OUT NOW - Basement Jaxx, Slarta John - Jump 'N Shout (Sébastien Léger Remix): orcd.co/jumpnshoutremix

https://sebastien-leger.com

MGMT : SebastienLegerMgmt@purplewall.com
Bookings:  Bookings@sebastien-leger.com

Vom Feinsten is a underground record label for electronic music located in south Germany. 

Contact & Demos: vomfeinstenmusik@gmail.com

Please send the demos with a private Soundcloud link.
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Vom Feinsten - finest electronic music. 

"Aestus" single:
⏭ Beatport: bit.ly/2u7X6gC
⏭ Spotify: spoti.fi/2vyUsVn
⏭ Amazon: amzn.to/2htgCCh
⏭ Google Play: bit.ly/2u9rM5g
⏭ DJTunes: bit.ly/2hudXbI
⏭ YouTube: bit.ly/2u6zfOt

Nic Fanciulli has become one of the most influential artists to come out of the international dance scene in several years. With so many projects constantly in the works, Fanciulli stands out as a truly multitalented worldwide artist, with this perhaps being the key to his longevity in an increasingly fast-paced industry.
 
Fanciulli’s kept up a big Ibiza presence over the years, becoming one of the most respected figures on the island. Following on from two successful years running ‘La Familia’ at infamous 5000 capacity outdoor venue Ushuaia alongside Joris Voorn, 2016 saw Nic embark on his first solo residency at the iconic Pacha. ‘We Are The Night’ saw the likes of Guy Gerber, Sasha, Bicep, Agoria, Matthew Dear and Tiga play at the club alongside Nic. Having conquered Ibiza, We Are The Night has also held parties in Croatia, Barcelona, Miami, New York and Mexico with many more to come. Aside from Nic’s own projects, he’s a regular of all the key parties on the island. He’s been a headline guest at ANTS - Ushuaia’s flagship underground party - since its inception, and also put in appearances at respected residencies Paradise, Guy Gerber’s RUMORS, Circo Loco at DC10 and INSANE at Pacha over the last year alone. Most notably, he played a major part in the last season of one of Ibiza’s best-loved clubs, Space; firstly, playing the closing of its longest-running party, Carl Cox’s Revolution, and then proceeding to make history playing the final set at the club’s last ever closing party, in an incendiary six hour back to back session with Carl himself.

As a producer, Nic has created a plethora of solo tracks that have received huge critical acclaim including a Grammy Nomination, in addition to unleashing a heady collection of memorable remixes, including his recent rework of Jamie xx’s ‘SeeSaw’. Nic is responsible for a high output of a sleek, intelligent yet driving strain of house and techno, and is famed for his compilation CDs, having completed mixes for Renaissance, Global Underground, Balance and Defected In the House as well as an incredible three Essential Mixes; he is now gearing up for the release of his highly anticipated debut album.

Nic’s genuine desire to share music with others led to him founding what’s gone on to be one of the UK’s biggest house and techno labels, Saved Records. An important purveyor of international, underground house and techno, Saved has become a global brand, renowned for cutting-edge releases and standout events around the globe. Responsible for helping to break the careers of a diverse mix of producers, Saved Records has established Nic as a key tastemaker.

It’s this continued desire to share his experiences that also led to Nic starting up his worldwide festival brand, The Social. Beginning life as a way of bringing world-class names to Maidestone, it’s grown not only from a one day event to a three day festival, but will now also be branching out to hold parties in Mexico and Columbia for 2017 and looks set to continue growing.
 
Nic’s journey to his current status has been an entirely organic one, born out of his genuine love for the scene and a desire to share this with others. His tireless work ethic has sees him continue to tour the globe relentlessly and expanding his many projects – 2021 is set to be yet another landmark year for the artist.

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

DJ/Producer | mixing & analog mastering engineer
Booking: hannes@subwayevent-berlin.com

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