Prelude & Fugue No. 3 for piano (2012)
The prelude is slow and elegiac in character, opening with simple chords that feature in several transformations throughout the piece. The melodic material is always in the left hand. The fugue has a complex structure based on the Fibonacci Series (1, 2, 3, 5, 8, 13 etc.). The notes of the ‘subject’ unfold gradually using this series. When the ‘subject’ is 34 notes long, the process is reversed, gradually losing all the earlier notes. Throughout the fugue the ‘subject’ material also appears into shorter note values, so that in the last 3 bars it simply disappears off the page!


Prelude and Fugue No. 3 (fugue)

His work has been broadcast and widely performed in Britain, Europe and the U.S. Prizes include the Yorkshire Arts Young Composers' Competition (1978), the MidNAG award (1979) and his work 'Elegy' for solo alto flute was one of only two UK works selected for Gaudeamus International Musikweek in the Netherlands. 'Inevitable Inventions' was awarded first prize in the 1996 Match TM Composition Award. In 1994 he was one of the featured composers at the Vale of Glamorgan Festival and he has since been regularly programmed at the festival. 

In 2006 he received the prestigious Creative Wales Award to enable him to write two large scale orchestral works.

His work ranges from a chamber opera, 'Cheap Tricks' (1984), to a large number of solos and duos written for individual performers; notably 'Inevitable Inventions' (1994) for the violinist Madeleine Mitchell, 'Music for the Cyber Cafe' for the clarinettist David Campbell, and the solo trombone piece 'Sinfonia', premiered by Barrie Webb at the 1987 Huddersfield Festival of Contemporary Music.

In contrast to the reflective, internalised nature of these pieces, recent work over the last ten years, such as the 4 string quartets, and the orchestral works 'Still Life', 'Srebrenica' and  'On the Banks of the Nile' mark a return to a much more dramatic and public language, using large scale forms and forces.

Prelude and Fugue No. 3 (fugue)

michael parkin