Light Forms

The River of Life is a winding and wild journey down the mountains of our humanity, back to the ocean, our source.
Sometimes there are rapids and waterfalls. Other times there are peaceful eddies and exquisite reunions with other rivers from different places. But the flow goes on to serve the continuation of life and nourish all who live and breathe on the land. This is who we are. This is the abundance of life, giving and giving, season after season.

This what we are a part of.

Featuring the powerful and beautiful vocals of Water Eye (Rebekah Raybaba), these are prayers for healing and reconciliation in our relationships. May this third and final ambient release in the River of Life trilogy serve the flowing waters of your heart and nourish all our relations, bringing all that is hurting and distant back into balance and connection with our wholeness.

May we remember our deep love for this epic journey and that we chose to come and learn, grow, be, and become.

Bless you on your journey.

Infinite Love(feat. Water Eye)

Playing with simplicity, connecting to earth, integrating and opening... layering voices dancing together in space, searching for meaning

Searching For Meaning

Meditative music based on the Sacral Chakra resonance frequencies. Good for meditation for Forehead Chakra
For Mastered Version Listen Here
https://open.spotify.com/album/7LTNO4cB7smi0ik6fjvYsg

The Sacral 303Hz(C=528) MOOLA MANTRA(Forehead Chakra)

Spiritual Reboot

Divine Frequency

Love (The Universal Constant)

Regenerative Reset

Samadhi

Golden Harmonic

HemiSync w- Delta Theta Alpha Beta & Gamma Using Chimes, Bowls, Bells & Birds.m4a

Recorded, mixed & mastered on 16 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synth, effects.

This original version of "If We Met Under Different Chirographs” was submitted as part of Naviar Haiku 619: Almost Black.

almost black
deepening purple
ripe grapes

by: Masaoka Shiki

Regarded as the father of contemporary haiku, Masaoka Shiki was a poet and literary critic during the Meiji period Japan.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”

Photography/Art - Jim Lemanowicz, painting 2017, photography 2021, Massapequa, NY, USA

Music & art © 2017, 2021, 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

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Samadhi

Mettaverse

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