Prose – known for his original blend of hip-hop and indie – released his breakthrough album Home Of The Brave (Virgin EMI) in 2016.
Hailing from Manchester, Prose has performed alongside artists including Professor Green, The Enemy and fellow Mancunian JP Cooper. One of his most notable collaborations came with four-time BRIT Award winner Emeli Sandé, who joined him on the track Head Sick after being introduced by London DJ and producer Naughty Boy. A long-term collaborator, Naughty Boy discovered Prose on YouTube and later signed him to his label. Head Sick was released through Virgin EMI as part of Prose’s acclaimed 2015 EP What If?, earning national radio support from Nick Grimshaw (BBC Radio 1) and John Kennedy (Radio X), who both featured Run With Faith as their track of the week.
Since then, Prose has carved his own path as an independent artist, releasing music directly to his fans and continuing to build a loyal following. His anthemic songwriting and cinematic sound have led to major commissions, including the bespoke theme track We’ll Make History for Oktagon MMA, which he performed live in front of 70,000 people in Frankfurt — the largest MMA event in history.
Prose has also created two exclusive tracks for the UFC, writing and producing entrance music for Paddy “The Baddy” Pimblett and Islam Makhachev, further cementing his reputation for crafting powerful, emotionally charged music that transcends genres.
Beyond the sporting world, Prose’s songs have gone viral across TikTok, introducing his music to a new global audience, and in 2025 he featured on Kyle Falconer (of The View)’s acclaimed solo album.
A true independent force, Prose continues to evolve — blending heartfelt lyricism, raw northern grit, and cinematic production to create music that connects deeply with listeners worldwide.

Mama Duke, a two-time Austin Hip-Hop Award winner and Austin Music Award nominee, recently took the national stage as a standout solo artist on Season 20 of America’s Got Talent, now airing on NBC. A versatile songwriter and genre-blending powerhouse, she’s known for crafting everything from hard-hitting rap verses to catchy pop hooks. Her songwriting skills have earned her rare honors—like being the solo cover feature of The Austin Chronicle—and high-profile placements including the official opening match song for Austin FC’s 2025 MLS season and the hold music for the popular Texas brand Juiceland. With major performances at Austin City Limits Festival and beyond, Mama Duke continues to expand the boundaries of modern music.

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

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