I figured it out. Feels a bit like being on a ghost steam train. :D  Very cool ambient, Michael.

Enveloping darkness- would be great in a David lynch movie. Winderful eork Michael!

Sci fi soundtrack for sure- into the dark abyss. Very effective  composition Michael.

Love the sounds here- like a metal drum sound which brings you out of the dark synths.

here is some cinematic 'magic' i have found on Soundcloud - such a diversity and collective pool of talent.  Show your appreciation and have a listen....  leave a comment, repost, let the artist know what you liked about their music and/or how it moved you or fueled your imagination...

FROM A MOVIE, AS YET UNMADE

Sodus

Special thank you to NASA for use of images on artwork.

Radius

God’s Acre

shifty 1 take 1 11324 35 bpm

Alex Arcady:  Drums, Mix & Master
Dirk Taubenheim:  Guitars, Bass, Trombone, Vocals

Photography by Tim Cannon
Mixed & Mastered at Joytime Studios, Togliatti
Recorded at Gatsby´s Garage

This song is for Sar Araion who disappeared. Thanks for listening!

Hey Now!

Missing  (Where Is Sar?)

Phobia

Mazalini - 'Lost reality'

(Sharbaugh [and 'Others'])
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: 'found sounds'
Composed and Recorded ca. 2013 to July 26, 2020.
sm5 [2023 REMASTER] [24WAV] [eM 02].

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"During this tenuously denormalized environment that we, as humans, face currently amid the COVID-19 epidemic, most musicians [and non-musicians] are discovering ample time on their hands that can be utilized for creative, sonic endeavors; hence, for this week's disquiet junto, I imagined, as Marc Weidenbaum's prompt had stated, '[an] idea of looking ahead -- of projecting  what the world will be like in six months -- what [our] world will [sound] like six months from today, [and] make some music that reflects what you imagined,' and set out to produce a soundscape that might become representational of 'some manner of composing' by musicians and non-musicians, alike, briefly, ahead in the future.

To that end, I struck off into this project intending to be pure audience to the piece; that is, I desired to build a soundscape that was, for nearly all purposes, beyond my control, and was extant without my ever inputing a single note -- nor sound -- by 'playing' ANY conventional musical tools nor instruments.

'Six months from now,' I had imagined, 'the world's aural archive will have grown in its number of works created by non-musicians without the utilization of ANY conventional, musical instruments -- save a computer (for retrieving, and mixing, pre-composed sound files).'

But, of course, when composing and mixing a project in a DAW, egotistical control and inward aesthetic ever-prevails in my case; therefore, I had chosen to select -- and edit -- several HUGE beds of sound, layer them side-by-side, and judge the manners in which they collided, overlapped, and existed together (i.e., using manually-generated volume fades, on-board processing and effects, and panning techniques within the DAW, itself).

I chose the pre-recorded online file archive provided by the website, freesound.org, as my 'nest-egg' of potential 'sound options': I kept entering the search terms, 'space' and 'a-note' -- as in 'the musical tone, 'A' -- into the search field over a period of five hours, and auditioned, chose, imported, and melded-together, seven [7] distinct sound files that were ten- to ninety-minutes in temporal length -- as might a 'non-musician' [!?] might have done -- and mixed them together, all the while, of course, consciously manipulating them according to my unique, individualized aesthetic concerning 'what sounds good' (i.e., manipulating volume fades, effects, and panning parameters).

This musical bed of sound is the result: 'In the Orbit of a Victorian Fireplace.'"

~ Michael (July 26, 2020)

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"More on this 447th weekly Disquiet Junto project, Listen Ahead (The Assignment: Make some music for the near future), at:

https://disquiet.com/0447/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0447-listen-ahead/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion."

~ Marc Weidenbaum (ca. 2020)

-

The soundfiles contained in this composition can be found below.

"factoryplace" by Omar Alvarado
https://freesound.org/people/Omar%20Alvarado/sounds/474157/

"Alien Soundscape - Long" by Speedenza
https://freesound.org/people/Speedenza/sounds/198532/

"mix mfo3b7 113" by ERH
https://freesound.org/people/ERH/sounds/138436/

"Spaceship Ambience" by revolt2563
https://freesound.org/people/revolt2563/sounds/443499/

"Glass Aquaphone Drone 2" by be-steele
https://freesound.org/people/be-steele/sounds/322990/

"A Spaceship Fly-by" by InspectorJ
https://freesound.org/people/InspectorJ/sounds/397948/

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In the Orbit of a Victorian Fireplace

Buy on iTunes >>>

"In the Orbit of a Victorian Fireplace" [disquiet0447] [2023 REMASTER] - Michael Ash Sharbaugh

Just a song sketch called Buckskin Bill. It's about Buckskin Bill.

Buckskin Bill

Photo by wonderful Billy&Hells
https://www.billyandhells.com

"Alive In The Dream" by D'ark Tha Murky

Competition entry for the Professional Composers Community 2020 August Sad Music Contest.

I had a really hard time with this competition theme. This is my fifth attempt, and the first idea that didn't just end up depressingly uninteresting. Unfortunately, I didn't come up with it until the weekend before the deadline, so I only had two days, but that's enough for a piece like this, once there is a proper idea to build on.

The vision behind this piece is rather abstract... "Where do we go from here?" I suppose that's how I feel about life in general right now, but not exactly in a way that inspires creativity, which is probably why I had such a hard time with this.

Used:
Cubase Pro 10.5
Kontakt
TC VSS3
smart:reverb
StereoSavage
Pro-Q3
Ozone 9

Spitfire Solo Strings
Spitfire Chamber Strings
Spitfire Symphonic Woodwinds

Crossroads

There's an edge to the world right now and our original "Can't Catch A Break" captures a bit of the uncertainty, the tension and the mood.  Joined here by Sam Mendez on both alto and tenor saxes, Daniele Turani on lead guitar, Les Thomas on rhythm guitar and Ed van den Brekel on electric trumpet.   Let's hope that the world gets a break soon.  Be safe, be well and wear those masks and social distance.  
Check out these outstanding creators and musicians:
Sam Mendez:  https://soundcloud.com/santi-caballero
Les Thomas:  https://soundcloud.com/les_thomas
Daniele Turani:  https://soundcloud.com/danieleturani
Ed van den Brekel:  https://soundcloud.com/ed-trum-ped

Can't Catch A Break - Sam Mendez / Les Thomas / Daniele Turani / Ed van den Brekel / Jamie Rhind

Nibblets

Marco Lucchi : piano
Wilfried Hanrath : electronics

a remix by Wilfried Hanrath of various piano patterns by Marco Lucchi

ottobre 2020

Marco Lucchi & Wilfried Hanrath - Interweaving patterns

Small price a fiver to see this unique freak show
Contortionist of the body, he can suck his own dick you know
Yeah for his sexual pleasures he just opens up and blows

These tricks of his are sure to raise a few eyebrows
His twisting, writhing posture disturbs the pc mouths
Well their constipated arguments are best left in their bowels

I accept in these times they have a right to what they say
But they shout of the ignominy and freedom goes both ways
Do I detect a hint of jealousy because for a suck they have to pay?

I've heard the rumours of how one night whilst he sleeps
An execution party will turn up, oh so discrete
And they'll burn his resting body 
Because that's the way to handle freaks

As a self confessed quick thinker I knew their plan had flaws
So I told him "you scratch my back and I'll scratch yours"
He said "I can scratch my own back with my feet"
Well of course!!

If he'd taken up my offer he'd still be alive this day
They'd have been no midnight murder, no charcoal remains
Hell his body really contorted as it went up in flames

Why is it we destroy all of what we fear?
And if we don't destroy its body we crush its soul with our jeers
So think twice before you take up an alternative career

The Contortionist

POP | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

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the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

- + -

#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler

hello!  i'm Kat but you can call me Miaow, like my cat does....  i'm a singer/songwriter/musician/music-lover from Scotland and have been all my life.  this is my first solo project.  my debut album, Year Zero, which is out on all digital platforms.

DOWNLOAD / BUY my music here:

https://miaowmcdonald.bandcamp.com/

you can also find me on iTunes, Spotify, Deezer, Napster, Applemusic, Googleplay, etc etc etc.

Miaow McDonald: words, vocals, guitar, bass, piano, Theremin, synths and is responsible for some other sonic perversions and samples.

Additional players named on individual tracks.

Production: Robert Davidson (Aged Choir Boy)

Thank you for tuning in!  

Love,
Miaow x

"In the Orbit of a Victorian Fireplace" [disquiet0447] [2023 REMASTER] - Michael Ash Sharbaugh

Michael Ash Sharbaugh

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