La musique est vraiment géniale, mais cette partie ? Pour le coup, je comprends pas trop.

Acheter l'objet : https://seml.bandcamp.com/album/adastra-ep

Adastra est un trip cosmique, stellaire.
Une porte ouverte vers des horizons encore inexplorés, où
chaque titre dévoile un nouveau paysage sonore. Une musique
narrative et viscérale aux dimensions cinématographiques
teintées d’onirisme, une expérience immersive et envoutante
mélangeant électronique, samples, instruments acoustiques
et souvent exotiques, ainsi que la voix puissante de Kala sur
certains morceaux... Nous naviguons ici sans repères, au gré du
son. 

Adastra

Desert Boogaloo

from embers

Stellar Nights - Stellar Blade Type Beat

Valhalla

Narcose

Magdalena

Platelet

Eigengrau

In 2006 the Bombay Dub Orchestra’s lush brand of South Asian, orchestral electronica got the remix treatment from a cast of master producers on this special EP. 

Down-tempo kings, Thievery Corporation lent their indelibly blunted musical stamp to “Feel” while global electronica pioneer, Banco de Gaia turned in an epic, cinematic mix of “Beauty & the East”. The USA’s Spider delivered a “hands in the air” club anthem with his “To the Shore” mix [a personal favourite] and DJ Drez added beautiful chilled soundscapes to his re-rub. 

As you can see I got involved too with my 'Ray of Sunshine' remix :) Enjoy !
BTW this EP shot to the No.1 position on iTunes throughout Europe on it's release.

Bombay Dub Orchestra - To the Shore [Pathaan's Ray of Sunshine Remix]

Jan Garbarek - Inspired Chosen Rites (Antonis Kanakis Remix)

Likable Bird

Intro: AIWAA - Sounds of the Cosmos
Kurup - Joeira
Baru - Baka
Adama Dramé - Fourou (Peter Power Edit)
Dr. Toast - Light
Jose Larralde - Quimey Neuquen (Chancha Via Circuito remix)
Zwillingsmann - Der Schamane
Felix Laband - Down The Garden Path
Ludovico Einaudi - Night (Mose Remix)
Mercedes Sosa - Balderrama (Kermesse Edit)

THE GARDEN PATH

B1 James Stewart - La Danse D Achille

Río Arriba

Puente

Buy / Stream here: 

Spotify: https://spoti.fi/2FOFd16
Apple Music: https://apple.co/3iMq1A3
Amazon Music: https://amzn.to/3hMd6N8
Bandcamp: https://bit.ly/35PQxFc
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Gitkin’s music exists somewhere between primal, rootsy memory and distant exotic yearning — A dusty bordertown where the familiar blends imperceptibly into the enchantingly foreign. 

After a long and fruitful run as a bandleader with relentlessly touring party-rockers Pimps Of Joytime and a Grammy-nominated country blues collaboration with Cedric Burnside, multi-instrumentalist Brian J set out to “explore tonalities I’d never messed with,” as he puts it. It was a release from “having to write lyrics or involve my voice,” he notes, and so the (mostly) instrumental sound of Gitkin came into being. 

Reviews of Gitkin’s first LP grappled with descriptors, tagging it vaguely as “cinematic” and comparing it favorably with Khruangbin. True, the music is largely wordless, emotionally evocative, and guitar driven. But it possesses an alluring alchemy all its own. 

Gitkin’s first release, 2018’s well-received Five Star Motel, amply demonstrated his ease with earthy funk and comfortably-cut rhythm. On his new full-length release Safe Passage, the itinerant guitar slinger broadens his already rich palette with melodies informed by Greek and Middle Eastern modalities, Peruvian Chicha and Tuareg Saharan guitar styles. No gimmick, this juxtaposition of gut-bucket blues and funk low-end with unexpectedly twisting lead phrases highlights the intense flavors found in each savory ingredient. 

Recorded at his home studio in New Orleans, Safe Passage showcases a new batch of immediately engaging, repeatedly satisfying cuts, ranging from surf exotica (“Cat Nip”) to raunchy roadhouse stompers (“Fools Gold” and “The Drive”) to dreamy vocal cuts “Foot Steps” and “Hold On” to the floating finale of “Safe Passage.” 

Gitkin’s production radiates character and warmth, leaning on soft-focus vintage mics, dubby spring reverbs and the quirks of an analog tape machine. Further enhancing the intimate vibe are distinguished guests like Carol C (of Si*Sé), who lends her striking voice to three tracks, including the strutting single “De La,” veteran Chauncey Yearwood (congas) and New Orleans local Clifton “Spug” Smith, who provides a sousaphone low-end on the cumbia-not-cumbia “Spug Life.” 

Safe Passage will be released by Wonderwheel on September 18th, 2020 and will be available on vinyl, CD and digitally.

Valhalla

Meteor

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