Ballads of Lilith marks the sixth chapter in the haunting saga of Lilith’s dark gospel. Following Whispers of Lilith, Blood Psalms of Lilith, Thorns of Lilith, Serpents of Lilith, and Rites of Lilith, this new collection strips away the fire and fury to reveal something even more chilling: the silence between the screams.

Unlike its predecessors, Ballads of Lilith embraces the slow-burning intensity of gothic lamentations and twisted hymns. Fifteen tracks unravel like prayers and curses in equal measure, carried by spectral pianos, cathedral choirs, and aching voices that rise like angels only to fall like broken wings. The record blends reimagined favorites such as Life Eternal, Dies Irae (Requiem for Heaven), Lost Heaven, and Holy Blood with two brand-new epics: Alukah, a biblical vampire’s curse drawn from scripture and shadow, and Children of Light and Fire, a cradle song for salvation and damnation — Lilith’s most cinematic hymn yet.

This album is less a collection of songs than a requiem — a journey into the heart of sorrow, where the vampire queen herself holds both heaven and hell in her hands. It is the sound of confession, temptation, mourning, and prophecy, echoing like stained glass shattering in a cathedral of the damned.

Ballads of Lilith is not simply the sixth album — it is the testament of an immortal voice, where beauty and tragedy entwine forever.

Ballads Of Lilith

Darling, I Want To Destroy You

Shadow On The Stair

Dies Irae (Requiem for Heaven)

Holy Blood

Life Eternal

Dear Father

The Black Cross is a gothic metal band conjuring soundscapes steeped in darkness, mysticism, and cinematic intensity. Formed as a ritualistic union of heavy riffs, haunting melodies, and baroque aesthetics, the band blends elements of hard rock, doom, punk, and darkwave into a force both brutal and beautiful.

Led by frontman Michael on vocals and guitar, the five-member coven includes the enigmatic Lilith (synth & vocals), the shadowy axe-wielder Cain (rhythm guitar), brooding low-end guardian Malach (bass), and the fierce and relentless Abaddon (drums). Each member represents a different facet of the band’s occult-inspired persona.

Their debut album The Chapel of Shadows introduced a new liturgy of sonic storytelling — songs like Velvet Crucifix, The Seraphim Lie, and Darkness Is My Friend explore themes of sin, salvation, and the sacred in decay. With theatrical visuals, powerful live performances, and an ever-expanding mythology, The Black Cross is more than a band — it's a resurrection in sound.

Listen. Worship. Burn the silence.