Pronounced Kaa-RrrEEN (hard K, roll the R)

Armenian-American vocalist, songwriter, videographer and composer/producer KÁRYYN is a qauntum spiritual time traveler.

Following a prolific period of inward healing and creating, she readies her Calm KAOSS! EP, a work created in partnership with British record producer James Ford. The project sees KÁRYYN commune with her past, present and future selves, traveling through time to reveal transformative premonitions from the future in scientific and spiritual language.

Her debut release The QUANTA Series saw her unpack and explode her past to dizzying effect. The press dubbed her “a sonic architect” (Dazed); “an electronic adventurer” (FACT) who “makes music as a way of travel, moving through memories with sound” (CLOT Magazine). In the album’s Pitchfork review,Sasha Geffen wrote: “Death hangs heavy over the record, but in its shadow, KÁRYYN projects herself into the future.” 

With the upcoming Calm KAOSS! EP, she offers three tracks: the first offering- a plea to recognizing personal strength, wholeness, resolve, and singular consciousness through the lens of Sumerian Myth and Vedic philosophy (‘the REAL’).

KARYYN1111@gmail.com
mgmt: none
live: michael.harvey-bray@codaagency.com
Photo: Ally Schnaidt

꙰꙰꙰❋❋\//⋯✺⋯✺⋯/\/❋❋\꙰
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𝗕𝗢𝗢𝗞𝗜𝗡𝗚
𝗦𝗼𝘂𝘁𝗵 + 𝗡𝗼𝗿𝘁𝗵 𝗔𝗺𝗲𝗿𝗶𝗰𝗮
TBA Agency
Devin Landau: dlandau@tbaagency.com
Avery McTaggart: amctaggart@tbaagency.com
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𝗘𝗨/𝗨𝗞/𝗔𝗦𝗜𝗔
Sally Dunstone: sally.dunstone@primarytalent.com
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𝗹𝗶𝗰𝗲𝗻𝘀𝗶𝗻𝗴/𝗽𝘂𝗯𝗹𝗶𝘀𝗵𝗶𝗻𝗴:
carlos@dominopublishingco.com 
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anything else: 
elaminus@gmail.com
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♡

We make Music to Colour the Void

► colourthevoidmusic@gmail.com

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.

Management: leon.alexander@redlightmanagement.com

Bookings:

USA: sgoodgold@paradigmagency.com
ROW: dc@temporary-secretary.net

Management: 
sean@mwmgmt.uk

Bookings (excluding Americas):
ben@higher-ground.de

Americas:
andres@surefireagency.com

management:
kellykiley@roughtrademanagement.com

BOOKINGS:
david@codaagency.com

North America, South America, Canada:
doug@windishagency.com








Jerome- is following