This is a collaboration work created after a request from a wonderful artist called Computart to add percussion and some synth phrases to his song "Procession".
 The song is wonderful, and the bass sound and the exquisite gradation of the drone make the song impressive.
 "Is it okay to add my sound to a song that has been completed at such a high level?" I hesitated a bit (about 20 seconds), but my own curiosity ignited, so I added a lot of sounds and it was done.
　-----------------------------------------
★says Computart.
  you did well! I like your synthesizer and arpeggiator. That's right! Allows you to publish your version to your soundcloud. I thank you, you are a hardworking, mature and creative musician! Thank you my friend. much love and respect!
"He liked my work."

Computart feat Amekaze : Procession

Classical French comedy music. Thierry Clua Juin 2024

Pignon

available on bandcamp:
https://30gradx.bandcamp.com/track/fly-2
Version 1:
https://soundcloud.com/30gradx/fly
Remix by Laar:
https://soundcloud.com/user-325797522/30-grad-x-fly-laar-remix

Fly 2

For more on this disquiet junto prompt, see https://llllllll.co/t/disquiet-junto-project-0655-soothing-sounds-ii/67983

Congrats to the new parents in the Junto!

Technical stuff:
Made with SuperCollider and processed in Audacity. The background paddy stuff is a chorused morphing wavetable synth and the foreground is a perc-enveloped FM synth, both playing notes from the same chord throughout.

dream, kiddo (disquiet0655)

Available on Spotify:
https://open.spotify.com/album/7ELJfDSS9O5slDeGvDW7sl

Other streaming platforms:
https://emubands.ffm.to/lifeworthliving

Lyrics:

I’ve been chasing dreams around 
but I haven’t found
any reason to go on
all my hope is gone

I’ve cried so hard but it’s no use 
I’ve tried and tried but it’s too hard 
(to make life worth living)

There’s no one in my home 
So I’m going to die alone 
and soon I’ll be gone

I’ve cried so hard but it’s no use 
I’ve tried and tried but it’s too hard 
(to make life worth living)

I throw my hands up, I throw my hands up 
and walk away
I throw my hands up, I throw my hands up 
and walk away
(I gotta I give up)

I don’t want to stay and feel this way 
I’m gonna throw it all away
I can’t stand the pain

I’ve tried so hard but it’s no use 
I’m not going to try anymore 
(to make life worth living)

My body’s just a cage
to keep my soul from running away 
it doesn’t want to stay
so I’m gonna set it free today

My body’s just a cage
to keep my soul from running away 
it doesn’t want to stay
so I’m gonna set it free today

I throw my hands up, I throw my hands up 
and walk away
I throw my hands up, I throw my hands up 
and walk away
I’m gonna give up

Ah-hah, ooh, state your name and business 
Ah-hah, that’s manners
Ah-hah, state your name and business 
Ah-hah, that’s manners
(How do you do, how do you do, how do you do) 
Ah-hah, state your name and business
(How do you do, how do you do, how do you do) 
Ah-hah, that’s manners
(How do you do, how do you do, how do you do) 
Ah-hah, state your name and business
(How do you do, how do you do, how do you do) 
Ah-hah, that’s manners

Life Worth Living

method: employing the presets of the arpeggiator on the a50 to narrow in on philip glass, bbc's celts, orinico flow, the moldau, pata pata or sonamos or whatever your enlarged and numerous senses might perceive
narration: a flow, a bend, afloat
image: copyright jo richter

poem / copyright jo richter

striations of birthing she bore
as though no one had suffered before

shattercone . the final couplet

shattercone - the final couplet

The monkeys always chose the path of pain, chaos and destruction...don't  give them guns.

Don't  give Monkeys guns

OUR YESTER DAYS (2024)
for amplified soprano, live electronics & organ

A recording made in September 2024 at the Ascension of Our Lord Church, Westmount, Québec, Canada by the dedicatees of this work, Kimberley Lynch (soprano/live electronics) & Adrian Foster (organ) who gave the first performance on 25 July at the Church of St. Andrew & St. Paul, Montréal. The work is a setting of Ernest Dowson's "In Tempore Senectutis" and makes use of various echo & voice duplication effects to convey its moods of dreamy, joyous remembrance and reflection on lost youth, resignation and departure.

Recording © Adrian Foster 2024
Image of Kimberley Lynch © Joel Peters 2024

OUR YESTER DAYS (2024)

Lunch On Thursdays.mp3

This is Parabola Memoriae slowed down + Reverb while the piano and duduk carry the piece alone.

We did this one, following that natural impulse one has to linger in a quieter space, sometimes to discover the magic in the cracks of the world, like something half-buried that still glows.

Bandcamp → https://bastiendiargos.bandcamp.com/
Spotify → https://open.spotify.com/artist/5x7FV8rKFF4a2DsIxRU694
Official Website → https://bastiendiargos.com

Parabola Memoriae - Forgotten Cadence Version (Piano and Duduk, Slowed Down+Reverb)

music for an imaginary film

Musician based in Edinburgh & Amsterdam. 
https://eighthtowerrecords.bandcamp.com/album/in-tenebris-ratione-organi
https://cantimagnetici.bandcamp.com/album/darenth
www.FireheadEditions.com
https://britishmusiccollection.org.uk/composer/michael-bonaventure 
www.scottishmusiccentre.com/michael-bonaventure

OUR YESTER DAYS (2024)

Michael Bonaventure

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