synth pop

Amazon Hippie

lyrics:

and i'll go
i guess i'll push myself away
but i don't mind it cause i know
i know work i did will stay

2000 years and its today ill wanna stop
i'd fill the holes within my hands… 
space remains, nothing i drop

i went outside today
i'd let myself decay


swimming

Froth — Oaxaca

away | untitled project 001 sessions | ambient atmospheric psyche drone jungle horror WIP | skating 7 70 bpm take 1 82525

OUT NOW, ON LOLIPOP RECORDS!!!
Lolipop Records - "World Peas" (CASS)
a mix-tape featuring a handful of classic/new/future lolipop bands, with proceeds going to the My Friend's Place charity to help homeless kids in Los Angeles have a place to eat & a place to sleep!!! because whats a better way to change the word, then with cassettes!!!
GET IT: www.lolipoprecords.com

PART TIME - "It's Alright with Me"

OUT NOW, ON LOLIPOP RECORDS!!!
Part Time - "Return To Cherry" (CASS)
the incredible new synth-pop magic that is part time!!! one of our favorite part time records to date!!! if you don't know part time, prepare to be obsessed!!!
GET IT NOW: www.lolipoprecords.com

PART TIME - "Animal Machines"

Porches ‘Car’, taken from the new album ‘Pool’, out now.

Buy on iTunes: http://smarturl.it/PorchesPoolDL
Buy on Dom Mart: http://smarturl.it/PorchesPoolDM
Buy on Bandcamp: http://smarturl.it/PorchesPoolBC

Stream “Car” on Spotify: http://smarturl.it/PorchesBeApartSP 

http://facebook.com/porcheshiii 
http://twitter.com/porches_hiii/
http://porcheshiii.tumblr.com/ 
https://www.instagram.com/porches_hiii/

Porches - Car

David Loca - Strangest EyEs

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Night Swim

Formed in January 2009, Girls Names quickly garnered recognition outside of the confines of their hometown of Belfast with the release of their eponymous debut EP in 2010 through New York's Captured Tracks. A mini-album through London imprint Tough Love soon followed, setting the foundations for their critically acclaimed debut LP Dead To Me, released in April last year again by Tough Love in Europe and cult West Coast label Slumberland Records in the US. 

Girls Names return in 2012 and are hinting at a slightly different direction and its all the more positive for it. This new single titled ‘A Troubled See’ makes up one half of a 7” split with label mates Weird Dreams. The release will be available from Tough Love records on 25th June and Slumberland Records the following day. The track itself has a wonderful simplicity, an endearing guitar hook that pulls the hip muscles back and forth yet staying that side of the dirty track where it’s ok to hang out. The band will also be playing a handful of shows in May including a performance at Primaverafestival in Barcelona. 

After a successful tour of Europe in October last year supporting stand alone single ‘Black Saturday’, Girls Names began to hint at a possible directional shift away from their often misperceived surf and indie-pop roots into something more a kin to Krautrock and Psychedelia. Indeed, the band has expanded to a four-piece and has spent the last six months in virtual seclusion honing and developing a more progressive and expansive sound, feeding on the darker sides of Echo and The Bunnymen, Spacemen 3, The Birthday Party and David Bowie's Low. 

So here we are in 2012 and Girls Names are going to come out of hiding with a sophomore record and right now ‘A Troubled See’ is as solid an introduction to the forthcoming chapter as you’re going to get.

Release/catalogue number: SLR 176

Girls Names - A Troubled See

Taken from the album, Spell #6, released on 2nd November via Tough Love (Europe) and Burger (R.O.W.). The European pressing is available on limited edition green vinyl (500 copies). Pre-order here - smarturl.it/PartTimeSpell6

Follow Part Time
Facebook - www.facebook.com/parttime623/

Nearing a decade old and with a discography reaching deep into double figures across several different labels (Mexican Summer, Burger, Plastic Response Records) David Loca’s work under the Part Time moniker really shouldn’t require any introduction. Nonetheless, the release of what is officially his sixth album, fittingly titled Spell #6, does signal something of a re-birth and provides a compelling entry point for anyone new to Loca’s prolific output.

Whereas previous albums were notable for a charming lo-fi production, Spell #6 takes Part Time uptown. "I describe this album as 'my studio album', because it was entirely re-recorded at my drummer Walter Byer's studio, unlike most of my past releases being bedroom experimental pop recordings." Loca produced the record himself, impressively appropriating a classic 80s pop sound that recalls some of the more grand productions of that era - think Stephen Street’s expressive production on ‘Last Night I Dreamt Somebody Loved Me’, Crowded House and The Church’s widescreen interpolation of Paisley Underground jangle, and there's even traces Gerard McMann’s grandiose ‘Cry Little Sister’. In that sense, the record stands as an outlier in Loca’s catalogue, and in doing so sheds the sometimes limiting trappings of bedroom recording

Though it is Loca’s project, Spell #6 sees him joined by a consistent supporting cast of fellow writers and performers who add a poise and deftness to his vision, most notably Ariel Pink, who makes a guest appearance on lead single, ‘I Can Treat You Better’.

A lead single for its obvious earworm qualities, it also functions as an ideal snapshot of the lyrical themes that run through the entire record: romantic gestures and unrequited love, bad decisions on hot nights/hot decisions on bad nights, and unpinning it all, LA. For this is evidently a West Coast record, like a 2018 take on To Live and Die in LA: expansive, grand, and not a little crazy (in love) from the heat.

Part Time - So Far Away

Sock it to Me is the brand new LP from Colleen Green, and her first for Hardly Art. 

Sock it to Me

Time in the World

Colleen Green - "Time in the World"

Part Time - Cassie (Won't You Be My Doll)

"I Want to Go" digital single b/w "I Can Help" taken from the PDA LP: http://bit.ly/14zrr6f

PDA is out 7/9 on Mexican Summer. Pre-order on LP / CD / MP3 http://bit.ly/10HPfk4

Also available on iTunes:
http://smarturl.it/PartTime_IWantToGo

and on Amazon:
http://amzn.to/19lWLt0

Part Time - I Want to Go

Mexican Summer

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