YouTube → http://fluidified.com

Best enjoyed chilled.
Deep, atmospheric and emotional electronic music — carefully selected for quiet nights, early mornings, deep focus or simply feeling.

📧 General inquiries: contact[at]fluidified.com

Bass Astral - twórca muzyki elektronicznej

With a career spanning over a decade, Shur-i-kan is undoubtably one of the heavy hitters of the deep house world.

An accomplished keyboardist and part-time member of dance improvisional supergroup The Bays, Shur-i-kan's distinctive productions ooze musicality and emotion that has captured the hearts of his many admirers including music legends Kenny Dope, Tom Middleton, Larry Heard, Joey Negro and Ashley Beedle.

A regular fixture in Traxsource's top 10 deep house artists shows his music is as relevant now as when his critically acclaimed debut album Advance was launched on DJ Mag's Best of British award winning label Freerange Records.

With over 50 releases and remixes - his productions have been in constant demand by top dance labels such as Anjunadeep, Simple, Systematic, Z Records, Defected and Lazy Days to name a few.

General : info@creamdj.com
Bookings: 
bookings@fpbeats.com
manager.creamdj@gmail.com

Cream, also known as Krzysztof Kupczakiewicz, was born in Krakow (Poland), and currently lives in Jaroslaw (Poland). He developed a fascination for music owing to his father who would inculcate Chris's interest in the music of the Beatles in his early years. Throughout his childhood, Chris showed interest in New Romantic (Thomson Twins, Duran Duran) and electropop (Depeche Mode, OMD). During adolescence, Chris discovered a passion for electronic music (Kitaro, Kraftwerk, Jean Michel Jarre), which shaped him musically to a great degree.
In 1984, Chris played his first gig when Eurodisco and Italo disco were the genres that prevailed on dance floors at the time. Six years later, he became a resident DJ at one of the first night clubs in Jaroslaw - Marashino. It was the place where Cream was able to gain his valuable musical experience. In the mid 90s, Chris felt a deep fascination for trance and house - the two genres that dominated music clubs a few years later. In 1996, Chris held a permanent residency at the Reno Club in Jaroslaw, which was the cradle of house music in the region at the time. During his nearly ten-year residency at Reno, he held a lot of theme parties where he used to invite top Polish DJs. During the period of 20 years that Cream spent in Jaroslaw, he played in almost all of its clubs, working simultaneously as a sound engineer, which let him expand his knowledge of sound engineering.
Since 2004, he has played in many clubs in Rzeszow (Poland) including the Chilli Club where he spent 9 consecutive years working as a resident DJ and where he organized a series of events with alternative music called Night Session together with his friend Nexy. In 2012, he joined the ranks of the booking agency "Sentence", belonging to one of the best Polish DJs - Angelo Mike. Cream has also presented his DJ mixsets on many radio stations including :Frisky Radio, Golden Wings Radio, DI FM, Insomnia FM, TM Radio , Pure Fm, Tenzi.Fm, Movement Radio (India), Rmf Club, Bin Radio, Usessions Radio, Czwórka Polskie Radio, Deep House Parade Radio and Houseradio.pl. Since March 2013, he has been hosting his own radio show "Terminal" which covers a broad spectrum of progressive music on Proton radio Recently.
Currently, with Deep Fog, he forms a producer duo. Their shared passion for broadly understood electronic music has already resulted in several realeases of a very respected labels in the world, such as: Particles, Electronic Tree, Soundteller Records, Stellar Fountain Records, Never Too Late Recordings, Massive Harmony, Evocative, BQ Recordings, Pineapple Digital, Revelation Records, 3rd Avenue, Superordinate Music,Yang, OLD SQL Recordings, BC2 Records, Inmost Records, Per-vurt'Records, Aeriform Records, Visceral, 
Majestic Familly Records, Pro B Tech Music, Existence Music.
In 2016 they have won competition for a remix of legendary Moonbeam.
Their productions are supported by some highly regarded artists i.e. Hernan Cattaneo, Chicane, Gai Barone, Armin Van Buuren.
The debut single „Kiki” was holding a frist place at the Polish club charts of FTB portal.Currently his first solo productions are due to be released and there is more of remixes and productions at finishing stages
It's hard to classify Chris's musical style. Currently, it's a combination of house, progressive, tech house and minimal techno sounds. In his spare time, Cream enjoys relaxing with music by listening to some good chill out, classical music (Bach, Strauss, Beethoven), or jazz with Chris Botti at the helm.
His input into development of the national club scene has been appreciated as he was awarded with 3rd place on a national competition Polish Electronic Music Awards "MUNOLUDY 2014" in best dj/producer category.
Cream, who has spent over 35 years working as a DJ, can freely admit that music is his passion that lasts indefinitely.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

~mGuardi is following