Vkei

Kozi Que Sera Sera

Malice Mizer - Kioku to Sora (Klaha version)

Memoire DX

Gogo No Sasayaki

MALICE MIZER - Après-Midi~あるパリの午後で~

Bara no Seidou (薔薇の聖堂) is the fourth and final album by the Japanese visual kei rock band Malice Mizer, released on August 23, 2000. The title roughly translates as "Church of Roses" or "Sanctuary of Roses".

Bara no Seidou is a major change from Malice Mizer's previous albums. The band's sound switched from an ordinary art rock sound into a dark, gothic metal one; however, they still continued to use the violins, harpsichords and other instruments present in their older works and also added in a pipe organ and a choir for a haunting, melancholic, and religious feel to the album. For example, the song "Seinaru Toki Eien no Inori" is based around an organ and choir but still includes dual guitars and drums, which gives it a gothic metal feel. Fan favorite "Kyomu no Naka de no Yuugi" is a track that uses an organ and harpsichord mixed with a synthesizer and drum machine for more of a dark wave element. This song is influenced by gothic rock/industrial music and features a different image in its video, but still retains the dark themes of the album.

After the death of Kami, it could be argued that the "funeral goth" element present in their attire is because of his death, and the song "Saikai no Chi to Bara" is a reference, and tribute, to him.

薔薇の聖堂

真夜中に交わした約束

Merveilles is the third studio album by Malice Mizer, released on March 18, 1998. It is the band's only album on a major record label.

Its title was coined by Gackt as a keyword to the theme. Its overall concept is "a story that goes back and forth between the present, the past and the future across time". However, the lyrics are not set in the real world as it is, but in the fairy-tale world, the medieval world and the future world. This album marked the pinnacle of the band's success, being their best-selling album, charting high on the Oricon charts, and also earned them several national TV appearances. Japanese pop culture website Real Sound credited Malice Mizer as the first visual kei band to incorporate European aesthetics into heavy metal with the twin guitars in "Bel Air ~Kuuhaku no Toki no Naka De~".

merveilles

au revoir

Brise

Mémoire (French for "Memory") is the debut studio album by Japanese rock band Malice Mizer, released on July 24, 1994 by Midi:Nette. It is their only album with original vocalist Tetsu and was reissued on December 24, 1994 as Mémoire DX.

Mana stated that the goal of the instrumental first track, "De Mémoire", is to revive nostalgic memories. Fellow guitarist Közi revealed that they initially tried adding a bunch of different sounds, but ultimately decided that just the piano felt sad and lonely, like an Italian horror movie

memoire DX

バロック

エーゲ海に捧ぐ

MALICE MIZER - ma chérie

Malice Mizer - Garnet

Malice Mizer - APRES MIDI -Aru Paris no Gogo de- (E-STYLE)

MALICE MIZER - Après Midi あるパリの午後で

Voyage

Malice Mizer - Aegen

Merveilles

Gekka no Yasoukyoku

Malice Mizer ~  Gardenia

Malice Mizer (1992-2001)

I AM NOT THE BAND!!I just uploaded their songs!!
Klaha (Voice)
Mana (Guitar)
Közi (Guitar)
Yu~ki (Bass)

Past Members:
Gackt (Voice)
Kami (Drums)
Tetsu (Voice)
GAZ (Drums)

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Some songs are missing since i used all the free upload space.
If you like the TETSU era i suggest you to check out the album "Sans Logique", the first demo tape of Malice Mizer released in 1992.
While for the KLAHA era you MUST listen to Gardenia and Garnet!!!!
About Gackt i believe everything is uploaded- but im not entirely sure.

Brise

MALICE MIZER

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