The most currently relevant selections of the immediate now: it's new!

CONTEMPORARY MUSIC: SEPTEMBER 2020

海洋 屍體 能源 巨型生態 瘴氣森林 陵墓 沈寂

☽ 腐 海 ☾

New York based record label Cadence Collective is back on the scene with their third segment of genre re-defining experimental hip hop, jazz, and electronic based music. 

Sure to please long time fans and newcomers, 'Sampler 3' features 12 eclectic tracks from 13 wildly talented artists using avant-garde methods that challenge the listener to expand their audial horizons. 
From newcomers like Omari Jazz, Space People, and froyo ma, to Cadence Collective mainstays, such as m∞n and Kruisemode, 'Sampler 3' is as much an unconventional study into sonically produced art, as is a refreshing response to an ever-homogenizing field of entertainment. 

As much for your heads and hearts as for your hands and feet.


Featuring: 

soundcloud.com/aprilandvista 
soundcloud.com/discarded 
soundcloud.com/oldtoy 
soundcloud.com/omarijazz 
soundcloud.com/cofaxx 
soundcloud.com/spacepeople 
soundcloud.com/kruisemode 
soundcloud.com/natborntrilla 
soundcloud.com/froyoma 
soundcloud.com/cvd-1 
soundcloud.com/pboysandwich 
soundcloud.com/bryanmoon 
soundcloud.com/4_sight 

Cover by Bryan Moon 
Saxophone on Track 12 - Henry Tirfe 
Words by Ian Miller

Download

discarded - "Ocean Song"

初雪 was the first sketch of First Snow.

初雪

Damascus

a mix I made for a newsletter by my best friends called Daily Enjoy

the dragon-tail butterfly in slow motion(mix for Daily Enjoy)

Sweet Dreams

Yawn

Schlish - Threats (Produced By Cheecho) (@DJTIPTRONIC EXCLUSIVE)

Patmos

Track Premiere: 'Eco Fascist Dethroned' by @euglossine [@genotcentre]
Read more: https://paynomindtous.it/ecofascistdethroned-euglossine-genot
***
The prolific composer and multi-instrumentalist Tristan Whitehill from Gainesville, Florida, also known as Euglossine, is about to release yet another formidable record on the Prague-based Genot Centre outcome. Out on October 4th on digital and C34 tapes (limited edition of 55 + on-body printing), Blue Marble Agony erupts Tristan’s typical jazz-fusion-chill weirdness and bright minuteness in a 33-minutes cauldron of conceptual elevator muzak, at times intense at times carefree, suggestive, and challenging, instant and precious.

Euglossine’s electro-exotica has been consistently perfected over the last years by steadily releasing rich albums of texture explorations, theatrical sound solutions, and suspenseful histrionics. Among his vast production, it’s possible to mention the three separate appearances on the seminal Orange Milk Records from the US with Canopy Stories, Sharp Time, and Psaronius (2016, 2017, and 2020, respectively), devoted to the artistic and poetic investigation of the possible meaning and use of Music in 2020 – mainly focusing on the relationship between digital abstractions and analog materiality. Tristan’s body of work features many other releases (such as the ones on Beer on the Rug and Hausu Mountain, just to name a few) that enrich his visionary and variegated take on modern jazz improvisation and library music, losing itself in the smallest composition detail and crafting the perfect, limitless sonic journey.

Blue Marble Agony displays Euglossine’s vision in its finest, defining a peculiar style that Genot Centre’s founders aptly label as “high-definition cyber-prog“. The artist’s wide sample banks are expertly used to offer multi-layered progressions and complex improvisations served with no frills, immediate and never inaccessible. From the encyclopedic sound palette employed in Blue Marble Agony, one could discern all sorts of string instruments, traditional and synthetic percussions, folk flutes and digital wind instruments, multiple nature sounds, all paired with the heavy use of processed, recontextualized samples.

The labyrinthic tracks exhibit titles that have reportedly been associated with a variety of pressing environmental themes, whose complexity and urgency have been addressed via endless harmonic transformations, grave arrangements, and a consistent portrayal of ethereal scenarios and elusive sensations. The record requires all the listener’s attention throughout all the length of the tape, as it’s basically impossible to foresee the next move in the cinematic grandeur of the compositions, which are at times so overflowing that it makes you wonder if an actual arcane alien message could have been encrypted in the sound textures.

Today, we’re honored to share with you the Eco Fascist Dethroned track, the 7th on the cassette. The delicate composition, featuring a marvelous melody, rich stereo panning effects, and a percussive crescendo, sounds to us like an affirming, heartfelt call-to-action to promote awareness and actively participate in the current fight against forces of power that systematically refuse to be held accountable, among the most memorable episodes in the whole Blue Marble Agony. The tape, mastered by Angel Marcloid and designed by Lenka Glisníková & h5io6i54k, will be out on October 4th on Genot Centre’s Bandcamp and it’s now available for pre-order. Make sure you check it out!

Blue Marble Agony

Euglossine - Eco Fascist Dethroned [PAYNOMINDTOUS Premiere / Genot Centre]

She picture us together, please no pictures lady
I’m always in new countrys, I'm getting money baby
They got bottles on the house, & it's been so latley
I let the guap do it’s thing, and we 𝑔𝓊𝒸𝒸𝒾 baby

Money can'𝓽 tell whats right or wrong
Formal dinner st𝓲ll got fendi on
on a molly put my brud𝓭a's on
bust out a rolly, not my only on𝓮 

gotta watch your step, lego’s everywhere
money make you dance, music in my ear♫
where is swoopy teachers think i disappeared 
𝓅 𝓅 𝓅ockets filled we still gon bring the bag inhere

𝓢𝓪𝓶;
I’m rich ur rich let’s have a money, baby
New dsquared jeans every fuckin day
money come money go throw it all away
money come money go but it’s ok
I’ma make it back anyway, I’ma make it back anyway
As long as you say
𝒜𝓈 𝓁𝑜𝓃𝑔 𝒶𝓈 𝓎𝑜𝓊 𝓈𝒶𝓎:

just say that u want me too,
I'll do whatever u want me to
money, the benjamin franklin is blue
put Mihara Yasuhiro on my shoes

got the wock got the tris we could pour up 
Me and Swoop getting high on the sofa 
got a show i get paid just to show up 
in the club we could drink til we throw up 


•♬•♫•.@sglily @cyprinuscarpio •♬•♫•.

Patmos

Mikey Enwright