ON FIRE EP: https://michaelmarhal.bandcamp.com/

Bazaar is composed/produced by Michael Marhal
-ver f6

▼ Follow Michael Marhal
YouTube: www.youtube.com/user/michaelmarhal
SoundCloud: @MichaelMarhal
Google+: plus.google.com/+MichaelMarhal
Twitch: www.twitch.tv/michaelmarhal/profile

Fire

Michael Marhal - Bazaar

About Me: 
-Callum M AKA TheSwiftHD is a Rapper and Self-Published author from the UK. 

His influences range from 90s Hip-Hop all the way to Pink Floyd. 

 He finds it important to say his truth of good values through his lyrics

=

SOME NEW & OLD SONGS, REMIXS & COLLABS... 
You Can DISCOVER MORE TRACKS, FOLLOW 
or Keep Following Me @ My MAIN PROFILE too 
https://soundcloud.com/specialececilia
SINGER SONGWRITER "AVANT-GARDE" in UPLIFTING ECLECTIC GLOBAL ELECTRO FUSIONS  
SINCE YOUTH INTO MUSIC as MISSION to SHARE MESSAGES & GOOD VIBRATIONS...
​ONE OF THE FIRST DEEJAY FEMALE MC SELECTOR, UPCOMING AS A SINGER SINCE 2006. SING in a WAY NOT "DEJA VU" on ​​BEATS FROM VARIOUS WORLDWIDE MUSIC MAKERS

My music adventure started in 1996 on Amiga Demoscene, where I was active until 2004. I had the opportunity to be there, on the real DemoParties and CopyParties :-) where I used to compete in MOD and XM Tracker Music. 

By hitting the "Like" button, leaving a comment or just reposting - you are already supportive and many thanks for that in advance  :-)

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Electronic music artist since the mid-'80s.
I create tracks of different genres and moods.

Thanks to all musicians and music lovers
on soundcloud who support me with likes,
comments and reposts. That motivates me
to record new tracks.

On SoundCloud since December 2017
© All rights reserved

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

(O.A.S)
(Original_Alien_Sounds)
~Please message me if you are interested in purchasing an instrumental~

W£ird G@ng
(FL@V£RZ)(4)(D@YZ)

Get my Water & Fire EP here: https://michaelmarhal.bandcamp.com/
Singer, Songwriter, Pianist, Guitarist.
Video Game Music Composer

Please Like / Comment / Share!

Focusing on video game music composition with also various EDM Genres and Alternative rock.

Have grade 7 RCM Piano,  Played Clarinet and sang in the jazz choir.  Played guitar for about 9 years. 

Available to compose for games!

ZONE 5314: i Love House, Dance, 80s & 90s music!


Thank You For Listing Everybody👊!


Beautiful zenders !

The best 80s & 90s music !

House & Dance reposter !

Born:1971 / Men.


ROTTERDAM SOUTH SIDE THE NETHERLANDS!!! 

              
                    🟥⬜️⬛FLR🟩⬜️🟩

FOR BOOKING : nir300project@gmail.com

NIR300 is a musician based out of Khimki, Moscow Region. With a combination of studio production and live performances, NIR300 creates new impressions and exits emotions of different musical and electronic dance styles. NIR300 is best known for the singles "Sexual Origins (feat.Amber)," "Club Pimp (feat. Sagat)," "Zodiak Inside," "Kitty Kitty Top-O-Top," and "Step By Step."Many of the singles were under different monikers and were played in heavy rotation on radio stations throughout Europe. NIR300 continues to push boundaries and gaining international recognition for his forward-thinking beats in the new electronic dance music age.