que loco kkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk demais

Extremely rapid, almost angry with high energy; well done!

JEEZ. YOU TOOK OVER A WHOLE MINUTE OFF!! 

classics i like??

Vivaldi:  Four Seasons; Summer - III. Presto

Chopin. Valse Op.64 No.1. Played by Valentina Lisitsa - The Minute Waltz

Chopin Grande Valse Brillante Op.18 Played by Valentina Lisitsa

02 Vivaldi  The 4 Seasons, Op. 8 1,

Chopin's Funeral March first appeared in the 1830s. It was the third movement in his Sonata No. 2 in B-flat Minor — a stunning, haunting work.

Multi-Platinum Concept Album from IndyPop Records
https://www.kickstarter.com/projects/indypop/multi-platinum-concept-album

Chopin on Spotify
https://open.spotify.com/album/5RFPR9xUOAHPoTvuLMwqpC

Chopin Amazon
https://www.amazon.com/Chopin-Essential-Collection-Fr%C3%A9d%C3%A9ric/dp/B00KNTJ8YC/

Chopin Compilation
https://listen.tidal.com/album/30344018

Frederic Chopin
https://www.deezer.com/us/album/7857432

Best of Chopin Playlist
https://www.youtube.com/watch?v=IOac5vF0Ysk&t=4s

Chopin - The Essential Collection

Piano Sonata No. 2 in B Flat Minor, Op. 35 "Funeral March"

Deezer

Funeral March

This is a prelude that I am familiar with, having played it at a recital when I was younger.  As with most of Bach's music, there is an almost anticipated melancholy - quiet, solemn, and sombre, which permeates the music. 

Siloti's arrangement of the piece, which originally has the melody running through the left hand, brings the melody to the foreground, whilst keeping a streak of running chords ring throughout the left-hand accompaniment. In essence, the melody-to-chord relationship becomes inverse. What I admire the most about the piece, and what I tried to underline in my interpretation, is the evolution of the aforementioned running left-hand chords into a beautiful arpeggio-like construct. This metamorphosis takes place in measure 18 (or time mark 1:51 in the recording). This particular section is often overlooked in other recordings of this piece. I deliberately played these arpeggios with a pronounced ritardando to further emphasise their weight.

Alexander Siloti (1863-1945) was a Russian pianist, composer, and conductor. He studied piano under Nikolai Rubinstein (brother of Anton Rubinstein), and harmony under Pyotr Tchaikovsky. Siloti later went to Weimar, Germany, where he furthered his studies under Franz Liszt, and would himself eventually come to tutor students such as Sergei Rachmaninoff. Siloti was especially noted for developing the art of transcription. He wrote more than 200 arrangements, as well as orchestral editions of the music of Bach, Beethoven, Liszt, Tchaikovsky, and Vivaldi. 

illustration: Friedrich - 'The Monk by the Sea', 1808-1810, Alte Nationalgalerie, Berlin

J. S. Bach - Prelude in B Minor BWV 855a (transcr. Siloti)

perfect (beautiful piano)

Beethoven Moonlight Sonata 3rd Mov (2)

Bach: Partitas

Partita II in C Minor, BWV 826: IV. Sarabande

Bach Coltrane (Alpha Collection)

Cantata Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria No. 1

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Expressions: Haydn, Szymanowski, Chopin

Sonata in A-Flat Major, Hob. XVI/46 - II. Adagio

Haydn - Sonata in A-flat major Hob. XVI: 46 - II. Adagio

"Winter" is peppered with silvery pizzicato notes from the high strings, calling to mind icy rain

Antonio Vivaldi - Four Seasons - Winter - Allegro non molto

Giacomo Puccini, completed by Franco Alfano - Turandot - 1922
Opera in three acts
Libretto by Giuseppe Adami and Renato Simoni
Princess Turandot	- soprano	Andrea Gruber
The Emperor Altoum - her father	tenor	Charles Burles
Timur, the deposed King of Tartary	bass	Julian Konstantinov
The Unknown Prince (Calaf), his son	tenor	Vladimir Galouzine
Liù  a slave girl	soprano	Hei Kyung Hong
Ping, Lord Chancellor	baritone	Frank Ferrari
Pang, Majordomo	tenor	Francisco Vas
Pong, Head chef of the Imperial Kitchen	tenor	Doug Jones
A Mandarin	baritone	Yuri Nechaev
Conductor - Mark Elder
Orchestre et Choeurs de l'Opéra National de Paris
Live recording - Opéra National de Paris - Bastille - Paris - France - December 12, 2002
Illustration - Tang Wei Min

Giacomo Puccini - Turandot - Live - Gruber - Galouzine - Elder - Paris - 2002

New England Conservatory students Zenas Hsu, Yina Tong, Livan perform Tchaikovsky's Trio for Piano and Strings in A minor, Op. 50. Recroded live in Jordan Hall, Boston, February 14, 2013

Beethoven Moonlight Sonata 3rd Mov (2)

mglassen

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