Reading by New England Conservatory Philharmonia, conducted by Nathan Aspinall on 12.13.13. This 8-minute work for full orchestra has three chords that return repeatedly in the strings. Over this, strands of melody form and disperse. After a build to a brass-driven section, the aggressive motif is again overtaken by the strings, and the chords return "wrong." The last 30 seconds are my favorite part.

Revolutions

Moonlight Quartet • string quartet • ca. 2'
artist: her ensemble
publisher: MariValverde.com

Copyright © 2012, 2020 Mari Esabel Valverde. All rights reserved.

Image: "sea under full moon" by Guzmán Barquín on Unsplash (magnified)

Forgotten in History

Moonlight Quartet (String Quartet)

This piece was written during a difficult time in my life where I felt extremely isolated and had an intense longing to leave where I was and start over. At those times, I turn to literature and poetry to find meaning somewhere away from reality. I thought about a work by the Lebanese poet, Khalil Gibran, that neatly ties his entire worldview, and lays it bare for the world to witness; his book of poems, The Prophet. Orphalese is the setting of this tremendous work, where a prophet is stranded from their home in a distant place, waiting for a ship to take them back. Interestingly enough, Orphalese is not a place that exists, but it is a place where a prophet teaches, a place of holy insight far away from us.

Orphalese is only briefly mentioned in the beginning, but I was left imagining what this place would look like. Where, in this world, could exist such a place where the people can truly recognize the prophet among them and listen to what they have to say? When all around me I hear words of hatred, violence, and a refusal to hear what anyone has to offer. Where could exist such a place, where an immigrant could arrive at some unknown location and be welcome to a loving community and given the resources to learn and teach the people of that place what they know? Certainly not here, where the message is consistently becoming clearer, outsiders are not welcome.

This is also to juxtapose the actual land of the prophet, the Middle Eastern mountains between Palestine, Israel, Lebanon, and Syria. A hotbed of unrest in our world's climate as people sit down reading this, contemplating whether or not the descendants of their own lord and savior can be trusted to enter the country. As anger is unleashed and the world is demanding that art, culture, education, and social progress all be halted while we wish that the magic can return to the mountains. Currently the mountains where water was turned into wine are under fire; so I must take refuge in the mountains of Orphalese, perhaps I can still find meaning there.

On The Mountains Of Orphalese...

From "Nachtmusik: Night Songs and Moonlight" Recital (October 2018)

Nocturne, Op. 13 no. 4 (Samuel Barber)

Award-winning composer, native of North Texas, Mari Esabel Valverde, whose music has been reviewed as “heart-stopping” (BBC Music Magazine) and “of shimmering beauty” (The WholeNote), has composed art songs, chamber music, and works for chorus, orchestra, and wind ensemble. Recent projects include commissions for the Gay and Lesbian Association of Choruses, Los Angeles Master Chorale, and the University of Michigan Men’s Glee Club. Aspiring to create music that emboldens people to unlearn shame, her works center the voices of historically marginalized authors and address questions of gender, sexuality, social justice, and love of the natural world. Currently based in Minneapolis, Minnesota, she holds degrees from St. Olaf College, the European American Musical Alliance in Paris, France, and San Francisco Conservatory of Music.

Moonlight Quartet (String Quartet)

Mari Esabel Valverde

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