(Sharbaugh)
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: guitar, synthesizers, and 'found sounds'
Composed and Recorded April 7 to 19, 2014.
sm6 [ARIA(A)].

This piece was initially inspired by a disquiet junto [https://soundcloud.com/groups/disquiet-junto/] assignment [http://disquiet.com/2014/04/03/disquiet0118-internetroomtone/] that called for participants to create a work that “answer[s]” the question “What is the room tone of the Internet?” It was assigned for the span of April 4th through 7th, 2014, and I honestly had difficulty answering the question in sound. The sheer thought of such an undertaking—both conceptually and aesthetically—boggled my mind. Thus, I did not put forth my rough sonic draft.

However, in the spirit of the disquiet junto, and because this piece was sparked by its prompt, I hereby offer forth my process.

I imported a heavily effected sample of a 56k dial-up modem into my DAW, cut it down to a small section, time-expanded it, and looped it to meet 103.52 BPM—a tempo that was its closest match. I then added synth flourishes that seemed to match its resultant periodic tonic. Intuitional aesthetics guided me in adding additional motifs in the bass and treble registers. An old, out-of-tune, dirty, nylon-stringed acoustic guitar was added at the end, intentionally spaced to seem as if wandering.

I arrived upon the title having ‘learned’ that the internet moves along at .6 to .7 the speed of light: the average is .65; the speed of light is ‘c’.

More on this 118th Disquiet Junto project — “What is the room tone of the Internet?” — at:

http://disquiet.com/2014/04/03/disquiet0118-internetroomtone/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Image associated with this Junto project used via a Creative Commons license:

https://flic.kr/p/2af9A

point65c

Buy on iTunes ...

"point65c" (based on [disquiet0118-internetroomtone])

Mostly I make ambient/melancholic electronic music. Or I play the piano. 
Sometimes there will be faster songs. And sporadically I will do something different. 

Thanks to everyone who takes time to listen to my tracks, or likes them, or reposts them... much appreciated <3

Also check out my synth pop project with the lovely @annie-smart-1: 
Passion Arcade - https://soundcloud.com/user-949559825

DARK WAVE | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

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the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

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#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler

Hello, my name is Antoine Graftio, I do music for 25 years.
At this stage of the way I am most attracted to electronic music, as it gives unlimited scope for creativity.
By passing the sound design I am a member of projects such as: THEORY, Sacris Tandem, Conjuncture, and some work is released under his own name.
The priority for me are the styles: Dark Ambient, Industrial, Noise, but this fact does not prevent me to create work in other directions.
On my site you can familiarize yourself with all facets of my work, I wish you pleasant listening.
My e-mail: 557301@gmail.com

walk with me through hell

†🚀 🪐✨


contact: thartney13@gmail.com

Music available on bandcamp https://thebargainbasementbutterflies.bandcamp.com/

The Bargain Basement Butterflies are gleefully inspired by Kraftwerk, Erasure, OMD, the Lightning Seeds, Depeche Mode, Howard Jones, The Cure, Laurie Anderson and a host of other terrific artists old and new.

Living Life and Making Music, because what else is one to do? 

Open to collaborations.
I do love to sing...or play.

[more or less] acoustic 
covers of songs I love
and revisits of songs I made.