Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Instigator of the Latin House movement with his hit "Morenita". HUGEL is a multi gold and platinum selling artist with over 1 Billion streams to his name, and with many of his tracks reaching the number 1 spot on Beatport, his music is played in parties all over the world. 

He grew up in Marseille by the Mediteranean sea (South of France) His Mom raised him with funk, disco and soul. He discovered the art of Dj’ing with vinyls at the age of 16 years old, influenced by the likes of Carl Cox, Laurent Garnier, Daft Punk, Amine Edge and David Guetta. After few years learning production he became a Hit-Maker. His house music is inspired by ibiza (Spain) and the Latin culture that he soaked up during his time living on the Island. 
Selling out shows in America, Space (Miami), Superior ingredients (Nyc), Day Trip in the park (Los Angeles)
He’s had residencies at Pacha & Ushuaia in Ibiza, and has played the biggest festivals in the world such as: Burning Man, EDC Vegas, EDC Mexico, Tomorrowland, Lollapalooza, Parookaville, World Club Dome, Mysteryland.

Sub_Urban Music is an independent dance music label founded by Mallorcan DJ/producer Sebas Ramis in 2013. It is the longest-running, consistently-operated deep house record label owned and managed by Balearic Islands natives. 

The Sub_Urban Music imprint is respected worldwide by DJs and dancers alike for cultivating forward-thinking productions which draw upon soulful, afro, electronic, nu disco, and jazz inspirations. Since the label’s inception, A&R Guri has been essential in developing its catalog, which features artists such as JT Donaldson, Art of Tones, Fred Everything, Joss Moog, Ezel, Cee ElAsaad, Life on Planets, Eider, and Ron Basejam. 

Rooted in the authentic music culture emanating from the Balearic Islands – the world's hub of deep house – Sub_Urban Music stays true to the roots of its lineage, while holding a position at the vanguard of the international music community.


Bookings: bookings@suburbanmusic.es
Demos: https://tstack.app/sub_urban_music

► MANAGEMENT WORLDWIDE🌍
SDM Management/Stefan Dabruck

► CONTACT Bookings & Requests:
info@djteddy-o.com

► BIO:
TEDDY-O is an internationally known DJ and music producer from Germany with Greek roots. Performing in cities like Mykonos, Ibiza, Dubai, Monaco, Paris, London, Madrid, Canada, Miami, India, Istanbul, Cape Town, Bangkok, Abu Dhabi, Italy, and many more.

Renowned for his groundbreaking remixes that bridge Hip-Hop and Afro House, Teddy-O rose to global attention with his viral remix of Travis Scott’s “FE!N” – a track that became a worldwide club anthem, played on the biggest stages across the  planet.
In 2025, Teddy-O won the EDM Award in Miami for „Best Afro House Remix of the Year“ with his track “YO VOY” featuring Daddy Yankee & Zion.
His collaboration with HUGEL, “CHAMPS IN THE RAVE", is one of the biggest club tracks of the year.

Teddy-O’s music is played at major festivals like Zamna, Tomorrowland, and Afterlife, and he is supported by top artists like Keinemusik, Diplo, Hugel, MoBlack, Francis Mercier, Loco Dice, Fideles, Alex Wann, Blond:ish, Rivo, Bedouin and many more…

With his global sound and high-energy sets, Teddy-O is one of the key names in today’s international club scene.

https://drop-music.bandcamp.com/

DJ’s, Producers and label owners, Andy Riley and Laurence Ritchie (AKA Inland Knights) have created a brand name that most House heads have heard of.  Whether you like it deep , tech or more funky – when you think about Drop Music or Inland Knights a certain style of House comes to mind that is uniquely their own. Andy and Laurence’s reach is global, and their label’s continue to produce some of the finest House music 15 years after they started back in the UK, within Nottingham's party scene.

Andy and Laurence  met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade sound system from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilized with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties(which were most weekends), and their club nights became local institutions that ran for years with packed dancefloors. Into their 21st year, Smokescreen are still going strong and are still hosting quality club nights and parties in and around the Midlands.

By ’98 Laurence and Andy had made the inevitable step into production and the same year their fledgling label, Drop Music, was born. With the release of ‘Inland Knights vol 1’ , Riley and Ritchie undertook a busy schedule to write tracks for Drop  (almost all of the early output was Inland knights, despite many monikers). Drop Music has gone on to become one of the most highly regarded House labels in recent years (with 80 plus releases to date), and Inland Knights have gone on to become one of the most respected and prolific production outfits in the House community, carving a unique and distinctive House sound, and regularly taking on remix and Ep duties for fellow labels and producers. Highlights include the acclaimed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations and remixes for NRK and Om Records, three Ep's on 2020 Vision, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently, Inland Knights album to mark 10 years of Drop Music entitled ‘Dust till Dawn’, not to mention countless Ep's on other labels over the years and a 30-minute live mix on Radio 1’s ‘Essential Selection’ show. More recently, the pair released 'Inland Bytes', a retrospective look at Inland Knights career so far.

Currently, as well as remix, production and label commitments, the pair maintain a busy international Dj schedule which takes them further and further afield as their reputation grows. Bookings have included regular slots at UK clubbing institutions such as Fabric, The End, The Egg, The Cross, Turnmills, Shindig, Back 2 Basics,  Sanky's, Chibuku Shake Shake, Ministry Of Sound, Cargo, Déjà Vu, The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Most weekends Inland Knights can be found DJ'ing up and down the UK or Europe with regular international tours a permanent fixture in their Diaries.

Follow Us On:
Soundcloud http://soundcloud.com/inland-knights
Twitter         https://twitter.com/#!/Inland_Knights
Facebook     https://www.facebook.com/inland.knights
Band Camp https://drop-music.bandcamp.com/

For Bookings Please Contact:  
Paul@elitemm.co.uk (Worldwide)
shannon@aptentertainment.com (Americas)

VOD044 is out now. 📡

https://ffm.to/vod044

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