I still listen it after 30 weeks, but it does give me the same vibe as it used to be.. amazing.

that sound it want's to travel or flying in the sky how great is it how wonderful is this sensation

(｡•̀ᴗ-)✧

Purchase on Bandcamp

Magic (feat. Kristine)

Art by the incredible Dave Rapoza!

http://daverapoza.blogspot.com/

PRESS TO BUY

The Looks That Kill

Art by the incredible Dave Rapoza!

daverapoza.blogspot.com/

King Of The Streets

Life Is Music 2012 Vol.1

Nightcall

It's Official Folks. 

The first single from Magnatron is OUT NOW!

Pre-Order Now!

iTunes
http://apple.co/1GnH03f

Google Play
http://bit.ly/1cVPbt6 

Bandcamp
http://bit.ly/1Bdam5D

Wave shaper (@waveshaper-2) drops what may be one of the best synth wave tracks of 2015! Listen closely and enjoy! Also expect a MAJOR music video for this masterpiece very soon...

©2015 NewRetroWave Records. NRW Records is under licence to NewRetroWave, LLC. All Rights Reserved.

Magnatron

Waveshaper - Crystal Protocol

This tune was released by Depeche Mode in 1981. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #584 by Depeche Mode

LIFELIKE - Motion

Buy Here!

Robert Parker - '85 Again (Feat. Miss K)

Miami Nights 1984 - Ocean Drive

Ocean Drive

Sleepless Nights

A Glowing Light, A Promise

Lifelike - So Electric

With this we'd like to present to you the Two Guys In Japan EP :

On the originals, the nu-italo duo provide us with upbeat vibes, flowing with smooth and beautiful synths and solos, really taking us back to that golden 80s era with convertible corvettes and soaking up the sun.

On Remix duty, we have the space disco master himself, FM Attack, providing us with that vintage cosmic sound, and really proving that love can be anywhere.

Lazercat &amp; Shawn Mac mix things up providing a deep, melodic sound with a touch of italo-prog to give it that refreshing sunny vibe.

Last but not least, Sare Havlicek &amp; Le Pimp provide us with a retro and upbeat sound, highlighting the original elements and adding a 70s style touch to it to seal the deal.

Artist: Flashworx
Title Of Album: Two Guys In Japan [EP]
Year Of Release: Jun 1, 2010
Genre: Electronic, Nu Disco, Space Disco
Label: SpaceWalker Recordings

Flashworx - Odaiba Chase

La Mer Des Possibilités

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Ocean Drive

MIAMI NIGHTS 1984

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