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Formentera II

Days Of Oblivion

Taken from the LP: "Sometimes I Sit And Think, And Sometimes I Just Think" - Released on March 23rd Worldwide


Australia:
iTunes: Pre-order full album and get instant download of Pedestrian At Best http://smarturl.it/sometimesisit
Courtney's special pre-order: Deluxe orange LP/LP/CD with custom-made tote bag 'link'

UK/Europe/Rest of World:
iTunes: Pre-order full album and get instant download of Pedestrian At Best http://smarturl.it/sometimesisit
Amazon: Standard LP and CD http://smarturl.it/sometimesisitamzlp 
Rough Trade: Deluxe orange vinyl gatefold LP and CD http://smarturl.it/sometimesisitrt 
Courtney's special pre-order: Deluxe orange LP/LP/CD with custom-made tote bag 'link'
Recordstore: Standard LP and singed print http://smarturl.it/sometimesisitrs

USA/Canada:
iTunes: Pre-order full album and get instant download of Pedestrian At Best http://smarturl.it/sometimesisit
Amazon: Standard LP and CD http://smarturl.it/sometimesisitamzlp 
Courtney's special pre-order: Deluxe orange LP/LP/CD with custom-made tote bag http://po.st/sometimesisitmp

Listen:
http://po.st/SpotifyCB

Pedestrian At Best Available on 7" 16th March 2015 (pre-order link to Rough Trade)

Follow:
http://po.st/FacebookCB
http://po.st/TwitterCB
http://po.st/InstagramCB

Clip by Charlie Ford @ http://www.charliefofo.com

PEDESTRIAN AT BEST was written by Courtney Barnett

I love you I hate you 
I’m on the fence it all depends 
whether I’m up I’m down 
I’m on the mend 
transcending all reality. 
I like you despise you admire you 
what are we gonna do 
when everything all falls through? 
I must confess I’ve made a mess 
of what should be a small success 
but I digress 
at least I’ve tried my very best I guess. 
This that the other 
why even bother, 
it won’t be with me on my death bed, 
but I’ll still be in your head.

Put me on a pedestal and I’ll only disappoint you. 
Tell me I’m exceptional I promise to exploit you. 
Give me all your money and I’ll make some origami, honey. 
I think you’re a joke but I don’t find you very funny.

My internal monologue 
is saturated analogue, 
It’s scratched and drifting, 
I’ve become attached to the idea 
it’s all a shifting dream bitter sweet philosophy, 
I’ve got no idea how I even got here. 
I’m resentful 
I’m having an existential time crisis, 
what bliss, daylight savings won’t fix this mess. 
Underworked and oversexed 
I must express my disinterest, 
the rats are back inside my head 
what would Freud have said?

Put me on a pedestal and I’ll only disappoint you. 
Tell me I’m exceptional I promise to exploit you. 
Give me all your money and I’ll make some origami, honey. 
I think you’re a joke but I don’t find you very funny.

I wanna wash out my head with turpentine and cyanide,
I dislike this internal diatribe 
when I try to catch your eye 
I hate seeing you crying in the kitchen 
I don’t know why it affects me like this when you’re not even mine to consider.
Erroneous.
Harmonious.
I’m hardly sanctimonious.
Dirty clothes, I suppose, 
we all outgrow ourselves.
I’m a fake, 
I’m a phoney, 
I’m awake, 
I’m alone, 
I’m homely, 
I’m a Scorpio.

Put me on a pedestal and I’ll only disappoint you. 
Tell me I’m exceptional I promise to exploit you. 
Give me all your money and I’ll make some origami, honey. 
I think you’re a joke but I don’t find you very funny.

Buy on iTunes

Pedestrian At Best

Ticking clocks they melt and fade
Shadows stretch where time once stayed
A spiral down a hollow stair
Nothing solid nothing there

Is it slipping or are we blind
Is it bending or breaking time

Shifting sands slipping through
What’s the old and what’s the new
Seconds scream minutes crawl
No time left no time at all

Hands once steady now they sway
Circles crack and drift away
Golden hours turn to ash
Moments fracture moments clash

Gravity bending pulling thin
Where does the end where’s the begin
A maze of echoes a fleeting hum
The past undone the future numb

Shifting sands slipping through
What’s the old and what’s the new
Seconds scream minutes crawl
No time left no time at all

No Time At All

The Woods

Jumpers

MY WOMAN

Shut Up Kiss Me

Two Hearts and No Brain

Monster Hospital

Poster of a Girl

Empty

VOLBEAT’s debut album “THE STRENGTH/THE SOUND/THE SONGS” is produced by Jacob Hansen (INVOCATOR, RAUNCHY). “THE STRENGTH/THE SOUND/THE SONGS” was the critically acclaimed debut album of VOLBEAT. After a packed show at Roskilde Festival for 8000 screaming fans the album entered the Danish Album charts at # 75. A week later the album climbed to # 18, which no other Danish Heavy Rock band has been able to achieve in over 10 years! VOLBEAT set this record and bands/artists like Madonna, Pink Floyd, Eminem, Guns n Roses, Wolfmother, Black Eye Peas, Keane, Franz Ferdinand, Coldplay, Kashmir were left behind. Just to name a few!!

Guitar Gangsters & Cadillac Blood

Still Counting

Volbeat - Still Counting

Had Ten Dollaz

All at Once

I'll Make You Sorry

In 1998, songwriting & production duo Emily Haines & Jimmy Shaw formed what would become Metric and left Toronto for NYC in search of like-minded artists. In 2001/2002, they were joined by drummer Joules Scott Key & bassist Joshua Winstead, and found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol and more. Unlike their peers, Metric resisted major label offers, releasing albums that pushed boundaries on their own terms.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by Emily Haines & Jimmy Shaw is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label MMI & Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera

Empty

Metric

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