(Hallam | Sharbaugh)
Adrian Hallam: guitar, Oberheim synth, and found sounds
Michael Ash Sharbaugh: vocals, synthesizers, found sounds, and sound manipulations
Composed and Recorded ca. May 4 to May 5, 2013.
sm10 [LANDR Master].

Listen to more of Blue Room Green [Adrian Hallam]: https://soundcloud.com/blue-room-green

Adrian ... thank you for the opportunity to manipulate your gorgeous stem mixes for "The Separation of Grays."

This piece is a derivative of "The Separation of Grays":

https://soundcloud.com/michael-ash-sharbaugh/the-separation-of-grays
https://soundcloud.com/blue-room-green/the-separation-of-grey-brg-mix

For Marc Weidenbaum's [ https://soundcloud.com/disquiet ] thoughts concerning this piece, visit http://disquiet.com/2013/05/05/weary-decadence-mp3/

The Parting

Buy on iTunes! ...

"The Parting" [Michael Ash Sharbaugh and Adrian Hallam (Blue Room Green)]

POP | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

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the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

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#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler

Singer,musician,songwriter,animal activist,love older people,I believe in life after physical death - i believe that the point of power is in the present moment and it is ALWAYS the present moment...I love my spirits in the light . I do biographies with the actual person, I believe in creating justice - not fighting for it - and...I have so many musical influences I cant begin to tell you!!See also Wild Orchids for my duo!! Music transcends everything and once a note is struck it sounds forever...rock on...I play 12 string ovation, 6 string Cole Clarke Fat Lady and Angel, Gibson Heritage6, Les Paul Gibson black top, Gibson Rd Bass, Maton classical6,and anything I can get my hands on!! I dabble with piano..really dabble!! YOU CAN ALSO FIND ME ON FACEBOOK! Music,petitons,OPINIONS..some laughter..see ya!!I send peace,light and love and healing vibes to all who need them...xoxo

A laboratory with an open bar and floating altar. Come on in! 

Here are various solo and collaborative projects - songs, soundscapes, live looped solo guitar improvisations. 

This project used to be called "imaginary friends", but it became too real for that name, as did many of you.

I hope you enjoy something you find here. Do feel free to be in touch, you never know what might happen.  

I also invite you to attend @hypnopompetus, a duo project with the illustrious Cheesemont Paisley-Paisley https://soundcloud.com/sel-sync, and Fictive Sisters, a transatlantic band with  the incomparable Wheelwright https://fictivesisters.bandcamp.com/album/immaculate-distraction.

A la rencontre du folk et des chants tribals, Nazca donne à ses mélodies pop un aspect sauvage et organique : des percussions brutes, parfois guerrières, qui se heurtent aux voix cristallines, dont les harmonies savantes se mêlent au ukulélé et aux nappes sonores du clavier. Un métissage paradoxal entre douceur et puissance, une impression de vie, de « naissance », dont « Nazca » est l’interprétation en espagnol.

Nazca, c’est surtout l’alliance parfaite de la voix limpide de Juliette, avec celle plus caractérielle de Zoé, des rythmes de guitares de Marc et des percussions saisissantes de Navid, dont le mélange sonne comme une évidence. Une formation intimiste, tant dans son rapport à la musique qu’au public, qui vous scrute et vous caresse du regard.

L’invitation sur le fil de Nazca s’apparente à la découverte d’un microcosme tissé en pleine jungle musicale; la découverte d’un peuple nomade imaginaire dont l’identité se décline au rythme de célébrations à la nature, pour en faire surgir toute la beauté de l’unité.

Lola Demo is a force to be reckoned with. Her music is a raw, unfiltered dive into the heart of alternative soundscapes.
Hailing from the eclectic underground scene, Lola Demo has carved out a niche that's entirely her own. With a background that defies convention, her journey through the musical realms is anything but ordinary.
Starting with the brooding tones of goth and alt-rock, Lola Demo has evolved her sound into something that transcends genres. She has previously fronted the goth band Ape the Cry (Melb AUS), rocked out with the alt-rock band Hard Candy (Melb AUS), and explored dark electronica with British musician/producer Barry Snaith in their duo, M1NK.
Now splitting her creative energy between Athens, Greece, and the idyllic island of Ithaca, Lola Demo writes and records in her mobile studio, Strudel Girl. Her commitment to her craft is unwavering, aiming to release a new album or EP at least once a year. Her music marries grungy garage grit with hauntingly beautiful melodies, crafting songs that are as biting as they are melancholic.
Lola Demo's lyrics are a journey unto themselves - sharp, stinging, and unapologetically far from the pop mainstream. She thrives on the fringes. She lives for the edge. With influences spanning the entire spectrum of sound, Lola Demo is not just an artist; she's a sonic alchemist. 
Lola Demo is looking deep into your darkness and eternal fears by releasing hers.