Sally Dige (pronounced “Dee-Ah”) is a Danish-Canadian independent solo artist based in Berlin, Germany, who writes, records, produces and arranges her own music; in addition to creating and managing all aspects of her visual work. She has released two albums, a handful of singles, and has featured in numerous collaborations. 

Sally Dige began her solo project in Vancouver, Canada in 2012, after being invited to write and record musical accompaniment for her friend’s poetry project. Within a few short hours in the studio, Dige already had the backbone to her songs “Immaculate Deception” and “Doppelgänger”. A sudden change of circumstances in the studio led her friend to convince Dige to finish those songs and release them for her own solo project.

In 2013, Dige relocated to Berlin in order to focus on music and the creative arts. Over the years, her sound has changed organically from italo disco-inspired electro, to post-punk, to ethereal new romantic. Her current sound combines elements of folk, new wave and art-rock. Her recent endeavour towards acoustic instruments was the need for change from her last album, “Holding On” (2017), which was entirely programmed and recorded on one synthesiser that she hauled back and forth between Denmark and Berlin on a bus. “The natural form of self-rebellion was to pick up instruments that didn't need electricity to function, and play with strings and the hands again,” says Dige.

Contact - tom.konxompax@gmail.com
Multi-Media Artist. 
https://planetmu.bleepstores.com/release/126501-konx-om-pax-ways-of-seeing

Raam is an Iranian musician. He started his musical career as the singer/songwriter/founder of Hypernova. Between touring with his band and performing his solo theater piece "Departure," Raam has also started a podcast (in Persian) called Masty o Rasty.

"Darja Kazimira" is a project of the Latvian/Georgian experimental improviser, vocalist, multi-instrumentalist, and artist Darja Kazimira Zimina. The ideological core of the project is based on the idea of ​​a regular search for a dynamic object-center of the ritual, through the construction and study of the principles of sacred space erection. The search is carried out through self-initiated rites of burial, funeral, sacred violence, fertility (cults of the ground), as the embodiment of the idea of ​​transformation and its irreversibility. For this, the author also uses bodily practices, many of which are of an authentic masochistic nature. The genealogy of the tragic and ancient tragedy also has a great influence here. The main form of the musician's expression is long improvisational cycles of a pseudo-storytelling nature, for which the author uses they own asemiotical, idiosyncratic language, generating semantic keys that cannot be deciphered by the listener, thus supporting the idea of ​​realizable meaning, as well as its complete absence.

Born and raised in Central Asia listening postsovietunion disco and Hip Hop. In my early twenties stormed into #minimal #dubhouse learn to spin in Berlin since then never stop.

Finns ens n​å​gonting kvar?

زندگی کردن من مردن تدریجی بود
آنچه جان کند تنم عمر حسابش کردم 
(فرخی یزدی)

Born and raised in the heartland of Persia (IRAN). at the age of seventeen, his spirit was called on a journey of his life.  He left home, seeking a higher self. Music became an inseparable part of his journey.
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No longer bound to a single genre after several years of experimentation. 
I am here to express myself through music, by listening as well as creating the melodies that my soul is aligned with... I am here to genuinely appreciate every artist who has this same method of expression which allows a deep connection with the audience. 


KNOW THY SELF
93  93/93

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