Olhos Postos

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR019
artist: henrik meierkord
release title: cello improvisations
runtime: 22:35
locations: Stockholm, Sweden

Cello Improvisations

eR019 Henrik Meierkord - Cello Improvisation VII

Experimento natural

19Oct23

My naviarhaiku511 track;
https://www.naviarrecords.com/2023/10/18/naviarhaiku511-in-dark-autumn-nights/
:D

reaching out to moon [naviarhaiku511]

A variation over Marco Lucchi Piano patterns n°14.
https://marcolucchi.bandcamp.com/track/the-whole-constitution-of-my-spirit-is-one-of-hesitancy-and-of-doubt

Variation Over n°14

This track was created for the Naviar Haiku group.
513
https://www.naviarrecords.com/2023/11/01/naviarhaiku513-a-black-dog/

2023-11-03

The Way In Snow (Naviarhaiku 513)

My submission to the Naviar Haiku 
challenge #516.

Dappled Seahorses Dance

Dappled Seahorses Dance -naviarhaiku516

The album La Musica è Sacra is a studio remake of a performance given in Firenze in 2022, March 4th. Originally conceived as a tribute to the Italian songwriter Claudio Rocchi, it has become an ode to the spiritual power of Music.

Amazing eclectic ambient orchestra. Seven artists from three countries: Marco Lucchi, Marco Billi aka Jarguna, Dario Derek Lucchi, Ilaria Boffa and Massimo Amato from Italy; Henrik Meierkord from Sweden, and Wilfried Hanrath from Germany.

Marco Lucchi - mellotron, synthesizers and piano (1,2,4,5) 
Marco Billi aka Jarguna - modular synthesizer and electronic percussions 
Henrik Meierkord - cello, zither and synthesizer (4,5) 
Dario Derek Lucchi - french horn (1,2,5) 
Wilfried Hanrath - bass, electric guitar and drums (1) 
Ilaria Boffa - voice (5)
Massimo Amato - synthesizers (5) 

Mastered by Marco Billi (Jarguna)
Picture by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

La Musica È Sacra

La Musica È Sacra Part 4

good intentions 9.25.25

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

Harmonic Crust

A radiant collapse between warmth and shadow, where each flash burns the silent surface of time. Energy flows from the glow to the fracture, revealing beauty in its slow unraveling. What remains is not sadness, but memory, echoing in a landscape that breathes, fades, and shines again.

Variation Over n°14

Michael Grunditz