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uu008

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SHALT - fluid character (b2) [uu008]

Pre-order: https://tomakami.bandcamp.com/album/speed-oddity-vol-iii

@tomakami is back on his own imprint, @man-band, for the third volume of his 'Speed Oddity' series. 

'Hot Trash' reflects the French producer at his best: fast, fun and frenzied.

More exclusive music

Premiere: Toma Kami 'Hot Trash'

@count2count

MR002 sent in direct from Brno covers a sub-scape of sounds reflecting a current shift in the scene. Count’s sophomore EP showcases a versatile and refined style both in idea and application. Brno’s newest emergence has already had a hand in much that the scene has to offer. Between being a resident/booker at filtr and a regular host on Infame Radio, many have heard count playing at other venues such as Vitamin, Fraktal, and Ankali.

Taking form over a range of bpms, three original tracks accompanied by two remixes come together to shape this tightly knit project. The first track on the EP aptly named “WORK” is an enigmatic drum puzzler highlighted by the familiar voice of Missy Elliot. The track also comes as break-y dance floor heater when remixed by Brazilian -> Berlin based producer/DJ alys(alys)alys. Moving forward to “SPLIT”, a slow stepping wub of a track that is sure to take even the most menacing systems to the red. Stocked with its fair share of change ups, the track also gets tuned to run quick in a remix by Australian producer Lithe. The remix features a rendition of the track reminiscent of a calmer time, although still with its full share of sub attacks. The EP closes with the more introverted rhythm of “STICK N POKE”. This final track finds its niche within the opening or closing of a set when atmosphere is at a premium.

www.instagram.com/_countt/

www.instagram.com/markhamroadrec/

WORK [MR002]

BANDCAMP

COUNT - STICK N POKE

The fourth instalment of Etched comes in the form of Noti.

A producer that delves far and wide into the leftfield corners of electronic dance music, Noti is not shy about experimenting with a palette of colourful sounds and structures that work seamlessly, whilst also nodding to the old school aspects of dance music.

'Numbers' is a self-explanatory, high-energy bop unlike anything you've heard before. Packed with ear candy, bouncy drums and hypnotic vocals, this one is a surefire way to get heads turning in the rave.

'Bring The Bass Back' is a track that feels reminiscent to early 90's underground dance music - glittered in catchy samples and squelchy synths that will never leave you bored.

Numbers / Bring The Bass Back

Numbers

Noti - Numbers

Site-██, deep snow and high-altitude mountainous conditions. “Maul Rheo” repair/destruction cycle is internalised but maintaining a safe distance was necessary to avoid triggering its violent programming.

“Maul Rheo” appears to possess an amorphous body capable of self-repair and self-modification. Discovered in the ███████ Mountains. The entity exhibits a perpetual cycle of self-inflicted violence, leading to continuous destruction and reconstruction of its form. This cycle is believed to be a result of its original programming, its behavior suggests a programmed directive, compelling Maul Rheo to engage in intuitive violent behaviors. Future research should endeavor to trace a genealogy of violence.

Body is composed of an unknown metallic alloy, showing properties of both high durability and malleability. During its self-destructive episodes, body parts can be observed to tear, split, and then reform. The process is accompanied by the expulsion of a black oil onto the white snow. This substance quickly solidifies in the ice.

Encounter with Ziyiz:

An interaction between Ziyiz was recorded on ██/██/████. Ziyiz attempted communication with “Maul Rheo” using a series of synthesized electromagnetic propagations. This interaction led to a temporary cessation of “Maul Rheo’s” violent behavior, but it’s internal directives could not be dissuaded. Further research into the effects of acoustic frequencies and speculative technologies on programming is recommended.

@ziyiz
@re-made

Buy:
https://re-made.bandcamp.com/album/maul-rheo

Maul Rheo

PREMIERE: Ziyiz - Illusory Volition [REMADE]

Buy : https://gridrecords.bandcamp.com/album/rabatanto-ep
Stream : li.sten.to/8btkpkuq

Toupaz lands on Grid with a luminous, deep and complex EP. 4 tracks mixing impossible genres with contrast as the watchword.

The lead track Rabatanto wanders between dubstep and techno influences, at once dark with sizzling bass lines and ethereal with dubby percussion samples. A club banger for any crowd.

Genuine Connection is the tool of the bunch, galloping along at 142bpm it will thrill everyone with its ultra-detailed uk bass vibe contrasting with airy and colourful synthesizers.

On the b-side, Birdsong slows the tempo with a slow dancehall atmosphere mixed with deep subs and rap vocal samples.

Islandish, the closing track puts the emphasis on emotions, with emo synth lines again combined with dub echoes and a false slowness to create a one-of-a-kind emotional mood.
credits

All tracks produced and mixed by Timothy Burglar
Mastered by Bob Macc @ SC Mastering
Artwork by Unité Services

Supported by : Amor Satyr, Aroent, Atrice, Ayesha, Batu, Ben UFO, Beatrice M, Blank Patrick, Breaka, Christian Coiffure, De Grandi, Derive, Cousin, Elena Colombi, Emily Jeanne, STL-P, Ey.rah, Giant Swan, Glitter55, Gramrcy, Henry Greenleaf, Hewan Aman, Jan Loup, Josi Devil, Laurent Garnier, Lena Willikens, K Wata, Madam X, Monotronique, Nono Gigsta, Object Blue, Oceanic, Ophélie, Orson, Plebeian, Polygonia, Quest?onmarq, Raär, Romy Mats, Shy One, Soso Tharpa, Sybil, Syz, Toma Kami, Warzou, Will Hofbauer, Yushh and more.

GRID014

Genuine Connection

Radial Burn

OUT NOW!

No Sir - Radial Burn

After a brief pause Codename: RCRDS return with the second part of our ‘Broken’ trilogy, bringing together a selection of newcomers to the label. Separated by geography but united by the rhythms of jungle and drumfunk, the release takes to four different corners of the genre as we move between darkness and light, playfulness and intensity over the course of the release to discover the Broken Tribes.

The EP opens with Brownsville’s breakbeat maestro Krugah, with ‘Simple Ting’ providing a stunning example of his unique and creative style. Marvel Cinema joins the fray with ‘Endless Energy’, full of frantic drum edits which provide a counterpoint to the dreamy house-inflected vocals and pads. The 2nd half of the EP moves into a darker direction with Jack Rapture’s amen choppage skills at the fore on the deep and introspective ‘Why Are We Here?’, before E.B.S. closes the release with the intense ‘Aftermath’, interspersing dark distorted bass tones and dubwise vocals with tearing amens and moody synths.

Links:
https://cygnusmusic.link/xaj4ge1
https://codenamercrds.bandcamp.com/album/broken-tribes-ep


Buy Now

Jack Rapture - Why Are We Here?

WTF (157)

YCO001

BFTT - Suchblush

SOSOSO / @rinsefm / @timedance

futurisma

GMFGR

Metrist ✎ SOSOSO