Art without a purpose is art without substance, yet the art of Dj shotgun is driven by a very clear purpose which is to be known as the best in the business. This young DomiRican born to a Puerto Rican father and a Dominican mother on August 31 knows that the only way to be heard is through his combination of advanced turntable skills and tasteful Record selection. This has earned shotgun the opportunity to entertain crowds of over 20,000. DJ shotgun has grown to be one of the most popular and influential disc jockeys in the hip-hop and Reggaeton market. He has starred in such shows as the roof and he is one of the host for the up and coming show from Boston The Revolution. He has also featured appearances in shows such as Despierta America, Escandalo TV, Christina and many others. He has played in some of the hottest clubs in the United States and Puerto Rico. Shotgun is being known as one of the disc jockeys for bridging the gap between hip hop and Reggaeton . He has also disk jockeyed for many artist such as Ivy Queen, Daddy Yankee, Tito el Bambino and many more. Making him one of the most sort out Djs in the urban Latin  music scene.

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MAXIZAMUS FOREVER!

Urban Island Music Artist, Samu is the smooth son from Texas. This young southerner has an old soul and his R&B/Soulful vibes mixed with a reggae twist along with a blend of hip-hop and dancehall influences make his sound very unique. 

Samu has worked with talented artists such as Fiji, Aaradnah, J Boog, Peetah Morgan from the Grammy Award-winning reggae group Morgan Heritage, and also American rapper Baby Bash. 

Samu is a very proud advocate of his Polynesian culture and hopes to use his work to make a positive impact not only amongst his people, but within his community, and the future of the next generations to come!

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Michael Pomate is following