled sounds of an extra-terrestrial speaking in an alien tongue add to the otherworldly vibe of the track. "Didn't Get the Message" is a dark and evocative piece that challenges the listener's perception of music and sound, and leaves them with a lingering sense of mystery and intrigue. " It is perfect for setting a contemplative mood, allowing listeners to get lost in their thoughts.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses.  --> t.ly/GuAC

Didn't get the message

Didn't Get The Message

Matan Arkin - Moon Rays

Part of Shimmer Ep : https://open.spotify.com/album/1d3t898vqAx5wTcyRPrwO9?si=EiYieuhRSZWdegbwoe4iUw
Artwork By Carolin Junge

Moon Rays

Interregno

Spotify

Heard some juicy synthwave the other day, and it inspired me to make this

Follow me on
Spotify : open.spotify.com/artist/6ZAiODDdtgkj2exOPeEO32
Apple music : music.apple.com/us/artist/metall/1610546140

Polarized II

Funky Acid Jazz,

Funky Acid Jazz with a chill vibe

https://www.facebook.com/musicstudioguru
https://www.instagram.com/phatdaddyjsmusic/

Available for purchase on BandCamp
https://phatdaddyj.bandcamp.com/

Streaming on:
Spotify https://open.spotify.com/artist/7aQpJlKGk0UoFOZSQ6g0lq
Apple Music https://music.apple.com/us/artist/phat-daddy-j/1381387784
YouTube https://www.youtube.com/channel/UC0bdBo800oaLnxcx-iDqmsw

Ice Cream Arcade

Particle

This Little Light Of Mine

This track was a fun exploration of "All The Samples From Mars" and the use of XLN Audio XO for sound discovery and drum sequencing. 

I tried to simplify things in comparison to previous tracks, to help with the mixdown and mastering. 

For example this track used 30 channels, whereas my last track used 50 channels. In my next track I'll try to go even further to 20-25 channels. Why? Less channels = less overlap in frequencies = more clarity.

How did I do this? Predominantly by using more automation on the synths and more audio effects throughout the track, particularly during transitions, in the drum, synth and atmosphere busses, rather than relying on new sounds to maintain engagement, fill the space and signal change. 

Other ways to simplify: No vocal, no sub-bass and less loops. On the last point, I'm really happy that I played in 90% of the MIDI for the drums and melodic elements, with a small handful of loops for the remaining 10% that you're hearing in the track. I think this gives the track a more authentic feeling, although the trade off is that it probably sounds a bit simple in some parts, but this will get better as my production skills level up. I'm happy overall considering I'm only 1.5 years into my journey.

The track is slightly longer than the average, with an A-B-A-C-A arrangement. Nice 1 minute intro and 2 minute outro for DJ functionality with 4 minutes of lovely narrative in between. I could do a shortened radio/streaming version if I wanted to, but it's just not worth it at this stage.

Decided to call the track "Swooping" as one of my favourite "Samples From Mars" discoveries called "Evil Butterflies", sounds like a bird fluttering and descending. 

If you fancy giving the track a spin, drop us a message and will send over the WAV. 

Enjoy! 🦅

Polarized II

Metall

Recent comments

Richard Green

NØ Artist

Musicombat

MORS VIVERE

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