Step into the storm once more — the candlelight flickers, the cradle sways, and the Mansion breathes again.
Abigail’s Curse is The Black Cross’s most haunting creation yet — a full-length gothic horror metal opera paying tribute to the legendary King Diamond.

Across twelve interconnected chapters, the album resurrects the tale of Abigail la Fey — her bloodline, her damnation, and the eternal echo of her rebirth. Each song unfolds like a cinematic nightmare: ghostly choirs, thunderous organs, and twin guitar harmonies blaze through a cursed house that refuses to die.

Michael’s voice channels the spirit of King Diamond himself — dramatic, tortured, and unholy — while Lilith’s ethereal presence weaves beauty through the darkness, her final song “Eternal Return” closing the saga in tragic grace.
From the galloping fury of “The Seven Horsemen” to the ritualistic lament of “The Feast of Shadows” and the apocalyptic exorcism “The Final Rite,” this is not just an album — it’s a séance.

Recorded under candlelight and shadow, Abigail’s Curse stands as both homage and resurrection — a gothic metal opera where death is reborn, faith burns, and the curse… never ends.

🩸 “Through blood we fade, through sin we begin — forever we fall, forever we return.”

The Child of the Tomb

The Feast of Shadows

The Possession

The Seven Horsemen

The Final Rite

Abigail’s Cradle

The Family Curse

Eternal Return

Midnight Séance

The Mirror Room

The Key

The Black Cross is a gothic metal band conjuring soundscapes steeped in darkness, mysticism, and cinematic intensity. Formed as a ritualistic union of heavy riffs, haunting melodies, and baroque aesthetics, the band blends elements of hard rock, doom, punk, and darkwave into a force both brutal and beautiful.

Led by frontman Michael on vocals and guitar, the five-member coven includes the enigmatic Lilith (synth & vocals), the shadowy axe-wielder Cain (rhythm guitar), brooding low-end guardian Malach (bass), and the fierce and relentless Abaddon (drums). Each member represents a different facet of the band’s occult-inspired persona.

Their debut album The Chapel of Shadows introduced a new liturgy of sonic storytelling — songs like Velvet Crucifix, The Seraphim Lie, and Darkness Is My Friend explore themes of sin, salvation, and the sacred in decay. With theatrical visuals, powerful live performances, and an ever-expanding mythology, The Black Cross is more than a band — it's a resurrection in sound.

Listen. Worship. Burn the silence.