Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

Mixing the best of house music, remixes and new tracks into 1hour mixtapes.

http://www.deluxetom.com

BIO:
Ahmet was born in Kardjali, Bulgaria where he spent his childhood. His introduction into music came from his father's obsession with electronic equipment. At 10 years old Ahmet was so curious about how the electronic equipment worked that he began assembling and disassembling some parts of the electronic goods in his house. At the age of 12 Ahmet made his first steps in his music career by making his own remixes which showed his passion for music. In 1991 Ahmet's family decided to move to Turkey; that was the beginning of a whole new life for him. 
 
He was going to school in Izmir, one of the biggest cities in Turkey, and in the evenings Ahmet was working in some ordinary bars as a DJ. After graduating in 1995 Ahmet decided to continue his professional music career and started working as a resident DJ in one of the biggest clubs in Izmir called "Club Marina". Later Ahmet wanted to make a difference in his life and continued his music career in different cities in the world working as a DJ in successful parties and organizations. According to topdeejays.com in Turkey Ahmet became the #1 DJ in "DEEP HOUSE",  #1 DJ with the most followers in YouTube and multiple times #1 on Beatport Mixes
​
COUNTRIES PLAYED IN:
Belgium, Bulgaria, Croatia, Cyprus, England, Egypt, Greece, Germany, Italy, Indonesia, India, Kenya, Lebanon, Morocco, Netherlands , Nigeria, Poland, Russia, Switzerland, Turkey, Vietnam.
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PRESS:
The Beat Bali - Kenh 14 Vietnam - Smag Live Germany

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
Continue reading... www.facebook.com/pg/rogersanchezfanpage/about

MANAGEMENT
phil@threesixzero.com
mm@threesixzero.com

BOOKING
WW (excl. North & South America): 
dave.blackgrove@teamwass.com
North & South America: 
bshprits@teamwass.com

Listen to my new track 'Velvet & Ice': https://selectedbase.lnk.to/velvetice

Ferreck Dawn is all about the drums. They have to be heavy and physical to get his dance floors full, while the vocal details bring the all-important heart and soul. After 20 years in the game, this signature sound is what the Dutchman is recognised for around the world. It has taken him to every major club and festival, to labels like Defected, Repopulate Mars and Club Sweat and to the Beatport number 1 spot a number of times. 

"I like to please everybody on the dance floor," he says of this mix of the visceral and more emotional. Whether using original vocalists or digging deep for a sample, it is the melody, soul and texture of the human voice rather than the words that Ferreck is drawn to. And it has been this way since his international breakout tune in 2014: 'Love Too Deep,' with his friend Redondo, got signed to Spinnin Records, made the daytime playlist on BBC Radio One and led Ferreck to quit his job and pursue music full time. 

His early tunes soon got support from the likes of Carl Cox, Luciano and Green Velvet, and another milestone came with 'In Arms' on Defected in 2018. It became one of the most played tracks of the Ibiza season, reached the overall number 1 on Beatport and gathered over 70 million streams. In 2021, he repeated the trick of serving up a sizzling summer anthem and Beatport chart-topper with 'Back Tomorrow' together with UK powerhouse singer Jem Cooke, again on Defected. As with many of his tunes, global radio support and high-profile DJ plays helped make it a modern classic.

Part of the reason Ferreck remains a chart-topping producer after nearly 20 years is his ability to do it all. He searches out interesting collaborators from different sub-genres to mix it up and find new inspirations. Whether it's David Guetta's house alias Jack Back, 'The Void' with Lee Foss, 'My Own Way' with A-Trak and Lord, he never stops evolving. Of course, the best in the scene also come calling for the famous Ferreck sound: he has remixed an a-list of artists including Diplo, Tiesto, Martin Garrix, Vintage Culture, Claptone, Oliver Heldens and many more. 

Ferreck traces his love of chunky bottom ends back to his earliest experiences of dance music. Growing up in the Netherlands, he was surrounded by gabba and hardcore. It swept him up and defined his early years as DJ Dusk. But the often high tempos and impenetrable grooves proved to be a creative dead end for him once he began producing. He had more to say and was keen to explore a wider array of moods and grooves so added a stylized version of his own first name, Freek, and flipped Dusk to Dawn. He gravitated towards a unique mix of powerful techno drums and emotional house vocals and Ferreck Dawn was born. 

As a DJ now, he understands people want to hear the signature Ferreck sound. So in the booth, he balances his own productions with tracks that speak most to him, as well as some carefully chosen classics and future gems. This means he is able to smash out a high-impact 90-minute festival set at Extrema Outdoor, but also go deeper and play all night long at cult clubs like London's Fabric, and everywhere in between.

Fresh off the back of his first solo tour of the US, Ferreck has a wealth of new music coming with Meduza, Vintage Culture, Dom Dolla and Izzy Bizu. "If I won't play it, I won't release it," he says, "and I stand by that 200%." It is that quality control that has kept him at the top of his game for almost 20 years. 

MGMT: dmc@purplewall.com / lucas@purplewall.com
Bookings: 
Worldwide: harrison@activetalentagency.com
North & South America: charlie@spinartistagency.com
Benelux: maurits@peoplesagency.nl

Bookings: dan@xmixproductions.com
PR: masha@xmixproductions.com
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

Snowbombing. Where to start... Mayrhofen, Austria, that’s where. A festival up a mountain 8,497 FT above ordinary, in one of the finest ski resorts in Europe, sprinkled with world class acts in insane venues (think igloo rave, enchanted forest party, underground tennis club turned super club). Luxury spas, authentic cuisine and not a tent in sight. Chalet go on? Blue runs, black runs, schnapps runs. The original. Unparalleled. Undeniably epic.

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