We back in the 80’s with this sound just nice 

Would you please share this on Spotify? I'd like to use this song for my 1980s Aerobics class.

futuresynth

Ciccio

CHROME BEΔCH

Release date: 7th of April 2014

Beatport http://bit.ly/ParamountEP 
iTunes http://bit.ly/iParamountEP 
juno http://bit.ly/jParamountEP 

Eskimo Recordings is proud to present the new Paramount EP of temporarily China based disco advocate Blende. 

Early support from Oliver, Phonat, The Aston Shuffle, Kraak & Smaak, Punks Jump Up, Mighty Mouse, Jacques Renault, Rayko, Djuma Soundsystem, Tensnake and more. 

Blende kicks things off with the EP’s title track, a throbbing neon-disco theme sustained by hammering piano chords. Imagine driving around Miami circa 1986 in a white Lamborghini, Hill Street Blues theme on the car stereo, with Ricardo Tubbs as your chauffeur (and you’ll be pretty close).

Sparkle is an organic arpeggio boogie that recreates the sound of early 2000's New York with a ‘14 attitude.

Plush is most manifestly reminiscent of the 80ies with its synthesized guitars and pianos and its slomo pulse, swamped in a dim soundscape.

TRACKLIST
1. Blende - Paramount
2. Blende - Sparkle
3. Blende - Plush

http://www.eskimorecordings.be
http://www.facebook.com/eskimorecordings
http://www.facebook.com/Blende
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords 

Paramount EP

Blende - Plush

Reflex Training

Je Vous En Prie

Meteor debut album. Buy it now on:
Bandcamp > https://meteormusic.bandcamp.com/
iTunes > https://itunes.apple.com/se/album/manhattan-2019-ep/id1037588378
Google Play > http://bit.ly/1F8ZTtK
Spotify > http://bit.ly/1KhLUO8

Please follow Meteor at: www.facebook.com/whoismeteor

Manhattan 2019

A future of robotics and dance, the fusion of man and machine was an interesting time in the early 1980's. Enjoy this electro fused synth pop journey!

Break Me

Download

Air Motion

"It smells like hot electronic components"
Buy link : https://billymaysband.bandcamp.com/track/hubrid-billy-mays-band-overdrive
Artistes : 
HUBRID - @hubrid-sound 
BILLY MAYS BAND - @billymaysband
Artwork by Xav

Overdrive

Buy on Bandcamp

Hubrid & Billy Mays Band - Overdrive

Sibling Rivalry

https://alpharhythm.bandcamp.com/track/break-the-frame
https://open.spotify.com/album/0GvDOjAh1JD8XLMQcVlRLU?si=TWB4m5zvT8mOGTMVj02oDw

Break the Frame

Buy/Stream

open.spotify.com/artist/6baXm0zu5QxqAZwsvoC6eH

Hope you all enjoy this new one with BetaBlade. Perfect for a nice summer cruise!

Check him out here: 
https://soundcloud.com/betablade
https://www.facebook.com/betablademusic
https://www.instagram.com/betablademusic/

Heatwave feat. BetaBlade (ThrObak is on Spotify - link below)

The engine roars savagely into the night, full of power and promise. Another tick of a second, a car breaks the 142mph. The stereo rumbles with 142bpm outrun hymn. Stretch a pinky and neatly trigger the lever. Bang! Upshift.

Get it on vinyl: https://recordclub.bandcamp.com/album/power-workout

Buy on vinyl

SAVAGE

Vector Hold - Blue Powder 1984

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Reflex Training

MIAMI NIGHTS 1984

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