Collaborative concert between Nevermind the Noise and HYPERCUBE. Digital concert premiered February 3, 2021.

HYPERCUBE has built a reputation on high-energy performances with impressive execution. The NYC-based quartet embraces the boundaries of chamber music, featuring cutting-edge works for saxophone, guitar, piano and percussion, while spanning electric and acoustic worlds. From championing original works such as Louis Andriessen’s Hout, Philippe Hurel’s Localized Corrosion, and Chaya Czernowin’s Sahaf, to commissioning new works by composers Nicholas Deyoe, Farzia Fallah, Eric Wubbels, Annie Hui-Hsin Hsieh, Daniel Tacke, Erin Rogers, Amin Sharifi, Nomi Epstein, Christopher Adler, and Juan Trigos, HYPERCUBE has collaborated with composers such as Sam Pluta and Chris Cerrone, to freshly adapt works for the quartet. HYPERCUBE is Erin Rogers (saxophones), Jay Sorce (classical & electric guitar), Andrea Lodge (piano & accordion), and Chris Graham (percussion).

Hypercube x Nevermind the Noise

Yaz Lancaster: badhead (2020)

written for Hypercube's residency with Nevermind the Noise Collective @ NYU / recorded @ Scholes Street Studio / premiered on 3 February 2021

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I've experienced chronic insomnia for several years. This piece was written following a sleepless night, and attempts to capture the hazy and disorienting but familiar feeling of the middle of the day feeling later than nighttime.

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Hypercube is:
Erin Rogers, saxophones
Jay Sorce, guitars (& banjo!)
Chris Graham, percussion
Andrea Lodge, keys

badhead

"Resonator" accentuates the resonant qualities of Hypercube's instrumentation, accumulating a cloud of droning overtones above a fast and rhythmic quartet. While much of my music consists of long-form unfolding processes, this music is full of abrupt interruptions, inspired by Tony Conrad's essay "A Few Remarks Before I Begin": "Attention needs guideposts for focus. Exploration of alternative attentiveness is a valuable cultural commodity."

HYPERCUBE is:
Chris Graham: percussion
Andrea Lodge: piano
Erin Rogers: saxophone
Jay Sorce: guitar

Resonator (Hypercube)

I think Genre can be used as a technique. That's it. That's the piece.

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performed by Hypercube - http://www.hypercubemusic.org/

Genre is a Technique

shiver // shimmer // shatter
Performed by Hypercube

shiver // shimmer // shatter

For Charlotte (Winter 2020)

Hannah Donnelly - Flute
Angie Rosado - Oboe
Sam Beckwith - Clarinet
Laura Reyes - Bassoon
Tyler Campbell - Percussion 1 and 2
Dmitry Glivinskiy - Piano
Yaz Lancaster - Violin 1 and 2
Harper Randolph - Viola
Dorothy Carlos - Cello
Nate Giordano - Bass

Recorded remotely by the musicians.
Mixed and mastered by Toshi Tsuruoka.

For Charlotte

Performed by JACK Quartet @ NYU in 2019.
Mixed and mastered by Toshi Tsuruoka.

New Kleitos

Performed by Quince Contemporary Vocal Ensemble at NYU in 2019.
Mixed and mastered by Toshi Tsuruoka.

this Sandcastle

Performed by Hypercube Ensemble

A musical catharsis of the times in which 2020 has made us all want to scream.

Two Thousand Times I've Screamed (2020)

Composer, trumpeter, vocalist, educator working in Connecticut. 
M.M. Music Composition from NYU w/ Michael Gordon and Caroline Shaw.

shiver // shimmer // shatter

Michael Denis Ó Callaghan