Roots rock, stripped down, one voice, one take recorded on an iPhone Voice memo. It doesn't get any more naked than this. Not an auto-tune within 50 miles of this track. That was the guide track recorded in March 2016. Then Late May 2016 came around and a remix was undertaken (slide guitar, blues harp, stand-up bass and drums added) along with mastering work at emastered.com. And there’s your Uncle Bob and Aunt Fanny. Lock, Stock and Barrel. Booyah!
The writing of this song is credited to Gene Vincent and his manager, Bill "Sheriff Tex" Davis. Evidently the song originated in 1955, when Vincent was recuperating from a motorcycle accident at the US Navy hospital in Norfolk, Virginia. There, he met Donald Graves, who supposedly wrote the words to the song while Vincent wrote the tune. (Cf. "Money Honey" by the Drifters, 1953). The song came to the attention of Davis, who allegedly bought out Graves' rights to the song for some $50 (sources vary as to the exact amount), and had himself credited as the lyric writer. Davis claimed that he wrote the song with Gene Vincent after listening to the song "Don't Bring Lulu". Vincent himself sometimes claimed that he wrote the words inspired by the comic strip, "Little Lulu": "I come in dead drunk and stumble over the bed. And me and Don Graves were looking at this bloody book; it was called Little Lulu. And I said, "Hell, man, it's 'Be-Bop-a-Lulu.' And he said, 'Yeah, man, swinging.' And we wrote this song."
The phrase "Be-Bop-A-Lula" is similar to "Be-Baba-Leba", the title of a # 3 R&B chart hit for Helen Humes in 1945, which became a bigger hit when recorded by Lionel Hampton as "Hey! Ba-Ba-Re-Bop." This phrase, or something very similar, was widely used in jazz circles in the 1940s, giving its name to the bebop style, and possibly being ultimately derived from the shout of "Arriba! Arriba!" used by Latin American bandleaders to encourage band members.
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Be Bop-a-Lula - ReMix2 - Michael Delgorio - eMastered

Everyone loves a good story. We've enjoyed telling them in words, pictures and music. 

Please follow MichaeldelAard here and on twitter @MichaeldelAard. We've long been moved by the rough cuts, bootlegs and demos by storied artists both past and present because they show pure emotion, high creativity unfettered by auto-tune and over-production. The elimination of anything that could remotely resemble anything but a perfect track is not part of this stream. This project is more about spontaneity. You'll find perfectly human imperfections and, spare (lean and mean)demo productions throughout. On occasion, though all tracks were recorded ultra-simply on an iPhone's voice memo app, we would pull a track into GarageBand to add a track or sound effects (as in several of the originals, herein)...but all in all these are low-fat productions that reflect our most basic love for music and storytelling. Nothing more than that. Should a track tickle your ear, we'd be most grateful to here about it. Thanks for the opportunity to share with you. Follows, comments and shares are welcome.