https://www.facebook.com/DjArtinP
https://www.facebook.com/groups/740333532708385/
https://www.facebook.com/pages/Dj-ArtinP/411804588997103

He has reached 4th in the Detroit Techno chart,
10th in the Dub Techno chart, 
13th in the Dark chart and 
17th in the Dark Techno chart on Mixcloud.....

Martin.P, known by the stage name, Artin.P ', was born on 04 December 1980 in Vienna.

The resident DJ of Permanentdruck discovered his love for music very early.
At the age of 14 years, Artin.P discovered his great passion for the melodies and sounds of various styles and genres. However, it soon became clear his special interest is in electronic music.

In 1996 Artin.P- held at the tender age of only 16 years! - Together with another artist from vienna - his first event. And already at his first event Artin.P had major triumphs as a young DJ. Due divided opinions on the expectations and prospects of future plans, the two artists broke their cooperation in the year 2006.

All the knowledge and insights which Artin P. snaped in recent years, gave him experience and security.
Artin.P has already had several successful appearances in his list of references worldwide.

In his spare time Artin.P spends a lot of time in his own studio for mixing and preparing his varied and diverse sets.

Quest-shows on ....

Rind Radio Mixology 
Trax-Radio
Radio Aktivia
Dan Crowleys Tes Radio 
Techno Poland Group
Dark Techno black hole Quest Mix
In Progress Radio
Afterhouers 51
Radio Spartacus 24/7 - The New Power of Nation
Turbulanceradio
and many more.....


Techno and some more Techno, mixed by my myself.

⇣ Contact ⇣

For the past twenty years, Argentinian-born, Barcelona-based artist Juan Pablo Pfirter has been a driving force behind a sound that's alternately steely, dark, and uplifting, remaining true to the founding principles of techno while infusing it with his avant-garde touch. 

Since his early days, whether through DJing, producing, or as a label owner, Pfirter has demonstrated his talent with focus and style. He's left his mark on esteemed labels like CLR, Figure, Mord, and Stroboscopic Artefacts with select singles, while headlining renowned electronic music venues and events such as Berghain, Tresor, Concrete, Awakenings, and Time Warp. Since his first European tour in 2005, Juan Pablo has tirelessly shaped one of the most distinctive sounds in contemporary electronic music, blending stadium-sized kicks with textured organic elements and hypnotic sub-bass motifs that remain captivating after countless listens. 

In 2006, Pfirter launched his own imprint, MindTrip, which has since become a prominent fixture in the techno landscape. The label serves not only as a platform for his own productions but also for those of his close friends and collaborators, including luminaries such as Flug, Kashpitzky, Nørbak, Stanislav Tolkachev, Dold, and more. Additionally, MindTrip has thrived through its monthly podcast series, featuring acclaimed artists like Angel Molina, Setaoc Mass, and Amotik, each presenting an hour of music that embodies the ethos of the label. 

Having released over 50 club-oriented records, Pfirter ventured into the realm of albums with 2019's "The Empty Space," offering a panoramic view of the subtle intricacies and emotional depth of his craft. His sophomore album, "Altered States," further explores the nuances and expressive possibilities within techno, balancing club-focused realities with introspective, psychoactive elements deeply rooted in the genre's tradition. 

Continuing to bridge the gap between the visceral and the cerebral, Pfirter consistently delivers compelling works that resonate long after the last strobe light fades. While his singles dominate specialist charts, the depth of his compositions lingers in the minds of listeners long after the club doors close. In Pfirter's hands, darkness becomes oddly comforting, inviting listeners into his unique sonic universe.

www.facebook.com/pfirtermusic
www.soundcloud.com/mindtriprec
www.twitter.com/pfirtermusic
www.pfirtermusic.com
www.mindtripmusic.com

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

Michael Gaggi is following