Hi

I am a heavy metal guitarist, video and sound editor. I play on a 6 string electric. Playing a wide range of genres personally but my most favorite of all metals are melodic... everything - heavy, power, symphonic, progressive. Aside from metal.. or i should say WITH metal riffs ect.. i compose orchestral pieces with my keyboard when VST's aren't enough - giving my tracks a very nice personal touch to them. I use cubase for the tracks i compose as well as an assortment of other things. I am not very fluent with playing any orchestral instruments really other than my guitar (only a bit of keyboard). One day folks.. One day! Perhaps one day add them to my tracks too.

You'll always hear a good clear heavy metal tone from me on my guitar and a very bitter sweet-sad to even powerful orchestral sound. I will often also mix up orchestrated pieces with metal i play which you will see later.

As for my guitar i play on an LTD ESP AX-50 with a Blackfire 200. A lot of new exciting stuff in the future even my own self-made genre.. which i believe untouched that I'm working with.

As mentioned above i am a video and sound editor and often will be uploading some sound FX and edits to my profile.

Enjoy.

Stay Metal \m/

www.thedevilandtheuniverse.com
TDATU is:
Ashley Dayour, David Pfister, Stefan Elsbacher

And it came to pass, as soon as Gideon was dead, that the children of Israel
turned again, and went a whoring after Baalim, and made Baalberith their god.

Directed and commanded by another power. The power of darkness, which many
people do not believe exists. The power of the Devil. The power of Satan. The power of Baalberith.





This is a collection of music I record.

https://neptuneuk.bandcamp.com/

Hello,
my name is Renée Abe. I'm a composer and sounddesigner for film, commercial, TV, games, theater and live shows.

Contact/Licensing:
Mail: aberenee@hotmail.com
Phone: +49 (0)162 / 2644708

DJ, Grammy-nominated producer and label owner Mark Knight is one of the most celebrated electronic artists of his generation with an impressive 200 Million + global streams to his name. His career has spanned close to two decades, with releases on a diverse range of world-leading labels such as Sony, Warner & Ministry of Sound, through to cool independents such as Cooking Vinyl, BBE, Elrow and of course Toolroom.   

Armed with a musical library that knows no boundaries and a consistent run of chart-topping hits, the success of Mark Knight’s recording career is matched only by the credibility and integrity maintained throughout his discography to date. Anthems such as ‘Man With The Red Face,’ ‘Alright’ & ‘Downpipe’ and working closely alongside bands such as Faithless, Underworld & Florence & The Machine have sealed a diverse musical heritage for the accomplished producer.   

Aside from his industry-leading production work on the underground dance scene he has also written and produced music for a range of global superstars including Calvin Harris, Black Eyed Peas, Dido, David Guetta, J Lo, Flo Rider, Icona Pop and more.  Mark Knight also continues to grow across international radio with Toolroom Radio now reaching over 15 million people in 60 countries across the world each and every week.

All Lost Years releases can be bought from:
https://lyears.bandcamp.com/
https://rossocorsarecords.bandcamp.com/music

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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