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Since around the release of Planetary Assault Systems' The Messenger LP, the No Exit and Future Modular EPs, P.A.S. overseer Luke Slater has made a solid case for being one of the few techno producers who has defined the genre's past and will continue to define its future. While he has spread his allegiances across a number of the genre's best labels, his own Mote Evolver label is, understandably, a source of the most compelling work from the man: the No Exit and Deep Heet Vol. 3 EPs being two of his more recent high-quality offerings. That trend seems set to continue with the release of Planetary Assault Systems' The Eyes Themselves EP.

The title track is indeed a kind of treat for the mind's eye - after a convetional rhythmic leadin, Slater gets down to business and unveils a few layers of crisp and captivating sound design. Irregular droplets of high-frequency sound fade in and then seem to fall around the listener like glowing rain on the surface of a distant planet, before receding and making way for more subtle phrases. All the while, fluctuations in the aggressiveness and persistence of the cymbal tracks fight to wrest the listener's attention away from this mesmerizing rain, making for an intriguing push-pull effect.

Elsewhere, it is a sign of Slater's strength that a track named for a well-known concept within dynamical systems ("Strange Attractor") doesn't come across as a completely arbitrary guess at what such a concept might 'sound' like. A number of lightly accented, quickly decaying micro-sounds come together here to become more than the sum of their parts, certainly connoting dynamism and at the very least keeping up a servicable spaced-out
groove.

Now, for those who prefer the grit and tension of urban reality to dancing numbers or speculation on other worlds, have no fear - the closing "Arc" is powered along by dirty filtered phrases, a faintly menacing shaker sample and the occasional impolite release of steam from the grating beneath your feet. It gives one the uneasy feeling of stalking in the shoes of a professional assassin, and it wouldn't be out of place in some documentary film on the same.

Few sonic artists can go from an atmosphere of oneiric wonder to one of cold intensity in just a few short steps, let alone doing this in a techno music genre that has little margin for error when it comes to conjuring atmospheres. As such, The Eyes Themselves once again demonstrates Slater's lasting contribution to techno: maintaining its reputation as a tool for stimulating both intellectual and physical energy, for aiding restless peregrinations of thought and for giving the body its freedom.

Mote041 :: Planetary Assault Systems - The Eyes Themselves

Kein Bild, kein Wort kann das Eigenste und Innerste des Herzens aussprechen wie die Musik.
Ihre Innigkeit ist unvergleichlich, sie ist unersetzlich!

Friedrich Th. Vischer



Vielen lieben Dank an all meine Hörer :) Euer positives Feedback motiviert mich immer wieder aufs Neue und gibt mir Kraft.



Und ein ganz besonderes Dankeschön geht an Sascha Beek, für die grandiose Interpretation von einem ganz speziellen Liebling von mir aus lang vergangener Zeit.

Ich bin unheimlich Stolz, dass ich exklusiv mit diesem Mix die Premiere für *Goodbye Horses* präsentieren darf!




Tanz Mal Drüber Nach

Tracklist & download available here: http://boilerroom.tv/recording/the-black-madonna/

The Black Madonna Boiler Room Chicago DJ Set

Dj DAG @ NATURE ONE "stay as you are" - Live Set

Neun Tage nach dem Mauerfall in Berlin, Kostenlose Telefon- & Übernachtungstipps^^ SFB Studio 92,4 Monika Dietl sendet einen Mix vom Projekt SRS (Senftenberg See & Süd)  DJ MST House of the Underground-Mix, Jugendklub 'Willy Kunze'.

1989-11-18 Berlin 92,4 Moni Dietl SRS Senftenberg DJ MST House of the Underground Klub 'Willi Kunze'

House, rave techno... pure classics all the way, hawk live & random on 1210's. part One.

88 92 Hawk live C60

SNAP's Essential Mix on 1994 New Year's eve at BBC Radio 1

SNAP Essential Mix BBC Radio 1 January 1st 1994

At the early 80s, there was no Technics no CDs no Traktor, i mixed on Thorens MKII, at the Big Club at Dorian Gray in Frankfurt, starting from 21:00 untill 11:00 next morning, no break no drugs, when music in Clubs was pure soul, everything mixed together Rap, Disco, Soul, Electronic, New Wave. i DJed there from 1982 to 1985 with the best Lightjockeys in the World, Ferno Madmud, Frank Hildmann, Andreas Röhl and Uwe Heinzelman. Without this fantastic journey i would never become such a successful Musicproducer and Songwriter. Thanks to Gerd Schüler and Michael Presinger to let me rock there Club

Michael Muenzing Live At Dorian Gray 03.12.1983 Tape1

Michael Muenzing Live At Dorian Gray 03.12.1983 Tape2

At the early 80s, there was no Technics no CDs no Traktor, i mixed on Thorens MKII, at the Big Club at Dorian Gray in Frankfurt, starting from 21:00 untill 11:00 next morning, no break no drugs, when music in Clubs was pure soul, everything mixed together Rap, Disco, Soul, Electronic, New Wave. i DJed there from 1982 to 1985 with the best Lightjockeys in the World, Ferno Madmud, Frank Hildmann, Andreas Röhl and Uwe Heinzelman. Without this fantastic journey i would never become such a successful Musicproducer and Songwriter. Thanks to Gerd Schüler and Michael Presinger to let me rock their Club

Michael Muenzing Live At Dorian Gray 16.10.1983

Here is Tuesday's Quantize Quintessential Mix Session!!!! Enjoi the ride!!!!

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 03012016

My Set at Dorian Gray Floor at World Club Dome 2016. 
Mixes are not all that tight... but that´s liv(f)e! ;-) 

Björn Mulik @ DorianGray Classic Floor WorldClubDome FFM (05 - 06 - 2016)

1. Information Society- Running (Instrumental) (Wide Angle 1985)
2. Dynamix II- Just Give The D.J. A Break (Dub Mix) (Bass Station Records 1987)
3. Freestyle- Don't Stop The Rock (Music Specialists 1985)
4. Freestyle- It's Automatic (Dub Mix) (Music Specialists 1986)
5. Divine Sounds- Dollar Bill Dub Dub (Specific Records 1984)
6. Jamie Jupitor- Computer Power (Egyptian Empire Records 1984)
7. Cybotron- Clear (Fantasy Records 1983)
8. The Egyptian Lover- Girls (Re-Mix Long Version) (Egyptian Empire Records 1984)
9. Twilight 22- Electric Kingdom (Kingdom Version) (Vanguard Records 1983)
10. Hashim- Al-Naafiysh (The Soul) (Cutting Records 1983)
11. The Wreckin' Cru- Surgery (Vocal) (Kru Cut Records 1984)
12. Rodney O- These Are My Beats (Egyptian Empire Records 1986)
13. Kraftwerk- Numbers (Warner Bros 1981)
14. The Egyptian Lover- Egypt, Egypt (Freak Beat Records 1984)
15. The Future- Nuclear Holocaust (Vocal) (Mirage 1984)
16. Kraftwerk- Tour De France (Remix) (EMI Records 1983)
17. Cybotron- Techno City (Vocal) (Fantasy Records 1984)
18. Riuichi Sakamoto- Riot In Lagos (Long Version) (Alfa Records 1980)

Electro Mix 2 (Electric Kingdom) (1980-1987)

DJ DAG Cafe del Main vol.3

Dies war "nur" eine Kopie von einem Bekannten. Deshalb leicht verminderte Qualität.



++++++++++++++++++++  A U F R U F ++++++++++++++++++++

BITTE 

FÜGT 

AUCH 

IHR 

EURE 

ALTEN 

DORIAN 

GRAY 

TAPES 

IN 

UNSERE 

GRUPPE 

KOSTENLOS

EIN !!!!!!

http://soundcloud.com/groups/dorian-gray-frankfurt

Ich kann Tapes auch gerne für Euch hochladen, wenn Ihr es nicht selber machen wollt. Bitte Nachricht senden an meinen Facebook Account "Summer Sun" http://www.facebook.com/profile.php?id=100002623929641

Torsten Fenslau @ Dorian Gray Frühjahr 1990

1997.03.15 - Dj Dag Live   Omen  Frankfurt  Hr3Xxl Clubnight  P2

RIGHT UP DE GALLEY EP006 - 𝗧𝗪𝗢 𝗙𝗘𝗘𝗧𝗦 𝗔𝗕𝗢𝗩𝗘 𝗧𝗛𝗘 𝗚𝗥𝗢𝗨𝗡𝗗

Classic Vinyl Mix rewinding to around 2006

Bjoern Mulik - Dual Intention

Michael Muenzing has spent most of his professional life as a director and producer in Music. Born and educated in Frankfurt, Germany he grew up traveling the world, as part of a family that produced world syndicated Music. His trademark during the 1990s was a danceable, keyboard-drum pop sound that blended music styles such as funk, house and hip hop.

Together with his partner Luca Anzilotti he created in the 90's the project SNAP, Songs like "The Power" and "Rhythm is a Dancer peaked at #1 on the US Billboard and UK Single Charts . Rhythm is a Dancer was the most selling record in Europe at 1992.

Since 1990 SNAP sold over 20 million albums and 100 million singles worldwide.

Honored with numerous Musicawards like Echo, Ascap Songwriter of the Year, Dance Music Awards around the world and more the 200 Platin and Gold Records.