Name: Stop Drop & Roll Miami Nights 1984 RMX by MIAMI NIGHTS 1984
Duration: 5 min 32 s
Description: Official remix of Ghosthouse's Stop Drop & Roll!! Get the high quality version and other remixes here http://ghosthousechicago.bandcamp.com/album/stop-drop-roll

Yes!! This kind of singing and beat is a rare find. Awesome!!

Not usually into vocals on Synthwave tracks but.. this one is gold.

Futurecop! 1988 Girls - (Bestrack edit)

 *** BUY THE ALBUM http://rossocorsarecords.bandcamp.com/album/take-my-time ***


Take My Time featuring Dana Jean Phoenix and Christopher Page on vocals. Guitars by Jesse Bullet.
From the album Take My Time, out December 2013 on Rosso Corsa Records.

www.rossocorsarecords.com
www.facebook.com/highwaysuperstar
www.twitter.com/highwaysuperstar
www.highwaysuperstar.com
@dana-jean-phoenix
www.danajeanphoenix.com

Mastering by @silentgloves

BUY ON BANDCAMP

Take My Time (feat. Dana Jean Phoenix and Chris Page)

A Love Letter

Queens of aerobics

Memories

This is a cover version of Kano - Another Life
Singer: https://soundcloud.com/syntaxsemantics

Another Life Revived (ft. Syntax/Semantics)

Virtual Sunset (Free download in buy link)

Flashwave Dreamer

This is the New Single off my next LP!
This song is inspired by pushing the boundaries of what makes us comfortable.  Overcome your Fears and Live life to the fullest!

Fantasy Rider

Paradiso Silver Club

High On

Official remix of Ghosthouse's Stop Drop & Roll!! Get the high quality version and other remixes here http://ghosthousechicago.bandcamp.com/album/stop-drop-roll

Stop Drop & Roll Miami Nights 1984 RMX

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Stop Drop & Roll Miami Nights 1984 RMX

MIAMI NIGHTS 1984

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