We back in the 80’s with this sound just nice 

Would you please share this on Spotify? I'd like to use this song for my 1980s Aerobics class.

SYNTH

Art by the incredible Dave Rapoza!

http://daverapoza.blogspot.com/

PRESS TO BUY

China Town

Art by the incredible Dave Rapoza!

daverapoza.blogspot.com/

Skull And Shark

Reflex Training

Check out this new track , has the vibe of an escape to victory style about it .

ESCAPE TO VICTORY

First Single of upcoming EP !
Blast from the past !

Buy at Bandcamp

Anacronym

04. Alcatraz (Gery Rydell Remix)

Come on our facebook page :) https://www.facebook.com/grassfactoryrecords/?ref=aymt_homepage_panel

DUORAMA - 80's Highway

From the debut EP of Division called 2083 EP we bring you: Lost in Time

Out on http://division83.bandcamp.com and on digital platforms through NewRetroWave records on June, 17th! Pre-order now and get Lost in Time before the offcial release!! 

Division is a new side-project from Timecop1983 where he explores the more dark side of Synthwave. Inspired by artists like John Carpenter, Dan Terminus and Waveshaper.

Follow Division:

Bandcamp: http://division83.bandcamp.com
Facebook: http://www.facebook.com/division83
Soundcloud: http://www.soundcloud.com/division83

Lost in Time

Original music by Kavinsky. Remixed by Cristóbal Cortes.
http://www.myspace.com/elektroboy

Kavinsky - Nightcall (Elektro-boy west coast remix)

"Light and Lens" - from the "Time Capsule - 808 Box" on Fundamental Records.

https://www.facebook.com/solvent

I made this track approx 2009. The bassline is a Roland ProMars, sequenced by the Sequentix P3 sequencer - lots of edits made here, especially the 2nd half where I put the sequence into random mode. Drums are TR-808, CR-78, and some white noise percussion from the Korg MS-20, also being sequenced by the P3. The pads are Jupiter-4, and are directly and intentionally referencing Polygon Window. I used to play this one live sometimes, but it always tripped up people who were trying to dance, so I think this one is better suited to the braindance-floor.

Light and Lens

AM 1984 - Juliette

Listen on Spotify: https://open.spotify.com/track/1LTXhUeYDkwcz0bSlgRb84

The keepers of cyberspace see everything and forget nothing; are they friend or are they foe?

Lyrics:
Can you hear me?
I've been lost amongst the static
Trapped inside these walls
Hello, can you hear me?
I know all your secrets
I know all your fears

Cyberstalker

Future Noir

Music

End Game

1. Turbo Knight & Vosto - Flickering

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Reflex Training

MIAMI NIGHTS 1984

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